My Romance / Inverted Image

~ Pubblicazione di Chris Anderson Trio (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloValutazioneDurata
1Wrap Your Troubles in Dreams
3:32
2So in Love
4:25
3You Stepped Out of a Dream
6:24
4Soon
2:48
5Monica
2:41
6A Fellow Needs a Girl
3:10
7I Could Write a Book
3:53
8My Romance
5:21
9Love Letters
7:04
10Inverted Images
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Walter Perkins (Chicago jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
6:02
11Lullaby of the Leaves
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Walter Perkins (Chicago jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
registrazione strumentale di:
Lullaby of the Leaves (nel 1961)
paroliere:
Joe Young (US lyricist)
compositore:
Bernice Petkere
4:56
12My Funny Valentine
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Walter Perkins (Chicago jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
registrazione strumentale di:
My Funny Valentine (from “Babes in Arms”) (nel 1961)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
4:27
13See You Saturday
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Philly Joe Jones (US jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
4:33
14Dancing in the Dark
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Walter Perkins (Chicago jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
registrazione strumentale di:
Dancing in the Dark (nel 1961)
paroliere:
Howard Dietz (librettist)
compositore:
Arthur Schwartz
editore:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Band Wagon (1953 film)
4:31
15Only One
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Walter Perkins (Chicago jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
4:02
16I Hear a Rhapsody
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Philly Joe Jones (US jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
registrazione strumentale di:
I Hear a Rhapsody (nel 1961)
paroliere e compositore:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos e Dick Gasparre
editore:
Broadcast Music Inc.
5:05
17You'd Be So Nice to Come Home To
basso :
Bill Lee (bassist, composer, father of Spike Lee) (nel 1961)
batteria :
Philly Joe Jones (US jazz drummer) (nel 1961)
pianoforte :
Chris Anderson (US jazz pianist) (nel 1961)
registrazione strumentale di:
You’d Be So Nice to Come Home To (nel 1961)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
5:48

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