L’opéra de quat’sous

~ Release by Weill, Brecht, Hauptmann; Comédie-Française, Le Balcon, Maxime Pascal (see all versions of this release, 3 available)

Tracklist

1▼12" Vinyl
#TitleArtistRatingLength
A1L’opéra de quat’sous, Act I : « Vous allez entendre »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:17
A2L’opéra de quat’sous, Act I : Ouverture
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:42
A3L’opéra de quat’sous, Act I : « Une foire à Soho »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:15
A4L’opéra de quat’sous, Act I : La Complainte de Mac‐la Lame
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill3:17
A5L’opéra de quat’sous, Act I : « Pour répondre à l’endurcissement croissant »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:23
A6L’opéra de quat’sous, Act I : Choral matinal de Peachum
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill0:50
A7L’opéra de quat’sous, Act I : « Pendant qu’elle raccomode les guenilles »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:10
A8L’opéra de quat’sous, Act I : Pauv’ Madame Peachum
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill2:58
A9L’opéra de quat’sous, Act I : « Madame Peachum apprend à Monsieur Peachum »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:17
A10L’opéra de quat’sous, Act I : Rien à faire !
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:42
A11L’opéra de quat’sous, Act I : Thème de la complainte jouée piano
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill0:36
A12L’opéra de quat’sous, Act I : « Nous voilà transportés »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:14
A13L’opéra de quat’sous, Act I : Chant nuptial
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:08
A14L’opéra de quat’sous, Act I : « Mac n’est pas satisfait »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:16
A15L’opéra de quat’sous, Act I : Jenny‐la‐Flibuste
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill4:38
A16L’opéra de quat’sous, Act I : « C’est alors qu’apparaît Brown »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:21
A17L’opéra de quat’sous, Act I : Chanson des canons
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill2:18
B1L’opéra de quat’sous, Act I : « Mais Tiger Brown se hâte de quitter les lieux »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:13
B2L’opéra de quat’sous, Act I : Love song
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:44
B3L’opéra de quat’sous, Act I : Chanson des canons pour orchestre
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:39
B4L’opéra de quat’sous, Act I : « Nous revoici dans le vestiaire à gueux »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:15
B5L’opéra de quat’sous, Act I : Chanson de Barbara
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill5:17
B6L’opéra de quat’sous, Act I : « Monsieur et Madame Peachum déconseillent à leur fille »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:12
B7L’opéra de quat’sous, Act I : Premier finale de quat’sous
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill3:40
B8L’opéra de quat’sous, Act II : « Jonathan Jeremiah Peachum a une riche idée »
spoken vocals:
Thomas Ostermeier
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
Kurt Weill0:34
B9L’opéra de quat’sous, Act II : Mélodrame
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:41
B10L’opéra de quat’sous, Act II : Chanson de Polly
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:27
B11L’opéra de quat’sous, Act II : Love song pour orchestre
sound engineer:
Baptiste Chouquet
producer:
Marion Bénet (engineer) and Florent Derex
mixer:
Alice Ragon
editor:
Louis Delegrange (engineer)
orchestra:
Le Balcon (in 2023-07)
conductor:
Maxime Pascal (conductor) (in 2023-07)
performer:
Comédie-Française (Founded in France in 1680, it is the oldest active theatre company in the world.) (in 2023-07)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Outhere Music France (not for release label use, for copyrights/licensing/publisher use only) (in 2023)
recorded at:
Théâtre de l'Archevêché in Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 2023-07)
Kurt Weill1:51
2▶12" Vinyl

Credits

Release

photography:Jean-Louis Fernandez (photographer)
liner notes:Maxime Pascal (conductor)
Alexandre Pateau
graphic design:Valérie Lagarde (designer)
booklet editor:Claire Boisteau
artwork:Aurore Duhamel
ASIN:FR: B0CF9QHXYF [info]