100 Burlesque Hits & Greatest Burlesque Classics (Jazz Edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Fever
cover recording of:
Fever
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee3:21
2I Put a Spell on You
vocals:
Screamin’ Jay Hawkins
Teil von:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 299) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 313)
recording of:
I Put a Spell on You (am 1956-09-12)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
Screamin’ Jay Hawkins3.32:25
3Three Cool Cats
vocals:
The Coasters (in 1958)
recording of:
Three Cool Cats (in 1958)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Chappell & Co., Jerry Leiber Music und Mike Stoller Music (ASCAP)
was commissioned by:
Sony/ATV Songs LLC
The Coasters2:28
4The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Lena Horne3:23
5I Want a Little Sugar in My Bowl
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1974)
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (in 1985)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:26
6I Want to Be Loved by You
recording of:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
Texter:
Bert Kalmar
Komponist(in):
Harry Ruby und Herbert Stothart (composer)
publisher:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:38
7The Naughty Lady of Shady Lane
Orchester:
Hugo Winterhalter & His Orchestra (am 1954-09-08)
recording of:
The Naughty Lady of Shady Lane (am 1954-09-08)
Verfasser(in):
Roy Bennett (US songwriter) und Sid Tepper
The Ames Brothers2:50
8Teach Me Tiger
April Stevens2:25
9Diamonds Are a Girl's Best Friend
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Leo Robin (US composer, lyricist & songwriter) und Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:30
10Whatever Lola Wants
recording of:
Whatever Lola Wants (Damn Yankees)
Texter und Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
Teil von:
Damn Yankees (1955 musical)
Carmen McRae3:00
11Just an Old-Fashioned Girl
Orchester:
Henri René & His Orchestra (am 1955-12-02)
recording of:
Just an Old Fashioned Girl (am 1955-12-02)
Verfasser(in):
Marve A. Fisher
Eartha Kitt32:53
12Put the Blame on Mame (From "Gilda")
Rita Hayworth2:16
13Just a Gigolo / I Ain't Got Nobody
Louis Prima4:44
14Minnie the Moocher
Cab Calloway and His Orchestra3:12
15Big, Long, Slidin' Thing
vocals:
Dinah Washington (in 1954)
recording of:
Big Long Slidin’ Thing
Verfasser(in):
Leroy Kirkland und Mamie Thomas
Dinah Washington2:58
16(I'm Your) Hoochie Coochie Man
recording of:
I’m Your Hoochie Coochie Man
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) und Willie Dixon Music
Muddy Waters2:51
17I Can't Love You Enough
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1956-06-14)
conductor:
Ray Ellis (US producer, arranger and conductor)
arranger:
Ray Ellis (US producer, arranger and conductor)
recording of:
I Can't Love You Enough (am 1956-06-14)
Verfasser(in):
LaVern Baker (US rhythm & blues singer), Dorian Burton (New York-based singer, songwriter and producer) und Howard Plummer, Jr.
