Reich mir die Hand, mein Leben: Die großen Liebesszenen der Oper

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Despite the all german track titles, the Arias and Duets are all sung in the original language

Annotation last modified on 2021-03-31 14:49 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Hoffmanns Erzählungen: Duett & Chor "Schöne Nacht, du Liebesnacht"
choir vocals:
WDR Rundfunkchor Köln
mezzo-soprano vocals:
Elisabeth Steiner (mezzo-soprano)
soprano vocals:
Elizabeth Werres
orchestra:
Kölner Rundfunk-Sinfonieorchester (WDR Symphony Orchestra Cologne)
conductor:
Pinchas Steinberg (conductor)
recording of:
Hoffmanns Erzählungen: Akt II. No. 13 Entr'acte Barkarole “Schöne Nacht, du Liebesnacht” (Niklaus, Giulietta, Chor)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Hoffmanns Erzählungen: Akt II (Giulietta)
Jacques Offenbach3:34
2Carmen: Arie "Hier an dem Herzen treu geborgen"
tenor vocals:
András Molnar (Hungarian tenor)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra)
conductor:
Andràs Simonov
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:54
3Samson und Dalila: Arie "Sieh', mein Herz erschließt sich"
contralto vocals:
Klára Takács (contralto)
orchestra:
Magyar Állami Operaház zenekara (Hungarian State Opera Orchestra, Hungarian State Opera Orchestra)
conductor:
Giuseppe Patanè (conductor)
recording of:
Samson et Dalila, op. 47: Akt II. „Sieh, mein Herz erschließet sich” (Dalila)
translated version of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
part of:
Samson und Dalila: Akt II
Camille Saint‐Saëns5:52
4Romeo und Julia: Arie der Julie, 1. Akt
soprano vocals:
Alexandrina Pendatchanska (soprano)
orchestra:
Sofia Symphony Orchestra
conductor:
Mikhail Angelov (conductor)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:54
5Faust (Margarethe): Szene und Arie "Gegrüßt sei mir" - "O welch ein Zauber"
tenor vocals:
Giuseppe Sabbatini (tenor)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles‐François Gounod6:47
6Eugen Onegin: Szene & Arie "Und sei's mein Untergang"
soprano vocals:
Alexandrina Pendatchanska (soprano)
orchestra:
Sofia Symphony Orchestra
conductor:
Mikhail Angelov (conductor)
recording of:
Евгений Онегин, op. 24: Действие I, картина 2, no. 9. Сцена письма “Пускай погибну я, но прежде” (Eugene Onegin: Act I, Scene 2, no. 9. Letter scene "Let me die, but first...", Letter Scene “Puskay pogibnu ya, no prezhde”)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
librettist:
Константин Шиловский (Konstantin Shilovsky) and Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие первое (Eugene Onegin, op. 24: Act I)
Пётр Ильич Чайковский12:57
7Die Meistersinger von Nürnberg: Quintett "Selig, wie die Sonne meines Glückes lacht"
baritone vocals:
Claudio Otelli (bass-baritone)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
soprano vocals:
Gertrud Ottenthal (soprano)
tenor vocals:
Michael Knapp (tenor) and Giuseppe Sabbatini (tenor)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Roberto Paternostro (Austrian conductor)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene IV. "Grüß Gott, mein Evchen!"
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner4:55
8Die Walküre: Arie "Winterstürrme wichen dem Wonnemond"
tenor vocals:
Reiner Goldberg (tenor)
orchestra:
Staatskapelle Berlin
conductor:
Siegfried Kurz (conductor)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner3:06
9Tristan und Isolde: Isoldes Liebestod
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:27
10Der Rosenkavalier: Finale "Hab' mir's gelobt, ihn lieb zu haben"
mezzo-soprano vocals:
Martina Borst (mezzo-soprano)
soprano vocals:
Pamela Coburn (soprano) and Regina Klepper (soprano)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Manfred Honeck (conductor)
partial recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss11:56

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ASIN:DE: B00005A7XW [info]