Essential Pavarotti II

~ Veröffentlichung von Luciano Pavarotti (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelBewertungLänge
A1Questa o quella
Tenor-Gesang [Duca]:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
1:49
A2Recondita armonia
Bass-Gesang [Sacristan]:
Italo Tajo (Italian operatic bass) (von 1978-05-31 bis 1978-08-01)
Tenor-Gesang [Cavaradossi]:
Luciano Pavarotti (tenor) (von 1978-05-31 bis 1978-08-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (von 1978-05-31 bis 1978-08-01)
conductor:
Nicola Rescigno (conductor) (von 1978-05-31 bis 1978-08-01)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (von 1978-05-31 bis 1978-08-01)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
3:01
A3Brindisi : Libiamo, ne’ lieti calici
assistierende(r) Produzent(in):
Andrew Cornall (engineer / producer) (in 1979-11)
Produzent(in):
Christopher Raeburn (producer) (in 1979-11)
Chorgesang:
London Opera Chorus (in 1979-11)
Soprangesang [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
Tenor-Gesang [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
Tonmeister(in):
James Lock (James Locke, engineer) (in 1979-11) und Kenneth Wilkinson (engineer) (in 1979-11)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-11)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1977)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
2:50
A4Amor ti vieta
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Loris]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06) und Nicola Rescigno (conductor) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) (in 1979-06)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1898)
Librettist:
Arturo Colautti
Teil von:
Fedora: Atto II
1:50
A5Mi batte il cor... O paradiso
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Eugène Scribe
übersetzte Version von:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
3:30
A6Se quel querrier io fossi... Celeste Aida
recording engineer:
Simon Eadon (classical music engineer)
Techniker(in):
Stanley Goodall (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Andrew Cornall (engineer / producer) und Ray Minshull (record producer)
Editing:
Matthew Hutchinson (engineer / editor)
Tenor-Gesang [Radamès]:
Luciano Pavarotti (tenor) (von 1985-12 bis 1986-01)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1985-12 bis 1986-01)
conductor:
Lorin Maazel (conductor) (von 1985-12 bis 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (von 1985-12 bis 1986-01)
aufgenommen bei:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italien (von 1985-12 bis 1986-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (von 1985-12 bis 1986-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
4:06
A7Ch’ella mi creda
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Johnson]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (in 1979-06)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
2:05
A8Donna non vidi mai
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1979-06)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
2:38
A9Pourquoi me réveiller
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang [Werther]:
Luciano Pavarotti (tenor) (in 1979-06)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
aufgenommen bei:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, Vereinigtes Königreich (in 1979-06)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-06)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) und Paul Milliet (Librettist)
Teil von:
Werther : Acte III (Charlotte et Werther)
3:05
A10O soave fanciulla
Techniker(in):
James Lock (James Locke, engineer), Colin Moorfoot (engineer) und Gordon Parry (engineer)
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Soprangesang [Mimì]:
Mirella Freni (soprano) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
Bearbeitung von:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) von Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:15
B1Marechiare
3:52
B2Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
4:47
B3La Serenata
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La serenata (original, for voice and piano)
Texter:
Giovanni Alfredo Cesareo (Italian librettist)
Komponist(in):
Francesco Paolo Tosti (Paolo Tosti, composer)
gewidmet:
Jules Diaz de Soria
2:12
B4Panis angelicus
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Panis Angelicus (catch-all for arrangements)
Komponist(in):
César Franck (Belgian‐born French composer)
Arrangement von:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
4:00
B5In un palco della Scala (with apologies to Pink Panther)
Tenor-Gesang:
Luciano Pavarotti (tenor)
3:14
B6Caro mio ben
recording engineer und Tonmeister(in):
Kenneth Wilkinson (engineer)
Produzent(in):
James Mallinson (producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1977-04)
vocals:
Luciano Pavarotti (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-04)
recording of:
Caro mio ben (in 1977-04)
Texter:
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Giuseppe Giordani und Tommaso Giordani
publisher:
G. Schirmer Inc.
3:03
B7Mamma
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1984-01)
Orchester:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Grand Casino Noga Hilton in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
Texter:
Bixio Cherubini
Komponist(in):
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Mamma
3:34
B8Nessun dorma - Live Version
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1982-04)
Orchester:
Royal Philharmonic Orchestra (in 1982-04)
conductor:
Kurt Herbert Adler (conductor) (in 1982-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
aufgenommen bei:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1982-04)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (in 1982-04)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
3:10

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Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/347403 [Info]
Wikidata:Q5399534 [Info]