LaVern Baker42:41
18Party Girl
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-03-10)
alto saxophone:
Edward Hale (1950s US sax player)
baritone saxophone:
Jim Wynn (US blues saxophonist & pianist)
Bass:
Buddy Woodson (US bassist)
E-Gitarre:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
Gitarre:
R.S. Rankin
Klavier:
Zell Kindred (US pianist) und Willard McDaniel
Schlagzeug:
Oscar Lee Bradley, Sr. (jazz drummer, active 40s-60s) und Robert "Snake" Sims (drummer)
Tenorsaxophon:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
Interpret(in):
Jim Wynn & His Orchestra und T‐Bone Walker (US blues musician & songwriter, 1910–1975)
T‐Bone Walker2:08
19I Wanna Be Evil
cover recording of:
I Want to Be Evil
Verfasser(in):
Lester Judson und Raymond Taylor (member of the Deuces of Rhythm)
René Marie4:43
20Ain't Misbehavin'
Gitarre:
Irving Ashby (am 1943-01-23)
Klavier:
Fats Waller (in 1943, am 1943-01-23)
Kontrabass:
Slam Stewart (am 1943-01-23)
Posaune:
Alton Moore (am 1943-01-23) und Slim Moore (trombonist linked to Fats Waller) (am 1943-01-23)
Rohrblattinstrumente:
Gene Porter (40s west coast jazz cat) (am 1943-01-23)
Schlagzeug:
Zutty Singleton (am 1943-01-23)
Trompete:
Benny Carter (am 1943-01-23)
vocals:
Fats Waller (am 1943-01-23)
Bearbeitung von:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) von “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (am 1943-01-23)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Fats Waller3:59
21This Can't Be Love
recorded in:
New York, Vereinigte Staaten (von 1955-03-15 bis 1955-03-17)
Produzent(in):
Bob Shad
vocals:
Dinah Washington (von 1955-03-15 bis 1955-03-17)
arranger:
Quincy Jones
recording of:
This Can’t Be Love (von 1955-03-15 bis 1955-03-17)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
Dinah Washington6:53
22One Scotch, One Bourbon, One Beer
Amos Milburn2:56
23Drunk
Jimmy Liggins & His Drops of Joy2:31
24Do You Want It?
Julia Lee2:34
25Satellite Baby
Roosevelt Sykes2:47
26I Just Want to Make Love to You
recording of:
I Just Wanna Make Love to You
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Muddy Waters4:19
27Susie-Q
Bass:
Sonny Trammell (in 1957)
Gitarre:
James Burton (guitarist) (in 1957) und Dale Hawkins (in 1957)
Schlagzeug:
Ronnie Lewis (drummer) (in 1957)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 24) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 73)
recording of:
Susie Q (in 1957)
Texter und Komponist(in):
Dale Hawkins
zusätzliche(r) Komponist(in):
Eleanor Broadwater und Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PeerMusic AB
Dale Hawkins32:20
28She Likes to Boogie Real Low
Frankie Lee Sims2:08
29Jump, Jive an’ Wail
Produzent(in):
Voyle Gilmore
Bass:
Amado Rodrigues (am 1956-04-19)
Gitarre:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1956-04-19)
Klavier:
Willie McCumber Jr. (am 1956-04-19)
Posaune:
Jimmy 'Little Red' Blount (am 1956-04-19)
Schlagzeug:
Bobby Morris (am 1956-04-19)
Tenorsaxophon:
Sam Butera (am 1956-04-19)
Trompete und Sologesang:
Louis Prima (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-19)
recording of:
Jump, Jive an’ Wail (am 1956-04-19)
Texter:
Louis Prima
Komponist(in):
Louis Prima (in 1956)
Louis Prima feat. Keely Smith with Sam Butera & the Witnesses53:27
