Ses plus beaux chefs-d'œuvre

~ Veröffentlichung von Johann Sebastian Bach (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Toccata & Fugue en ré mineur, BWV 565: Toccata
Instrumente:
Werner Jacob (organist)
Orgel:
Werner Jacob (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
2:35
2Toccata & Fugue en ré mineur, BWV 565: Fugue
Orgel:
Werner Jacob (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Toccata und Fuge d-Moll, BWV 565
6:53
3Cantate "Cœur et bouche, action et vie", BWV 147 - Chorale : "Jésus que ma joie demeure"
Chorgesang:
Taverner Consort (in 1987)
Orchester:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:17
4Suite pour orchestre no.3 en ré majeur, BWV 1068: Ouverture
Orchester:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
7:29
5Suite pour orchestre no.3 en ré majeur, BWV 1068: Air
Orchester:
English Chamber Orchestra (in 1988-01)
conductor:
Philip Ledger (in 1988-01)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) und Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
4:49
6Concerto pour 2 violons en ré mineur, BWV 1043: I. Vivace
Produzent(in):
Michael Purton
Cembalo:
Sally Heath (British pianist)
Geige / Violine:
Jane Murdoch (violinist) und Jonathan Rees
Orchester:
Scottish Ensemble
conductor:
Jonathan Rees
Tonmeister(in):
Tony Faulkner (recording engineer) und Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
3:50
7Concerto pour 2 violons en ré mineur, BWV 1043: II. Largo ma non tanto
Produzent(in):
Michael Purton
Cembalo:
Sally Heath (British pianist)
Geige / Violine:
Jane Murdoch (violinist) und Jonathan Rees
Orchester:
Scottish Ensemble
conductor:
Jonathan Rees
Tonmeister(in):
Tony Faulkner (recording engineer) und Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
6:52
8Concerto pour 2 violons en ré mineur, BWV 1043: III. Allegro
Produzent(in):
Michael Purton
Cembalo:
Sally Heath (British pianist)
Geige / Violine:
Jane Murdoch (violinist) und Jonathan Rees
Orchester:
Scottish Ensemble
conductor:
Jonathan Rees
Tonmeister(in):
Tony Faulkner (recording engineer) und Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
4:40
9Partita pour flûte seule en la mineur, BWV 1013: I. Allemande
flute:
Marc Hantaï (classical flute player)
recording of:
Partita für Flöte in a-Moll, BWV 1013: I. Allemande
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Partita für Flöte in a-Moll, BWV 1013
5:01
10Cantate "Réjouissez-vous partout en dieu", BWV 51: Aria
Techniker(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer)
Trompete:
Crispian Steele‐Perkins (classical trumpeter and composer) (von 1993-02-25 bis 1993-02-28)
Soprangesang:
Nancy Argenta (soprano) (von 1993-02-25 bis 1993-02-28)
Orchester:
Sonnerie (von 1993-02-25 bis 1993-02-28)
conductor:
Monica Huggett (violinist) (von 1993-02-25 bis 1993-02-28)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1993-02-25 bis 1993-02-28)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (von 1993-02-25 bis 1993-02-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:19
11Suite pour violoncelle no.1 en sol majeur, BWV 1007: I. Prélude
Cello:
Ralph Kirshbaum (cellist) (in 1993-01)
aufgenommen bei:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, Vereinigtes Königreich (in 1993-01)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1993-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:36
12Concerto pour clavecin no.5 en fa mineur, BWV 1056: I. Allegro
Produzent(in):
Simon Woods (producer)
Editing:
Paul Baily (audio engineer) und Giles Holland (classical engineer, editor)
Bratsche / Viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
Cello:
Wouter Möller (cellist) (in 1992-10)
Cembalo:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
Geige / Violine:
François Fernandez (violinist) (in 1992-10) und Sayuri Yamagata (violinist) (in 1992-10)
Violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
Orchester:
Melante Amsterdam
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (vom 1993 bis heute)
aufgenommen bei:
Maria Minor in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro (in 1992-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:23
