Christmas with Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1O Holy Night (Minuit Chrétien)
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
engineer:
John Dunkerley (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
Decca Records Company (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
O Holy Night (catch-all for arrangements)
composer:
Adolphe Adam (French composer)
arrangement of:
O Holy Night
Adolphe Adam4:15
2Pietà, Signore
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Pietà, Signore (in 1976-01)
lyricist and previously attributed to:
Alessandro Stradella (composer)
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Alessandro Stradella8:24
3Panis Angelicus
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Panis Angelicus (catch-all for arrangements)
composer:
César Franck (Belgian‐born French composer)
arrangement of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck4:02
4Le sette ultime parole di nostro Signore sulla croce: Qual Giglio Candido
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
Saverio Mercadante4:41
5Ave Maria
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
engineer:
John Dunkerley (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (Bach/Gounod) (in 1976)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Franz Schubert0.54:49
6Silent Night
recording engineer:
Charles Harbutt (sound engineer and reissue producer) (on 1999-12-23)
producer:
Grace Row (engineer/producer)
choir vocals:
Gumpoldskirchner Spatzen Children's Choir (on 1999-12-23)
tenor vocals:
José Carreras (Spanish tenor) (on 1999-12-23), Plácido Domingo (tenor) (on 1999-12-23) and Luciano Pavarotti (tenor) (on 1999-12-23)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (on 1999-12-23)
conductor:
Steven Mercurio (conductor and composer) (on 1999-12-23)
arranger:
Christian Kolonovits and Luca Logi
recorded at:
Wiener Konzerthaus in Landstraße, Wien (Vienna), Austria (on 1999-12-23)
live recording of:
Stille Nacht, heilige Nacht (on 1999-12-23)
lyricist:
Josef Mohr (composer/author) (in 1816)
composer:
Franz Xaver Gruber (composer/author) (in 1818)
part of:
Oh, What a Lovely War! (stage musical)
Franz Xaver Gruber35:27
7Orfeo ed Euridice: “Che farò senza Euridice”
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Jerry Lanning
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1977-04)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck4:26
8Stabat Mater: Cujus animam gementem
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1970-12 until 1971-03)
orchestra:
London Symphony Orchestra (from 1970-12 until 1971-03)
conductor:
István Kertész (conductor) (from 1970-12 until 1971-03)
chorus master:
Arthur Oldham (chorus master) (from 1970-12 until 1971-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-12 until 1971-03)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (from 1970-12 until 1971-03)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Gioachino Rossini5:50
9Ave Maria
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert (composer)
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Johann Sebastian Bach / Charles Gounod2:56
10Mille cherubini in coro
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Mille cherubini in coro (in 1976-01)
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Alois Melichar4:02
11Agnus Dei
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:45
12Grande Messe des Morts: Sanctus
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01) and Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01) and Terry Edwards (British choir director) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Requiem, op. 5: IX. Sanctus (in 1976-01)
lyricist and composer:
Hector Berlioz (French composer)
part of:
Requiem, op. 5 « Grande Messe des Morts »
Hector Berlioz9:09
13O Jesu mi dulcissime
engineer:
John Pellowe (audio engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (conductor, pianist) (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
recording of:
O Jesu mi dulcissime (in 1997-02)
composer:
Prospero Guida (19th century composer)
Prospero Guida2:51
14Ave verum corpus
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Piccolo Coro dell’Antoniano (Italian children’s choir) (in 1997-02)
tenor vocals:
Luciano Pavarotti (tenor) (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (conductor, pianist) (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
Franz Schubert3:06
15Ave Maria, Dolce Maria
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1997-02)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1997-02)
conductor:
Leone Magiera (conductor, pianist) (in 1997-02)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1997-02)
Luciano Pavarotti / Vittoriano Benvenuti3:02
16Adeste Fideles (O Come, All Ye Faithful)
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Terry Edwards (British choir director) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
John Francis Wade3:35
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