Housework Songs II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Simply Irresistible
tecnico:
Tim Kramer (engineer)
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
registrazione di:
Simply Irresistible
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Heavy Nova Music
Robert Palmer3.64:12
2Can’t Get Enough of Your Love
produttore e tecnico di missaggio:
Robert Clivilles and David Cole
arrangiatore:
Robert Clivilles and David Cole
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1993)
registrazione cover di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Taylor Dayne4:24
3Neutron Dance
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
tecnico di registrazione:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (nel 1983)
programmazione degli strumenti:
Reek Havoc (nel 1983), Stephen Mitchell (US musician, composer, songwriter, producer et al.) (nel 1983), Bob Mithoff (nel 1983) e Howie Rice (nel 1983)
produttore:
Richard Perry (producer)
minimoog, drum machine, chitarra, organo, pianoforte e sintetizzatore :
Howie Rice (nel 1983)
tamburello :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
voce principale:
Ruth Pointer (nel 1983)
remixer:
Bill Schnee
diritti fonografici (℗) detenuti da:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (nel 1983) e Geffen Records (nel 1984)
registrazione di:
Neutron Dance (nel 1983)
autore:
Danny Sembello e Allee Willis
editore:
MCA Music Ltd.
The Pointer Sisters34:10
4I Only Want to Be With You
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Ltd (not for release label use!) (nel 1963)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1963)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 31) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 323)
registrazione di:
I Only Want to Be With You (Dusty Springfield song) (nel 1963)
autore:
Mike Hawker e Ivor Raymonde
editore:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (fino al 1987) e Warner/Chappell Music International Ltd. (dal 1987 a oggi)
Dusty Springfield4.42:34
5Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.42:59
6I Say a Little Prayer
produttore:
Andy Marvel
registrazione cover di:
I Say a Little Prayer
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:31
7Together in Electric Dreams
produttore:
Giorgio Moroder e Philip Oakey
tecnico di missaggio:
Brian Reeves
basso :
Arthur Barrow
chitarra :
Richie Zito
sintetizzatore :
Giorgio Moroder
voce di accompagnamento:
E.G. Daily (American singer and actress) e Joe Esposito
voce principale:
Philip Oakey
registrazione di:
Together in Electric Dreams
paroliere:
Philip Oakey
compositore:
Giorgio Moroder
editore:
BMG Gold Songs e WB Music Corp. (1929–2019)
Philip Oakey & Giorgio Moroder2.53:49
8The Only Way Is Up
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz & The Plastic Population3:58
9If I Can’t Have You
tecnico:
James Richards (engineer) e Stephen Streater
produttore:
Ricky Wilde
produttore aggiunto:
Phil Kelsey (notable remixer, aka Uncle Bob)
remixer:
Phil Kelsey (notable remixer, aka Uncle Bob)
arrangiatore:
Ricky Wilde
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001)
registrata presso e mixata presso:
Select Sound Studios in Knebworth, Hertfordshire, England, Regno Unito
registrazione cover di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kim Wilde2.653:25
10I’ve Been Thinking About You
produttore e tecnico di missaggio:
Martyn Phillips (producer, engineer, multi-instrumentalist)
chitarra basso :
William Henshall (Londonbeat)
chitarra elettrica :
John Turnbull
pianoforte e sintetizzatore :
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat)
voce di accompagnamento:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), William Henshall (Londonbeat) e John Turnbull
voce principale:
Jimmy Helms (soul singer)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1990)
registrazione di:
I’ve Been Thinking About You
autore:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) e William Henshall (Londonbeat)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat43:46
11Suddenly I See
assistente tecnico:
Graham Deas
tecnico:
Bruno Ellingham
produttore:
Steve Osborne (producer)
tecnico di missaggio:
Ren Swan
cajón, batteria e percussione :
Luke Bullen
chitarra :
KT Tunstall
chitarra baritono e basso :
Arnulf Lindner
voce:
KT Tunstall
diritti fonografici (℗) detenuti da:
Jaydone Ltd. ("record company trading as Relentless Records") (nel 2004)
mixata presso:
Metrophonic in London (Greater London), England, Regno Unito
prodotta presso:
Nam Studios in Bradford on Avon, Wiltshire, England, Regno Unito
registrazione di:
Suddenly I See
paroliere e compositore:
KT Tunstall
editore:
Sony/ATV Songs LLC
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
KT Tunstall3.63:09
12Finally
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1982)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 447)
registrazione di:
Finally (CeCe Peniston song)
autore:
Cecilia Peniston, Felipe Delgado, Elbert Linnear e R. K. Jackson
editore:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music e Wax Museum Music
CeCe Peniston4.24:04
13Crush
tecnico di registrazione e produttore:
Andy Goldmark
tecnico di missaggio:
Dave Way
chitarra :
Kevin Dukes
percussione :
Alex Acuña
strumenti aggiunto:
Jimmy Bralower
tastiera :
Andy Goldmark
voce di accompagnamento e voce principale:
Jennifer Paige
arrangiatore:
Andy Goldmark
diritti fonografici (℗) detenuti da:
Edel America Records, Inc. (nel 1998)
registrazione di:
Crush
autore:
Kevin Clark (UK singer/songwriter/producer active since 1980s, married to Berny Cosgrove), Berny Cosgrove, Andy Goldmark e Mark Mueller (US songwriter)
Jennifer Paige3.453:18
14When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:05
15Out of Touch
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1984)
registrazione di:
Out of Touch
paroliere e compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. e Warner/Chappell North America
Hall & Oates4:04
16Walking on Broken Glass
tecnico:
Heff Moraes
produttore:
Stephen Lipson
assistente tecnico di missaggio:
Will O'Donovan
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1992)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Walking on Broken Glass (video) di Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 300)
registrazione di:
Walking on Broken Glass
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
BMG Music Publishing Ltd., La Lennoxa Ltd e Universal Music Publishing International MGB Ltd.
Annie Lennox44:03
17Always Something There to Remind Me
produttore:
Tony Mansfield (producer & songwriter)
registrazione cover di:
(There’s) Always Something There to Remind Me (nel 1982-09)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Naked Eyes4.33:33
18Things Can Only Get Better
D:Ream3:26
19HeartbreakerDionne Warwick4:13
20Leave a Light On
produttore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1989)
registrazione di:
Leave a Light On
autore:
Rick Nowels e Ellen Shipley
editore:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (nel 1989), Shipwreck Music (publisher) (nel 1989) e Virgin Songs, Inc. (nel 1989)
Belinda Carlisle24:13
21Save the Best for Last
produttore:
Keith Thomas (CCM, country, pop producer & songwriter)
arrangiatore:
Keith Thomas (CCM, country, pop producer & songwriter)
arrangiatore aggiunto:
Vanessa Williams (US pop/R&B vocalist/producer)
registrazione di:
Save the Best for Last
autore:
Phil Galdston, Jon Lind e Wendy Waldman
editore:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:38

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