30Jump Children (Voot, Voot)
The Flamingos2:34
31The Honeydripper
Orchester:
Cab Calloway and His Orchestra (am 1945-11-13)
Teil von:
V Disc (by matrix number) (Nummer: VP 1689 (2))
recording of:
The Honeydripper (am 1945-11-13)
Texter und Komponist(in):
Joe Liggins
Cab Calloway2:58
32I Smell a Rat
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1953)
baritone saxophone:
Fred Ford (baritone saxophonist) (in 1953)
Gitarre:
Pete Lewis (in 1953)
Klavier:
Devonia Williams (US R&B pianist/singer) (in 1953)
Kontrabass [bass]:
Albert Winston (R&B bassist) (in 1953)
Posaune:
George Washington (jazz trombonist) (in 1953)
Schlagzeug [drums]:
Leard Bell (R&B drummer) (in 1953)
Tenorsaxophon:
James Von Streeter (in 1953)
Trompete:
Don Johnson (1950s' R&B trumpeter) (in 1953)
Vibraphon [vibes]:
Johnny Otis (in 1953)
vocals:
Big Mama Thornton (in 1953)
Orchester:
Johnny Otis Orchestra (in 1953)
recording of:
I Smell a Rat (in 1953)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Songs of Universal, Inc. (BMI)
Big Mama Thornton1:44
33Big Fat Mamas Are Back in Style
Bull Moose Jackson2:21
34(Every Time I Hear That) Mellow Saxophone
Roy Montrell2:24
35Born to Be Blue
Kontrabass:
Beverly Peer (am 1947-11-20)
vocals:
Mildred Bailey (am 1947-11-20)
recording of:
Born to Be Blue (am 1947-11-20)
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (beendet), Universal Music Publishing France (not for release label use!) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Mildred Bailey2:55
36I Want My Fanny Brown
Wynonie Harris3:07
37Till My Baby Comes Back
alto saxophone:
Harold "Geezil" Minerve (am 1951-12-20) und Joe O'Laughlin (am 1951-12-20)
baritone saxophone:
Teddy Conyers (am 1951-12-20)
Gitarre:
Chauncey "Lord" Westbrook (am 1951-12-20)
Klavier:
Buddy Johnson (am 1951-12-20)
Kontrabass:
Leon Spann (am 1951-12-20)
Posaune:
Leon Comegys (am 1951-12-20), Steve Pulliam (am 1951-12-20) und Julius Watson (jazz trombonist) (am 1951-12-20)
Schlagzeug:
Philip Paul (Cincinnati studio drummer) (am 1951-12-20)
Tenorsaxophon:
David Van Dyke (am 1951-12-20) und Purvis Henson (R&B tenor saxophonist) (am 1951-12-20)
Trompete:
Willis Nelson (jazz trumpeter) (am 1951-12-20), Frank Royal (am 1951-12-20) und Calvin Strickland (am 1951-12-20)
vocals:
Ella Johnson (am 1951-12-20)
Buddy Johnson and His Orchestra2:24
38Beyond the Sea
Bobby Darin2:54
39Back at the Chicken Shack
recording engineer:
Rudy van Gelder (am 1960-04-25)
Produzent(in):
Alfred Lion
Gitarre:
Kenny Burrell (am 1960-04-25)
Orgel:
Jimmy Smith (US jazz organist) (am 1960-04-25)
Schlagzeug:
Donald Bailey (drummer and harmonica player) (am 1960-04-25)
Tenorsaxophon:
Stanley Turrentine (am 1960-04-25)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1960-04-25)
recording of:
Back at the Chicken Shack (am 1960-04-25)
Komponist(in):
Jimmy Smith (US jazz organist)
publisher:
Edmy Music
Jimmy Smith8:06
40After Hours
The Jesters1:45
41Harlem Nocturne
Johnny Reno4:19
42Peter Gunn Theme
Ray Anthony and His Orchestra1:52
43Purple Wail
Red Prysock2:30
44Honky Tonk (Part 2)
Bill Doggett2:37
45Upper & Outest
Duke Ellington2:23
46Mambo Baby
Ruth Brown2:43
47Walk Don't Run
cover recording of:
Walk, Don’t Run
Komponist(in):
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) und Windswept Pacific Music Ltd.
