More 70’s: 144 More Greatest Hits of the 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Honky Tonk Woman
cover recording of:
Honky Tonk Women
geschrieben in:
Mato Grosso, Brasilien (in 1968-12)
Verfasser(in):
M. Vickery, Mick Jagger (The Rolling Stones) (in 1968-12) und Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Westminster Music Ltd.
Ike & Tina Turner43:10
2Inside Looking Out
Grand Funk Railroad9:33
3Long Dark Road
recording of:
Long Dark Road
Verfasser(in):
Tony Hicks und Kenny Lynch (English singer, songwriter, entertainer & actor)
The Hollies14:14
4Nice to Be With You
recording of:
Nice to Be With You
Texter und Komponist(in):
Jim Gold
Gallery52:38
5Love Grows
Produzent(in):
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) und Demon Music Group (in 1970)
Musikvideos:
Love Grows (Where My Rosemary Goes) von Edison Lighthouse
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 40) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
Verfasser(in):
Tony Macaulay und Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. und Universal Music Publishing MGB Australia
Edison Lighthouse3.82:44
6Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:12
7Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:14
8Spank
recording of:
Spank
Texter und Komponist(in):
Ronald Louis Smith
Jimmy "Bo" Horne6:59
9Lean on Me
recording of:
Lean On Me
Verfasser(in):
Joe Cobb (Joe “Youngblood” Cobb; songwriter, producer, composer, writer) und Van McCoy
Melba Moore4:54
10People Make the World Go Round
The Stylistics3:31
11I Can’t Leave You Alone
phonographisches Urheberrecht (℗) von:
T.K. Records Ltd. (Miami‐based disco label) (in 1974)
recording of:
I Can’t Leave You Alone
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
Peer Music
George McCrae3:08
12Amor
cover recording of:
Amor (More and More Amor)
Texter:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
Komponist(in):
Gabriel Ruiz (Mexican composer)
Teil von:
Broadway Rhythm (film)
Rod McKuen2:56
13Hey Mal Yo
Johnny Rodriguez3:09
14Hello Summertime
recording of:
Hello Summertime (1970s song)
Verfasser(in):
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis und Roger Greenaway
Bobby Goldsboro2:25
15Storm in a Teacup
Produzent(in):
Gordon Mills (60s/70s UK producer and songwriter)
recording of:
Storm in a Teacup
Verfasser(in):
Lynsey Rubin und Ron Roker
publisher:
ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:16
16Sandy
Produzent(in):
John Farrar
Mix:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
Texter:
Scott Simon
Komponist(in):
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) und Unichappell Music (in 1978)
Teil von:
Grease (1978 film)
John Travolta3.752:33
17Don’t Cry for Me Argentina
assistierende(r) Techniker(in):
Stefan Heller
Techniker(in):
Peter R. Vince (engineer, producer)
Produzent(in):
The Shadows (British pop/rock band that once backed Cliff Richard)
Bassgitarre:
Alan Jones (member of the Shadows, 60s Merseybeat group)
Gitarre:
Hank Marvin (lead guitarist of The Shadows, songwriter) und Bruce Welch (English guitarist, singer, songwriter and producer)
Perkussion und Schlagzeug:
Brian Bennett (Shadows drummer/library music composer)
Synthesizer:
Dave Lawson (UK keyboardist & composer)
arranger:
The Shadows (British pop/rock band that once backed Cliff Richard)
aufgenommen bei:
EMI, Abbey Road in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und The Music Centre in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
cover recording of:
Don’t Cry for Me Argentina (Evita)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
Teil von:
Evita (Andrew Lloyd Webber musical)
The Shadows33:31
18Diamonds Are Forever
Produzent(in):
John Barry (English score composer)
Mix:
John Richards (engineer)
Sologesang:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1971)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Diamonds Are Forever (main title theme)
Texter:
Don Black (English lyricist)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:40
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