| # | Title | Artist | Rating | Length |
|---|
| 1 | Rock Around the Clock | Bill Haley and His Comets | 4 | 2:10 |
| 2 | Love Me Tender- accordion:
- Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
- banjo:
- Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
- bass:
- Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
- drums (drum set):
- Richard Cornell (from 1956-08-24 until 1956-09-04)
- guitar:
- Vito Mumolo (from 1956-08-24 until 1956-09-04)
- lead vocals:
- Elvis Presley (on 1956-09-01)
- vocals:
- Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
- phonographic copyright (℗) by:
- BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (in 1956) and Sony BMG Music Entertainment (in 2002)
- recorded at:
- 20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 437)
- recording of:
- Love Me Tender (from 1956-08-24 until 1956-09-04)
- lyricist:
- Ken Darby (in 1956)
- additional writer:
- Vera Matson (in 1956) and Elvis Presley (in 1956)
- composer:
- George R. Poulton (in 1861)
- publisher:
- Aberbach Musikverlag , ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
- sub-publisher:
- フジパシフィックミュージック and 日音 Synch事業部
- is based on:
- Aura Lea
| Elvis Presley | 3.55 | 2:43 |
| 3 | Oh, Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 3:02 |
| 4 | Great Balls of Fire | Jerry Lee Lewis | | 1:52 |
| 5 | Blue Suede Shoes- double bass:
- Clayton Perkins (in 1955-12)
- drums (drum set):
- W.S. Holland (in 1955-12)
- guitar:
- Carl Perkins (in 1955-12) and Jay Perkins (in 1955-12)
- vocals:
- Carl Perkins (in 1955-12)
- phonographic copyright (℗) by:
- Sun (in 1955, from 1956 to present)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 5) and Rolling Stone: 500 Greatest Songs of All Time (number: 95)
- recording of:
- Blue Suede Shoes (in 1955-12)
- lyricist and composer:
- Carl Perkins (in 1955)
- publisher:
- Aberbach (London) , Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing , Hi Lo Music, Hill and Range Songs, Inc. , Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
- part of:
- Million Dollar Quartet
| Carl Perkins | 4 | 2:15 |
| 6 | Hello Mary Lou- producer:
- Jimmie Haskell, Ozzie Nelson and Rick Nelson
- phonographic copyright (℗) by:
- Polydor GmbH and Liberty (in 1961)
- cover recording of:
- Hello Mary Lou
- writer:
- Cayet Mangiaracina and Gene Pitney
- publisher:
- Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. , Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. , Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
| Ricky Nelson | 2.5 | 2:18 |
| 7 | Peggy Sue | Buddy Holly | | 2:30 |
| 8 | Be Bop A Lula | Gene Vincent | | 2:44 |
| 9 | Speedy Gonzales | Pat Boone | | 2:33 |
| 10 | The Twist | Chubby Checker | | 2:37 |
| 11 | I’m Walkin’ (live) | Fats Domino | | 2:47 |
| 12 | Rama Lama Ding Dong | Rocky Sharpe & the Replays | | 2:20 |
| 13 | Tequila | The Champs | | 2:12 |
| 14 | If I Had a Hammer (single version) | Trini Lopez | | 2:59 |
| 15 | My Boy Lollipop | Millie | 4.65 | 1:57 |
| 16 | Save the Last Dance for Me- recording of:
- Save the Last Dance for Me
- writer:
- Doc Pomus and Mort Shuman
- publisher:
- Hill and Range Southwind Mus S A , Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , Hill and Range Songs, Inc. (in 1974) and Trio Music (in 1974)
| The Drifters | | 3:01 |
| 17 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968) and Project 3 Records Inc. (in 1988)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 3.95 | 2:18 |
| 18 | When a Man Loves a Woman- recording of:
- When a Man Loves a Woman
- writer:
- Calvin Lewis, Percy Sledge and Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | | 2:51 |
| 19 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 2:54 |
| 20 | Sugar Baby Love | The Rubettes | | 3:21 |
| 21 | Wooly Bully | Sam the Sham & the Pharaohs | | 2:20 |
| 22 | The Shoop Shoop Song (It’s in His Kiss) | Betty Everett | 4 | 2:10 |
| 23 | Yesterday Man | Chris Andrews | | 2:33 |
| 24 | Whatever Will Be, Will Be (Que sera, sera) | Doris Day | | 2:06 |
| 25 | Everybody Loves Somebody | Dean Martin | 4.65 | 2:43 |
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