Don Giovanni & Les Noces de Figaro

~ Release by Wolfgang Amadeus Mozart; Orchestre de la Société des Concerts du Conservatoire, Hans Rosbaud (see all versions of this release, 1 available)

Annotation

Don Giovanni: Recorded in a studio in Paris with the cast of the 1956 Aix-en-Provence Festival
Les Noces de Figaro: Live recording of a performance at the 1955 Aix-en-Provence Festival

Annotation last modified on 2023-08-14 22:30 UTC.

Tracklist

1▼CD: Don Giovanni (1/3)
#TitleArtistRatingLength
1Don Giovanni: Ouverture
recorded in:
Paris, Île-de-France, France (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Ouvertura (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart6:09
2Don Giovanni: Atto I. “Notte e giorno faticar”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:39
3Don Giovanni: Atto I. “Non sperar, se non m’uccidi”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Commendatore]:
Raffaele Arié (operatic bass) (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
4Don Giovanni: Atto I. “Lasciala, indegno!”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
bass vocals [Commendatore]:
Raffaele Arié (operatic bass) (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:42
5Don Giovanni: Atto I. “Ma qual mai s’offre”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:31
6Don Giovanni: Atto I. “Fuggi, crudele, fuggi”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:50
7Don Giovanni: Atto I. “Orsù spicciati presto”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:19
8Don Giovanni: Atto I. “Ah, chi mi dice mai”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:17
9Don Giovanni: Atto I. “Chi è là”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:32
10Don Giovanni: Atto I. “Madamina, il catalogo è questo”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:03
11Don Giovanni: Atto I. “Giovinette che fate all’amore”
recorded in:
Paris, Île-de-France, France (in 1956)
choir vocals:
Chœurs du Festival d'Aix-en-Provence (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:26
12Don Giovanni: Atto I. “Manco male, è partita”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:55
13Don Giovanni: Atto I. “Ho capito, signor sì”
recorded in:
Paris, Île-de-France, France (in 1956)
bass vocals [Masetto]:
André Vessières (French bass vocalist) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:38
14Don Giovanni: Atto I. “Alfin siam liberati”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:36
15Don Giovanni: Atto I. “Là ci darem la mano”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:55
16Don Giovanni: Atto I. “Fermati, scellerato!”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
soprano vocals [Donna Elvira]:
Suzanne Danco (soprano / mezzo-soprano) (in 1956)
soprano vocals [Zerlina]:
Anna Moffo (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
17Don Giovanni: Atto I. “Mi par ch’oggi il demonio”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:48
18Don Giovanni: Atto I. “Don Ottavio, son mortal”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:40
19Don Giovanni: Atto I. “Or sai chi l’onore”
recorded in:
Paris, Île-de-France, France (in 1956)
soprano vocals [Donna Anna]:
Teresa Stich‐Randall (soprano) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:50
20Don Giovanni: Atto I. “Come mai creder deggio dalla sua pace”
recorded in:
Paris, Île-de-France, France (in 1956)
tenor vocals [Don Ottavio]:
Nicolai Gedda (tenor) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:36
21Don Giovanni: Atto I. “Lo deggio ad ogni patto”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
baritone vocals [Leporello]:
Marcello Cortis (bass-baritone) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
22Don Giovanni: Atto I. “Finch’han dal vino”
recorded in:
Paris, Île-de-France, France (in 1956)
baritone vocals [Don Giovanni]:
Antonio Campó (Spanish bass-baritone) (in 1956)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1956)
conductor:
Hans Rosbaud (conductor) (in 1956)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1956)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
2▶CD: Don Giovanni (2/3)
3▶CD: Don Giovanni (3/3)
4▶CD: Les Noces de Figaro (1/2)
5▶CD: Les Noces de Figaro (2/2)