Mighty Long Time

~ Release by James Cotton (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Straighten Up Baby
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
baritone saxophone:
Choo Bari
bass guitar [bass]:
Sarah Brown (US blues singer and bassist)
drums (drum set) [drums]:
George Rains
guitar:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer) and Jimmie Vaughan (blues guitarist and singer)
piano:
Mike Kindred
tenor saxophone:
Mark Kazanoff and Red Rails (sax)
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
3:10
2Everything Gonna Be Alright
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Sarah Brown (US blues singer and bassist)
drums (drum set) [drums]:
Willie Smith
guitar:
Matt Murphy (US blues guitarist) and Luther Tucker
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Pinetop Perkins
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
Everything’s Gonna Be Alright
lyricist and composer:
Walter Jacobs (blues performer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
3:16
3Black Nights
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Sarah Brown (US blues singer and bassist)
drums (drum set) [drums]:
Willie Smith
guitar:
Matt Murphy (US blues guitarist) and Luther Tucker
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Pinetop Perkins
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
5:20
4Blow Wind Blow
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Calvin Jones
drums (drum set) [drums]:
Willie Smith
guitar:
Matt Murphy (US blues guitarist) and Luther Tucker
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Pinetop Perkins
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
Blow Wind Blow
lyricist and composer:
McKinley Morganfield (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Bug Music, Inc. and Watertoons Music
3:48
5Sugar Sweet
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Calvin Jones
drums (drum set) [drums]:
Willie Smith
guitar:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer) and Hubert Sumlin (Chicago blues guitarist and singer)
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Mike Kindred
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
Sugar Sweet
writer:
Mel London
4:19
6Moanin' at Midnight
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Larry Eisenberg (bass player)
guitar:
Hubert Sumlin (Chicago blues guitarist and singer)
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Denny Freeman
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
Moanin’ at Midnight
writer:
Chester Arthur Burnett
publisher:
Tristan Music Ltd.
3:10
7Baby Please
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Calvin Jones
drums (drum set) [drums]:
Willie Smith
guitar:
Matt Murphy (US blues guitarist) and Luther Tucker
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Pinetop Perkins
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
Baby Please
lyricist and composer:
Percy Mayfield
5:38
8Hold Me in Your Arms
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Sarah Brown (US blues singer and bassist)
drums (drum set) [drums]:
George Rains
guitar:
Jimmie Vaughan (blues guitarist and singer)
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Mel Brown (blues guitarist)
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
4:06
9Call It Stormy Monday
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Calvin Jones
drums (drum set) [drums]:
Willie Smith
guitar:
Wayne Bennett (blues guitarist)
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
conductor:
Wayne Bennett (blues guitarist)
arranger:
Wayne Bennett (blues guitarist)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (until 2018-11-01), Gregmark Music Inc (Gregmark) (from 1959 to present), Lord and Walker Publishing (from 1959 to present) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
6:47
10Three Hundred Pounds of Joy
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
baritone saxophone:
Choo Bari
bass guitar [bass]:
Calvin Jones
drums (drum set) [drums]:
Willie Smith
guitar:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer) and Hubert Sumlin (Chicago blues guitarist and singer)
piano:
Reese Wynans (American keyboardist)
tenor saxophone:
Mark Kazanoff and Red Rails (sax)
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
300 Pounds of Joy
lyricist and composer:
Willie Dixon
publisher:
Bug Music Ltd. and Hoochie Coochie Music
3:39
11Northside Cadillac
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer), Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
bass guitar [bass]:
Calvin Jones
drums (drum set) [drums]:
Willie Smith
guitar:
Matt Murphy (US blues guitarist)
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
4:15
12Mighty Long Time
engineer:
Joe Gracey, Stuart Sullivan (producer, recording engineer) and James Tuttle (engineer)
co-producer:
Derek O’Brien (Texas based guitarist who has also worked as producer and engineer)
producer:
Clifford Antone
mixer:
Joe Gracey and Angela Strehli
bass guitar [bass]:
Larry Eisenberg
guitar:
Hubert Sumlin (Chicago blues guitarist and singer)
harmonica:
James Cotton (US blues harmonica player, singer & songwriter)
piano:
Denny Freeman
vocals:
James Cotton (US blues harmonica player, singer & songwriter)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States, Lonestar Sound in Austin, Texas, United States and Studio D in Austin, Texas, United States
mixed at and edited at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States and Austin Recording Studio in Austin, Texas, United States
cover recording of:
Mighty Long Time
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
5:17