Chocolate com pimenta (Internacional)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I’m in the Mood for Love
recording engineer:
Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Bobby Ginsburg und Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Saxophon:
Doug Webb
Schlagzeug:
John Ferraro
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Rod Stewart3:06
2Everytime We Say Goodbye
Steve Tyrell3:32
3Hey There
Bette Midler3:30
4(Somewhere) Over the Rainbow
Luiza Possi3:15
5In the Mood
instrumental recording of:
In the Mood (am 1939-08-01)
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Glenn Miller Orchestra3.753:37
6Puttin’ On the Ritz
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Fred Astaire (in 1952-12)
recording of:
Puttin’ On the Ritz (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Fred Astaire2:50
7Night and Day
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-03-27) und Bud Shank (am 1956-03-27)
baritone saxophone:
Chuck Gentry (am 1956-03-27)
Bassposaune:
George Roberts (american bass trombone) (am 1956-03-27)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-03-27) und Edgar Lustgarten (am 1956-03-27)
Gitarre:
Barney Kessel (am 1956-03-27)
Harfe:
Corky Hale (am 1956-03-27)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-03-27)
Kontrabass:
Joe Mondragon (am 1956-03-27)
Posaune:
Milt Bernhart (am 1956-03-27), Joe Howard (american trombone player) (am 1956-03-27) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-03-27)
Schlagzeug:
Alvin Stoller (am 1956-03-27)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-03-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-03-27)
Trompete:
Pete Candoli (am 1956-03-27), Harry “Sweets” Edison (am 1956-03-27), Maynard Ferguson (am 1956-03-27) und Conrad Gozzo (am 1956-03-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-03-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Ella Fitzgerald3:04
8Mack the Knife (Moritat)
Bass:
Arvell Shaw (in 1955)
Klarinette:
Barney Bigard (in 1955)
Klavier:
Billy Kyle (in 1955)
Posaune:
Trummy Young (in 1955)
Schlagzeug:
Barrett Deems (in 1955)
Trompete und Sologesang:
Louis Armstrong (in 1955)
recording of:
Mack the Knife (1954 Blitzstein translation) (am 1955-09-28)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3.653:21
9Stormy Weather (Keeps Rainin’ All the time)
Etta James & Riley Hampton3:07
10Lover
John Williams & The Boston Pops Orchestra3:21
11Chocolate Waltz
The John Windsor Company1:54
12Good Old Times
Swinging Jellys2:09
13Curly Little Girl
Charles Robbins2:03

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