Carpenters Gold - 35th Anniversary Edition

~ Veröffentlichung von Carpenters (alle Versionen dieser Veröffentlichung ansehen, 21 vorhanden)

Titelliste

1▼CD: Disc: 1
Nr.TitelBewertungLänge
1Superstar
recording of:
Superstar
Verfasser(in):
Bonnie Bramlett und Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music und Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
?:??
2Rainy Days and Mondays
recording of:
Rainy Days and Mondays
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music (London) Ltd.
?:??
3Top of the World
recording of:
Top of the World (am 1973-08-15)
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc. und Rondor Music (London) Ltd.
?:??
4Maybe It's You
recording of:
Maybe It's You
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters) (in 1968)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Irving Music, Inc.
?:??
5Let Me Be the One
recording of:
Let Me Be the One
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Rondor Music Ltd. (publisher)
?:??
6Reason to Believe
Techniker(in):
Dick Bogert (Recording and mixing engineer) und Ray Gerhardt (Recording and mixing engineer)
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter) und Danny Woodhams (Bassist, drummer, vocalist and songwriter)
Holzblasinstrumente [woodwinds]:
Doug Strawn (American woodwinds and saxophonist), Jim Horn (saxophonist, hornist, flutist and oboist) und Bob Messenger (Woodwind and bass player)
Schlagzeug [Ludwig drums]:
Hal Blaine (U.S. studio drummer and percussionist) und Karen Carpenter
Wurlitzer Electric Piano [Wurlizer pianos]:
Richard Carpenter (The Carpenters)
Sologesang [all vocals]:
Karen Carpenter und Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
cover recording of:
Reason to Believe
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
recording of:
Reason to Believe
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. und Trio Music Co., Inc.
4?:??
7Jambalaya (On the Bayou)
Produzent(in):
Karen Carpenter und Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Hal Blaine (U.S. studio drummer and percussionist)
Sologesang:
Karen Carpenter
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1973)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 29)
recording of:
Jambalaya (On the Bayou)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
3.5?:??
8Leave Yesterday Behind
recording of:
Leave Yesterday Behind
Komponist(in):
Fred Karlin
publisher:
American Broadcasting Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
?:??
9Your Baby Doesn't Love You Anymore
Akustikgitarre:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist)
Harfe:
Gayle Levant (American studio musician, harpist)
Keyboard [keyboards] und Hintergrundgesang:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Perkussion:
Peter Limonick (Session Musician)
Schlagzeug [drums]:
Ron Tutt (drummer)
Solo-Trompete:
Chuck Findley (trumpet, trombone, horn player)
Sologesang:
Karen Carpenter
arranger:
Richard Carpenter (The Carpenters)
cover recording of:
Your Baby Doesn't Love You Anymore
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
Rhinestone Cowboy Music (ACAP-affiliated)
recording of:
Your Baby Doesn't Love You Anymore
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
Rhinestone Cowboy Music (ACAP-affiliated)
3?:??
10Bless the Beasts and the Children
recording of:
Bless the Beasts and Children
Verfasser(in) und Komponist(in):
Perry Botkin Jr. (composer, producer, arranger, and musician) und Barry De Vorzon
arranger:
Perry Botkin Jr. (composer, producer, arranger, and musician)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 2)
?:??
11It't Going to Take Some Time
recording of:
It’s Going to Take Some Time
Texter und Komponist(in):
Carole King und Toni Stern
publisher:
Screen Gems–Columbia Music, Inc.
?:??
12The Rainbow Connection
Techniker(in):
John Hendrickson (Music engineer, mixer) und Roger Young (engineer)
Mix:
Richard Carpenter (The Carpenters) und John Hendrickson (Music engineer, mixer)
Banjo und Mandoline:
Tim May (session/jazz guitarist)
Bassgitarre [bass]:
Joe Osborn (American bass guitar player, session musician and songwriter)
Flügelhorn:
Buddy Childers (American jazz trumpeter & composer)
flute und recorder:
Sheridon Stokes (American flautist, composer, and studio musician)
Keyboard [keyboards]:
Richard Carpenter (The Carpenters)
Schlagzeug [drums]:
Ron Tutt (drummer)
Sologesang [lead vocal]:
Karen Carpenter
sonstiger Gesang [singers]:
The O.K. Chorale (fictitious choral ensemble)
conductor:
Richard Carpenter (The Carpenters)
arranger:
