Greatest Hits 1982-1989 (club edition)

~ Veröffentlichung von Chicago (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Hard to Say I’m Sorry / Get Away
Techniker(in):
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Jack Goudie, Lee Loughnane und Walter Parazaider
Mix:
Bill Schnee
Saiteninstrumente arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Danny Seraphine
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2010)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard to Say I’m Sorry / Get Away
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Double Virgo Music, Foster Frees Music Inc. und Little Sacha Songs
Medley von:
Hard to Say I’m Sorry
Medley von:
Get Away
55:10
2Look Away
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
Look Away (in 1988)
Texter und Komponist(in):
Diane Warren (US songwriter) (in 1988)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
54:05
3Stay the Night
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Stay the Night (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Songs, Inc., Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
43:51
4Will You Still Love Me?
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Laura Livingston
Sologesang:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
Verfasser(in):
Richard Baskin (film composer and producer) (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) und Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) und Young Millionaires Club Music (in 1986)
45:46
5Love Me Tomorrow
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Jack Goudie, Lee Loughnane und Walter Parazaider
Sologesang:
Peter Cetera (in 1982)
Saiteninstrumente arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Jeremy Lubbock
arranger:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Danny Seraphine
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Love Me Tomorrow (in 1982)
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Double Virgo Music, Foster Frees Music Inc., Irving Music, Inc. und Rondor Music (London) Ltd.
5:08
6What Kind of Man Would I Be? (remix)
Produzent(in):
Chas Sandford
remixer:
Humberto Gatica
recording of:
What Kind of Man Would I Be?
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) (in 1988), Chas Sandford (in 1988) und Jason Scheff (in 1988)
publisher:
Bobby Caldwell Music, EMI Blackwood Music Inc., EMI Songs Ltd., Fallwater Music, Jason Scheff Music, MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sin-Drome Music, Texascity Music, The Music Force, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
4:16
7You’re the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
53:52
8I Don’t Wanna Live Without Your Love
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
Sologesang:
Bill Champlin (in 1988)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 2010)
recording of:
I Don't Wanna Live Without Your Love (in 1988)
Verfasser(in):
Albert Hammond (in 1988) und Diane Warren (US songwriter) (in 1988)
publisher:
Albert Hammond Music, Realsongs und WB Music Corp. (1929–2019)
3:55
9Hard Habit to Break
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
Sologesang:
Peter Cetera (in 1984) und Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hard Habit to Break (in 1984)
Verfasser(in):
Steve Kipner (in 1984) und John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
44:46
10Along Comes a Woman
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
vocals:
Peter Cetera (in 1984)
arranger:
Peter Cetera und Mark Goldenberg
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Along Comes a Woman (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und Mark Goldenberg (in 1984)
publisher:
BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) und Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1984)
44:18
11If She Would Have Been Faithful…
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Laura Livingston
Sologesang:
Jason Scheff (in 1986)
arranger:
David Foster (Canadian music producer, arranger and composer) und Steve Kipner
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986, in 2010)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
If She Would Have Been Faithful... (in 1986)
Verfasser(in):
Randy Goodrum (in 1986) und Steve Kipner (in 1986)
publisher:
Bocu Music Ltd., CBS Songs Ltd., MCA Music Ltd., April Music Inc. (in 1985), California Phase Music (in 1985) und Stephen A. Kipner Music (in 1985)
3:55
12We Can Last Forever
assistierende(r) Techniker(in):
Nick Basich, Michael Hutchinson (engineer), Stan Katayama, Jeff Poe und Bob Vogt
Techniker(in):
Daren Chadwick, Ron Nevison und Chas Sandford
Produzent(in):
Ron Nevison
Mix:
James Guthrie, Chas Sandford und Greg Walsh (producer and engineer)
vocals:
Jason Scheff (in 1988)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988, in 1989, in 2010)
recording of:
We Can Last Forever (in 1988)
Verfasser(in):
John Dexter (Songwriter, Producer and A&R executive) und Jason Scheff
publisher:
Irving Music, Inc., Jason Scheff Music und Texascity Music
3:45

Nennungen

Veröffentlichung

vertrieben von:Columbia House (distributor, a division of CBS Records Canada Ltd.)
urheberrechtlich geschützt (©) von:WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
phonographisches Urheberrecht (℗) von:WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982, in 1983, in 1984, in 1986, in 1989)