Bach Handel Cantatas

~ Uitgave van Dame Janet Baker (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

1▶cd
2▼cd
#TitelWaarderingDuur
1Bist du bei mir, Aria for Voice and Continuo (from "Diomedes oder die triumphierende Unschuld")
producent:
Christopher Bishop (conductor/producer)
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
orkest:
Academy of St Martin in the Fields (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
was dirigent:
Sir Neville Marriner (conductor) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
is een opname van:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (van 1975-10-07 tot 1975-10-09)
tekstschrijver:
[unknown] ([onbekend], Special Purpose Artist – Do not add releases here, if possible.)
componist:
Gottfried Heinrich Stölzel (composer)
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bachs Notenbibliothek (BNB) (nummer: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV 508), Notebook for Anna Magdalena Bach (1725) (nummer: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 508) en Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV 508)
is een opname van:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (op 1975-10-17)
tekstschrijver:
[unknown] ([onbekend], Special Purpose Artist – Do not add releases here, if possible.)
componist:
Gottfried Heinrich Stölzel (composer)
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bachs Notenbibliothek (BNB) (nummer: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (nummer: BWV 508), Notebook for Anna Magdalena Bach (1725) (nummer: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (nummer: BWV 508) en Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (nummer: BWV 508)
2:58
2Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria, "Es ist vollbracht!" (Alto)
producent:
Christopher Bishop (conductor/producer)
viola da gamba:
Jane Ryan (British classical viol player) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
orkest:
Academy of St Martin in the Fields (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
was dirigent:
Sir Neville Marriner (conductor) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
is een opname van:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (van 1975-10-07 tot 1975-10-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
is een opname van:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (op 1975-10-17)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
5:38
3Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto)
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
orkest:
Academy of St Martin in the Fields (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
was dirigent:
Sir Neville Marriner (conductor) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (van 1975-10-07 tot 1975-10-09)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (op 1975-10-17)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
3:43
4Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto)
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
orkest:
Academy of St Martin in the Fields (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
was dirigent:
Sir Neville Marriner (conductor) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
is een opname van:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (van 1975-10-07 tot 1975-10-09)
had de première in:
Weimar, Thüringen (Thuringia), Duitsland (op 1716-09-27)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
deel van:
Kantate, BWV 161 "Komm, du süße Todesstunde"
is een opname van:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (op 1975-10-17)
had de première in:
Weimar, Thüringen (Thuringia), Duitsland (op 1716-09-27)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
deel van:
Kantate, BWV 161 "Komm, du süße Todesstunde"
6:26
5Oster-Oratorium, BWV 249: No. 9, Aria, "Saget, saget mir geschwinde" (Alto)
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
orkest:
Academy of St Martin in the Fields (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
was dirigent:
Sir Neville Marriner (conductor) (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (van 1975-10-07 tot 1975-10-09, op 1975-10-17)
is een opname van:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (van 1975-10-07 tot 1975-10-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
is een opname van:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (op 1975-10-17)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
6:49
6Cantata "Ah! crudel, nel pianto mio", HWV 78: Sonata
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Ah! crudel, nel pianto mio, HWV 78
componist:
George Frideric Handel (German‐British baroque composer) (in 1708-08)
deel van:
Händel-Werke-Verzeichnis (nummer: HWV 78)
8:41
7Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 1, Aria, "Ah! crudel, nel pianto mio"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Ah! Crudel, Nel Pianto Mio, HWV 78: II. Aria: Ah! Crudel, nel pianto mio
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Ah! crudel, nel pianto mio, HWV 78
6:29
8Cantata "Ah! crudel, nel pianto mio", HWV 78: Recitativo, "Non sdegnerai d'amar"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Ah! Crudel, Nel Pianto Mio, HWV 78: III. Recitativo: Non sdegnerai d'amar
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Ah! crudel, nel pianto mio, HWV 78
1:08
9Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 2, Aria, "Di quel bel che il ciel ti diede"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Ah! Crudel, Nel Pianto Mio, HWV 78: II. Aria: Ah! Crudel, nel pianto mio
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Ah! crudel, nel pianto mio, HWV 78
4:33
10Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 3, Recitativo accompagnato, "Balena il cielo" - Recitativo, "Cosi, del tuo spierato genio"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Ah! Crudel, Nel Pianto Mio, HWV 78: V. Accompagnato e recitativo: Balena il cielo
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Ah! crudel, nel pianto mio, HWV 78
2:20
11Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 4, Aria, "Per trofei di mia costanza"
producent:
Christopher Bishop (conductor/producer)
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
is een opname van:
Ah! Crudel, Nel Pianto Mio, HWV 78: VI. Aria: Per trofei di mia costanza
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Ah! crudel, nel pianto mio, HWV 78
7:45
12Cantata "Armida abbandonata", HWV 105: No. 1, Recitativo accompagnato, "Dietro l'orme fugaci"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Armida Abbandonata, HWV 105: I. Accompagnato: Dietro l'orme fugaci
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Armida abbandonata, HWV 105
1:51
13Cantata "Armida abbandonata", HWV 105: No. 2, Aria, "Ah! crudele e pur ten vai"
producent:
Christopher Bishop (conductor/producer)
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s)
is een opname van:
Armida Abbandonata, HWV 105: II. Aria: Ah! Crudele, e pur ten vai
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Armida abbandonata, HWV 105
6:56
14Cantata "Armida abbandonata", HWV 105: No. 3, Recitativo, "Per te mi struggo, infido" - No. 4, Recitativo accompagnato, "O voi dell'incostante e procelloso"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Armida Abbandonata, HWV 105: III. Recitativo: Per te mi struggo, infido
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Armida abbandonata, HWV 105
2:05
15Cantata "Armida abbandonata", HWV 105: No. 5, Aria, "Venti, fermate"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Armida Abbandonata, HWV 105: V. Aria: Venti fermate si
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Armida abbandonata, HWV 105
3:39
16Cantata "Armida abbandonata", HWV 105: No. 6, Recitativo, "Ma che parlo, che dico?"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Armida Abbandonata, HWV 105: VI. Recitativo: Ma che parlo, che dico?
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Armida abbandonata, HWV 105
1:23
17Cantata "Armida abbandonata", HWV 105: No. 7, Aria, "In tanti affanni miei assistimi almen"
mezzo-sopraanvocalen:
Dame Janet Baker (mezzo‐soprano and alto)
orkest:
English Chamber Orchestra
was dirigent:
Raymond Leppard (conductor and harpsichordist)
is een opname van:
Armida Abbandonata, HWV 105: VII. Aria: In tanti affanni miei
componist:
George Frideric Handel (German‐British baroque composer)
deel van:
Armida abbandonata, HWV 105
5:00

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ASIN:UK: B000VL9XKQ [info]