Richard Carpenter (The Carpenters)
cover recording of:
The Rainbow Connection (The Muppets Movie)
Verfasser(in):
Kenny Ascher und Paul Williams (US songwriter/soft rock vocalist)
publisher:
Fuzzy Muppet Songs und Welbeck Music Corp.
Teil von:
The 52nd Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Muppets Movie (film soundtrack)
recording of:
The Rainbow Connection (The Muppets Movie)
Verfasser(in):
Kenny Ascher und Paul Williams (US songwriter/soft rock vocalist)
publisher:
Fuzzy Muppet Songs und Welbeck Music Corp.
Teil von:
The 52nd Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Muppets Movie (film soundtrack)
2?:??
13Only Yesterday
recording of:
Only Yesterday
Texter:
John Bettis
Komponist(in):
Richard Carpenter (The Carpenters)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music (London) Ltd. und Sweet Harmony Music (US publisher)
?:??
14Sweet, Sweet Smile
Techniker(in):
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) und Roger Young (engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Akustikgitarre und E-Gitarre:
Tony Peluso (American writer, producer and multi-instrumentalist)
Banjo:
Larry McNealy
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
Fiddle:
Bobby Bruce
Schlagzeug [drums]:
Ron Tutt (drummer)
tack piano:
Tom Hensley (American songwriter, pianist, arranger)
Sologesang:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
arranger und Orchestrator(in):
Richard Carpenter (The Carpenters)
recording of:
Sweet, Sweet Smile
Verfasser(in):
Juice Newton (American pop and country singer, songwriter, and musician) und Otha Young
publisher:
Addison Street Music, BMG Gold Songs und Sterling Music Co. (Seperate entry from "The Sterling Music Co.")
2?:??
15There's a Kind of Hush (All Over the World)
cover recording of:
There’s a Kind of Hush
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
There’s a Kind of Hush
Texter und Komponist(in):
Les Reed und Geoff Stephens
publisher:
Donna Music Ltd. (publisher), Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. (ASCAP), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
?:??
16California Dreamin'
cover recording of:
California Dreamin’
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
?:??
17Solitaire
recording of:
Solitaire
Texter:
Phil Cody (of Neil Sedaka-fame)
Komponist(in):
Neil Sedaka
publisher:
EMI Jemaxal Music Inc., EMI Sosaha Music, Inc., Kirshner, Neil Sedaka Music (BMI-affiliated), R2M Publishing H. & R. Lastrada Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of SJL RSL Music Company, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
?:??
18We've Only Just Begun
Produzent(in):
Jack Daugherty (American Multi-instrumentalist and music producer)
Sologesang:
Karen Carpenter
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1970)
cover recording of:
We’ve Only Just Begun (am 1970-06-13)
Texter:
Paul Williams (US songwriter/soft rock vocalist)
Komponist(in):
Roger Nichols (musician/songwriter)
publisher:
Irving Music (BMI)
sub-publisher:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
?:??
19This Masquerade
recording of:
This Masquerade
Texter und Komponist(in):
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Pathe Publications (Far East) Limited, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
?:??
20Calling Occupants of Interplanetary Craft (The Recognized Anthem of World Contact Day)
Techniker(in):
Ray Gerhardt (Recording and mixing engineer), Dave Iveland (Music Engineer) und Roger Young (engineer)
Partner-Produzent(in):
Karen Carpenter
Produzent(in):
Richard Carpenter (The Carpenters)
Bass:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre und Sprecher [DJ]:
Tony Peluso (American writer, producer and multi-instrumentalist)
Hybrid-Piano, Klavier [acoustic piano] und Synthesizer:
Richard Carpenter (The Carpenters)
Oboe:
Earl Dumler (multi-instrumentalist)
Schlagzeug [drums]:
Ron Tutt (drummer)
Chorgesang:
Gregg Smith Singers
Sologesang:
Karen Carpenter
vocals:
Richard Carpenter (The Carpenters)
Orchester:
Overbudget Philharmonic
conductor:
Peter Knight (British arranger, conductor and composer)
chorus master:
Gregg Smith (choral conductor)
arranger:
Richard Carpenter (The Carpenters)
Orchestrator(in):
Richard Carpenter (The Carpenters) und Peter Knight (British arranger, conductor and composer)
cover recording of:
Calling Occupants of Interplanetary Craft
Verfasser(in):
Terry Draper und John Woloschuk
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Magentalane Music Ltd.
2?:??
2▶CD: Disc: 2

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