The Ventures2:05
48Slippin' and Slidin'
recording of:
Slippin’ and Slidin’
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
Little Richard2:43
49Daddy, Daddy
Ruth Brown and Her Rhythmakers2:56
50Patricia
Pérez Prado and His Orchestra2:37
51Fever
Louis Prima3:04
52Rooming House Boogie
Cab Calloway3:23
53More Bounce to the Ounce
Lynn Hope Quintet2:34
54Willow Weep for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1955-06-28)
Produzent(in):
Ozzie Cadena
alto saxophone:
Julian “Cannonball” Adderley (am 1955-06-28)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-06-28)
Klavier:
Horace Silver (am 1955-06-28)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-06-28)
Kornett:
Nat Adderley (am 1955-06-28)
Schlagzeug:
Kenny Clarke (am 1955-06-28)
Trompete:
Donald Byrd (American jazz trumpeter) (am 1955-06-28)
phonographisches Urheberrecht (℗) von:
SLG, LLC (in 2002, in 2003, in 2006, in 2007) und Mastercorp Pty Ltd (in 2012)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (am 1955-06-28)
instrumental cover recording of:
Willow Weep for Me (am 1955-06-28)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
recording of:
Willow Weep for Me
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Cannonball Adderley6:23
55Stalkin'
recorded in:
Phoenix, Arizona, Vereinigte Staaten (in 1958-03)
Produzent(in):
Lee Hazlewood und Lester Sill
E-Bass [electric "click" bass]:
Buddy Wheeler (in 1958-03)
E-Gitarre:
Duane Eddy (in 1958-03)
Gitarre [rhythm guitar]:
Corki Casey O’Dell (US guitarist & singer, aka Corki Ray, Corki O’Dell) (in 1958-03) und Donnie Owens (in 1958-03)
Händeklatschen, Hintergrundgesang und sonstiger Gesang [rebel yells]:
The Sharps (US doo wop group from Los Angeles, CA) (in 1958-03)
Klavier:
Al Casey (US rock & roll/rockabilly/surf guitarist/session musician) (in 1958-03)
Kontrabass [acoustic bass]:
Jimmy Simmons (in 1958-03)
membranophone:
Bob Taylor (American drummer) (in 1958-03)
Saxophon [sax]:
Gil Bernal (in 1958-03)
recording of:
Stalkin’ (in 1958-03)
Komponist(in):
Duane Eddy und Lee Hazlewood
Duane Eddy2:25
56The Stripper
recording of:
The Stripper
Komponist(in):
David Rose (songwriter, pianist and orchestra leader)
publisher:
Bregman, Vocco & Conn Ltd. und David Rose Publishing Co.
David Rose and His Orchestra1:59
57Angel Eyes
Sonny Stitt5:07
58Rock Candy
Big Jay McNeely2:40
59Two Tacos
Felix & His Guitar2:11
60T-Town Twist
Roy Milton2:50
61Take It Off
recording of:
Take It Off
The Genteels2:00
62Hot Little Mama
Produzent(in):
Joe Bihari (in 1955)
baritone saxophone:
Jim Wynn (US blues saxophonist & pianist) (in 1955-01)
Bass:
Billy Hadnott (in 1955-01)
Gitarre:
René Hall (in 1955-01) und Johnny “Guitar” Watson (in 1955-01)
Klavier:
Willard McDaniel (in 1955-01)
Schlagzeug:
Jesse Price (US jazz/R&B drummer & singer) (in 1955-01)
Tenorsaxophon:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (in 1955-01)
Trompete:
James Parr (in 1955-01)
vocals:
Johnny “Guitar” Watson (in 1955-01)
Orchester:
Maxwell Davis and His Orchestra (in 1955-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (in 1955-01)
aufgenommen bei:
Culver Studios in Culver City, California (Kalifornien), Vereinigte Staaten (in 1955-01)
recording of:
Hot Little Mama (in 1955-01)
Verfasser(in):
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”), Jules Taub und Johnny “Guitar” Watson
Johnny “Guitar” Watson2:40
63Rock Bottom
Linda Hayes with The Red Callender Sextette2:40
64Riders on the Storm
Mariano Yanani6:54
65Rumble
Produzent(in):
Ray Vernon
Bass:
Shorty Horton
Gitarre:
Link Wray
Gitarre [rhythm guitar]:
Vernon Wray
Schlagzeug:
Doug Wray
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 8) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 56)
recording of:
Rumble
Komponist(in):
Milton Grant und Link Wray
publisher:
Andval Music und Link Wray Music
Link Wray & His Raymen4.352:31
66A La Carte
James Holloway2:31
67Night Train
Solo-Tenorsaxophon:
Sam Butera (am 1956-04-19)
Orchester:
The Witnesses (am 1956-04-19)
instrumental cover recording of:
Night Train (Jimmy Forrest’s original instrumental version) (am 1956-04-19)
Komponist(in):
Jimmy Forrest
basiert auf:
Happy Go Lucky Local
Louis Prima42:52
68Emily
Al Cohn & Zoot Sims7:22
69Jibba Jab
Tic & Toc2:22
70Groovy
The Groovers2:33
71Slow Walk
Sil Austin2:42
72The Whip
The Frantics1:50
73Hooty Sapperticker
Barbara & The Boys1:40
74Enough Man!