13Concerto pour clavecin no.5 en fa mineur, BWV 1056: II. Largo
Produzent(in):
Simon Woods (producer)
Editing:
Paul Baily (audio engineer) und Giles Holland (classical engineer, editor)
Bratsche / Viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
Cello:
Wouter Möller (cellist) (in 1992-10)
Cembalo:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
Geige / Violine:
François Fernandez (violinist) (in 1992-10) und Sayuri Yamagata (violinist) (in 1992-10)
Violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
Orchester:
Melante Amsterdam (in 1992-10)
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
Interpret(in):
Melante Amsterdam
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (vom 1993 bis heute)
aufgenommen bei:
Maria Minor in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1992-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:31
14Concerto pour clavecin no.5 en fa mineur, BWV 1056: III. Presto
Produzent(in):
Simon Woods (producer)
Editing:
Paul Baily (audio engineer) und Giles Holland (classical engineer, editor)
Bratsche / Viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
Cello:
Wouter Möller (cellist) (in 1992-10)
Cembalo:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
Geige / Violine:
François Fernandez (violinist) (in 1992-10) und Sayuri Yamagata (violinist) (in 1992-10)
Violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
Orchester:
Melante Amsterdam
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (vom 1993 bis heute)
aufgenommen bei:
Maria Minor in Utrecht, Utrecht, Niederlande, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto (in 1992-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:22
15Cantate "Jésus, toi qui as par ton martyre", BWV 78: Duetto "Nous nous pressons avec des pas faibles"
contralto vocals:
Sybil Michelow
Hochgesang:
Sybil Michelow (von 1965-05-31 bis 1965-06-03)
Soprangesang:
Edith Mathis (soprano) (von 1965-05-31 bis 1965-06-03)
Orchester:
Consortium Musicum (von 1965-05-31 bis 1965-06-03)
conductor:
Wolfgang Gönnenwein (conductor) (von 1965-05-31 bis 1965-06-03)
aufgenommen bei:
Strassenbahner Erholungsheim in Stuttgart, Baden-Württemberg, Deutschland (von 1965-05-31 bis 1965-06-03)
recording of:
Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" (von 1965-05-31 bis 1965-06-03)
Texter:
Johann von Rist
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
Teil von:
Kantate, BWV 78 "Jesu, der du meine Seele"
5:12
16Suite pour orchestre no.2 en si mineur, BWV 1067: VI. Menuet
Orchester:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:25
17Suite pour orchestre no.2 en si mineur, BWV 1067: VII. Badinerie
Orchester:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:32
18Variations goldberg, BWV 988: Aria
Cembalo:
Maggie Cole (harpsichordist) (in 1990-06)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1990-06)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1990-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
4:33
19Suite pour guitare en mi mineur, BWV 996: Bourrée
klassiche Gitarre:
Sharon Isbin (classical guitarist)
aufgenommen bei:
Minnesota Public Radio Recording Studios (formerly, Studio M) in Saint Paul, Minnesota, Vereinigte Staaten
recording of:
Suite in E minor, BWV 996: V. Bourrée (catch-all for arrangements) (in 1988-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite in E minor, BWV 996: V. Bourrée
Teil von:
Suite in E minor, BWV 996 (catch-all for arrangements)
1:20
20Suite pour guitare en mi mineur, BWV 996: Gigue
Gitarre und klassiche Gitarre:
Sharon Isbin (classical guitarist)
aufgenommen bei:
Minnesota Public Radio Recording Studios (formerly, Studio M) in Saint Paul, Minnesota, Vereinigte Staaten
recording of:
Suite in E minor, BWV 996: VI. Gigue (catch-all for arrangements) (in 1988-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite in E minor, BWV 996: VI. Gigue
Teil von:
Suite in E minor, BWV 996 (catch-all for arrangements)
2:53
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ASIN:FR: B000JCDS3K [Info]