Ashes to Ashes: Series 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Under Pressure
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack) und David Richards (Swiss-based producer and engineer)
Produzent(in):
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bassgitarre und Gitarre:
John Deacon (von 1981-06 bis 1982-03)
E-Gitarre:
Brian May (Queen guitarist) (von 1981-06 bis 1982-03)
Fingerschnippen und Händeklatschen:
John Deacon (von 1981-06 bis 1982-03), Brian May (Queen guitarist) (von 1981-06 bis 1982-03), Freddie Mercury (von 1981-06 bis 1982-03) und Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Fingerschnippen und Händeklatschen:
David Bowie (English singer‐songwriter) (von 1981 bis 1982-03)
Keyboard:
John Deacon (von 1981-06 bis 1982-03) und Freddie Mercury (von 1981-06 bis 1982-03)
Klavier:
Freddie Mercury (von 1981-06 bis 1982-03)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Synthesizer:
David Bowie (English singer‐songwriter) (von 1981-06 bis 1982-03)
Hintergrundgesang:
Freddie Mercury (von 1981-06 bis 1982-03) und Roger Taylor (Queen drummer) (von 1981-06 bis 1982-03)
Sologesang:
David Bowie (English singer‐songwriter) (von 1981-06 bis 1982-03) und Freddie Mercury (von 1981-06 bis 1982-03)
phonographisches Urheberrecht (℗) von:
David R. Jones (Jones Music subsidiary) (in 1981, in 1994), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1981, in 1994), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1981, in 2011) und Raincloud Productions Ltd. (in 1981, in 1994)
aufgenommen bei:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1981-06 bis 1982-03) und Musicland Studios (Munich) in München, Bayern, Deutschland (von 1981-06 bis 1982-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 429)
recording of:
Under Pressure (von 1981-06 bis 1982-03)
Verfasser(in):
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury und Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, EMI Music Publishing Ltd. (PRS‐affiliated) (, in 1981), Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music (, in 1981), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen & David Bowie4.254:04
2Alex Drake
[dialogue]0:15
3Opening Titles
Edmund Butt0:54
4Planet Earth
Techniker(in) und Produzent(in):
Colin Thurston
recording of:
Planet Earth
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Duran Duran4.43:55
5In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
Phil Collins4.35:29
6Rat Race
Produzent(in):
Dave Jordan (UK producer/remixer)
recording of:
Rat Race
Texter und Komponist(in):
Roderick James Byers
The Specials3.253:08
7Vindaloo
[dialogue]0:16
8Mirror Man
Produzent(in):
The Human League und Martin Rushent
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
Musikvideos:
Mirror Man von The Human League
recording of:
Mirror Man
Verfasser(in):
Ian Burden, Jo Callis und Philip Oakey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L und PolyGram Music Publishing
The Human League23:48
9The Look of Love, Part 1
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:28
10Going Back to My Roots
Produzent(in):
Steve Tyrell (American producer and vocalist)
cover recording of:
Going Back to My Roots
Texter und Komponist(in):
Lamont Dozier
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Maurice Starr Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Odyssey55:25
11The Strangest Day
[dialogue]0:47
12Alex's Theme
Edmund Butt1:51
13Funeral Pyre
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
aufgenommen bei:
Phonogram Studios in London (Greater London), England, Vereinigtes Königreich (in 1981-04)
recording of:
Funeral Pyre (in 1981-04)
Texter:
Paul Weller (English singer‐songwriter and musician)
Komponist(in):
Rick Buckler, Bruce Foxton und Paul Weller (English singer‐songwriter and musician)
publisher:
Complete Music Ltd., Notting Hill Music (UK) Ltd. und Stylist Music Ltd.
The Jam3:28
14Temptation
recording of:
Temptation (New Order)
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
New Order5:22
15The Lunatics (Have Taken Over the Asylum)
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
recording of:
The Lunatics (Have Taken Over the Asylum)
Texter und Komponist(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three43:13
16Back of Love
Techniker(in):
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige und Steve Short (sound engineer & producer)
Produzent(in):
Kingbird und Kingbird
recording of:
The Back of Love
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen53:13
17Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4:10
18Love Plus One
Produzent(in):
Bob Sargeant
Gitarre:
Graham Jones (Haircut 100)
Instrumente:
Leslie Nemes
Perkussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
Saxophon:
Phil Smith (Saxophonist)
Schlagzeug:
Blair Cunningham
vocals:
Nick Heyward
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 90)
recording of:
Love Plus One
Texter und Komponist(in):
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:33
19Felicity Kendal
[dialogue]0:28
20Stand and Deliver
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre und Sologesang:
Adam Ant (English new wave singer and actor)
Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Chris Hughes (producer, aka “Merrick”) und Terry Lee Miall
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
Teil von:
The Downloader’s Music Source Book (Nummer: 145)
recording of:
Stand and Deliver
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:07
21Lies
Techniker(in):
Phil Thornalley
Produzent(in):
Alex Sadkin
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
Lies
Verfasser(in):
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Songs, Inc., CD Baby Publishing (publisher, not a release label!), Point Music Ltd. und Zomba Enterprises, Inc.
Thompson Twins4.253:11
22Streets of London
E-Bass:
Winston (member of Anti-Nowhere League) (in 1981)
E-Gitarre:
Magoo (member of Anti-Nowhere League) (in 1981)
Schlagzeug:
Persian John (in 1981)
Sologesang:
Animal (member of Anti-Nowhere League) (in 1981)
phonographisches Urheberrecht (℗) von:
Captain Oi! (in 2001)
cover recording of:
Streets of London (in 1981)
Texter und Komponist(in):
Ralph McTell
publisher:
Essex Music International und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Anti-Nowhere League43:16
23I Second That Emotion
Produzent(in):
John Punter
phonographisches Urheberrecht (℗) von:
BMG Records (U.K.) Ltd. (1987–1996) (in 1981) und Hansa Productions Ltd. (in 1982)
cover recording of:
I Second That Emotion
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan3.653:45
24Everybody's Got to Learn Sometime
phonographisches Urheberrecht (℗) von:
Action Replay Records (in 1990)
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:06
25Atomic
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Gast Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
Songs banned by the BBC (Nummer: Gulf War ban)
recording of:
Atomic (von 1979-05 bis 1979-06)
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
Blondie43:47
26Tea & Sympathy
[dialogue]0:24
27Hunt's Theme
Edmund Butt1:04