Titelliste

1CD
Nr.TitelBewertungLänge
1Air on a G String from Third Orchestral Suite in D major
recording engineer:
Tony Faulkner (recording engineer)
Produzent(in):
John Boyden (producer)
Orchester:
Scottish Chamber Orchestra
conductor:
Jaime Laredo (violinist & conductor)
phonographisches Urheberrecht (℗) von:
Pickwick International (early UK imprint of Pickwick International Inc. (GB) Ltd.) (in 1983) und Innovative Music Productions Ltd. (not for release label use!) (in 1985)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:02
2Tocca in D minor, BWV 565
Orgel:
Hans-Christoph Becker-Foss (organist and choir leader)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
2:31
3Brandenburg Concerto No. 2 in F major: I. Allegro
Geige / Violine:
J. Brezina (violinist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös und Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
45:42
4Concerto for 2 Violins & Strings in D minor, BWV 1043: Largo
Geige / Violine:
Jaime Laredo (violinist & conductor) und John Tunnell (violinist)
Orchester:
Scottish Chamber Orchestra
conductor:
Jaime Laredo (violinist & conductor)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
7:38
5Brandenburg Concerto No. 3 in G major: Allegro moderato
Orchester:
Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
6:42
6Violin Concerto No. 2 in E major, BWV 1042: Allegro assai
Geige / Violine:
Jaime Laredo (violinist & conductor)
Orchester:
Scottish Chamber Orchestra
conductor:
Jaime Laredo (violinist & conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
2:45
7Cantata No. 147 "Herz und Mund und Tat und Leben": "Jesu bleibet meine Freude"
Orgel:
Wolfgang Rübsam (organist)
Trompete:
Wolfgang Basch
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:37
8Violin Concerto No. 1 in A minor, BWV 1041: Allegro
Geige / Violine:
Jaime Laredo (violinist & conductor)
Orchester:
Scottish Chamber Orchestra
conductor:
Jaime Laredo (violinist & conductor)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
3:52
9Concerto for Harpsichord & Strings, No. 6 in F major, BWV 1057: I. Allegro
Cembalo:
Ivor Bolton (conductor and harpsichordist)
Orchester:
St. James’ Baroque
conductor:
Ivor Bolton (conductor and harpsichordist)
recording of:
Keyboard Concerto no. 6 in F major, BWV 1057: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Keyboard Concerto no. 6 in F major, BWV 1057
7:15
10Doppelkonzert für zwei Violinen d-Moll, BWV 1043: I. Vivace
Orchester:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
4:01
11Brandenburg Concerto No. 1 in F major: Allegro
Geige / Violine:
J. Brezina (violinist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) und Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
4:03
12Prelude in C major, BWV 846
Cembalo:
Christiane Jaccottet (harpsichord)
Cembalo [cembalo]:
Silvia Čápová (pianist)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vom 1980 bis heute)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1989)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
2:09
13Giga in B major, BWV 825
Cembalo:
Christiane Jaccottet (harpsichord) (in 1990)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (in 1990)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Partita no. 1 in B-flat major, BWV 825
2:19
14Ave Maria, Prelude to Act I
Orchester:
Südwest-Studioorchester (an Alfred Scholz pseudonym)
recording of:
Ave Maria (Bach/Gounod)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
2:47

Nennungen

Veröffentlichung

Teil von:The Rose Collection (Elap Music) (Reihenfolge: 28)