Bobby Christian1:48
75Diminuendo & Crescendo in Blue
alto saxophone:
Johnny Hodges (am 1963-01-22)
Bassposaune:
Chuck Connors (trombonist) (am 1963-01-22)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1963-01-22)
Kontrabass:
Ernie Shepard (am 1963-01-22)
Posaune:
Lawrence Brown (jazz trombonist) (am 1963-01-22) und Buster Cooper (am 1963-01-22)
Rohrblattinstrumente:
Harry Carney (am 1963-01-22), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1963-01-22) und Russell Procope (am 1963-01-22)
Schlagzeug:
Sam Woodyard (am 1963-01-22)
Tenorsaxophon:
Paul Gonsalves (am 1963-01-22)
Trompete:
William “Cat” Anderson (am 1963-01-22), Rolf Ericson (am 1963-01-22), Herbie Jones (am 1963-01-22) und Cootie Williams (am 1963-01-22)
recording of:
Diminuendo and Crescendo in Blue (am 1963-01-22)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Medley von:
Diminuendo in Blue
Medley von:
Crescendo in Blue
Duke Ellington11:42
76Drunken Guitar
Tommy Steele2:09
77Way Out West
Sonny Rollins7:05
78Gizmo
Jimmy Heap2:05
79Mumbles
Jack Ross2:19
80Jam Up
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1954-08-08)
Produzent(in):
Tommy Ridgley
baritone saxophone:
Red Tyler (American jazz saxophonist) (am 1954-08-08)
Gitarre:
Ernest McLean (am 1954-08-08)
Klavier:
Salvador Doucette (am 1954-08-08)
Kontrabass [bass]:
Frank Fields (am 1954-08-08)
Schlagzeug [drums]:
Earl Palmer (am 1954-08-08)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1954-08-08) und Larry Marioneaux (am 1954-08-08)
Trompete:
Dave Bartholomew (am 1954-08-08)
sonstiger Gesang [vocal interjections]:
Tommy Ridgley (am 1954-08-08)
Tommy Ridgley2:46
81Panic Button
Edgar Alan and the Po' Boys1:46
82Buzzsaw Twist
recording of:
Buzz Saw Twist
Komponist(in):
Glen Campbell (US country singer, guitarist & actor)
The Gee Cees2:07
83Mo' Taters
The Earthworms2:09
84Are You Nervous?
The Instrumentals2:40
85Hold It
Bud Grippah1:52
86Sleepless Hours
The Originals1:44
87Wigglin Fool
Jack Hammer1:41
88So Many Ways (To Love You)
Varetta Dillard & Leroy Kirkland Orchestra2:46
89Nut Sundae
The Fabulous Tempoes2:41
90Scatty Cat
Bob Bunny1:22
91The Sneak
Jimmy Oliver2:26
92Bikini
The Bikinis2:20
93Squeezer
Big Bob Dougherty2:04
94Beat Party
Ritchie & the Squires2:04
95Screwdriver
Luchi1:52
96Blues Mood
Milt Jackson4:22
97D-Rail
The Flintales2:09
98Night Walk
The Swingers3:01
99Anasthasia
Bill Smith Combo1:52
100Smog
Jazz Rockers2:55