Prokofiev: Peter and the Wolf / Saint-Saëns: Carnival of the Animals / Britten: Young Person's Guide to the Orchestra (narrated by Melissa Joan Hart as Clarissa)

~ Release by Prokofiev, Saint‐Saëns, Britten; Melissa Joan Hart, Boston Symphony Orchestra, Seiji Ozawa (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Clarissa’s Introduction
spoken vocals:
Melissa Joan Hart
Melissa Joan Hart1:00
2Peter and the Wolf, op. 67, A Musical Tale: Introduction: Naming the Instruments
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
partial recording of:
Peter and the Wolf, op. 67 (from 1992-02-14 until 1992-02-15)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev4:15
3Peter and the Wolf, op. 67, A Musical Tale: “Early one morning Peter opened the gate and went out on a big green meadow.”
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
partial recording of:
Peter and the Wolf, op. 67 (from 1992-02-14 until 1992-02-15)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev8:42
4Peter and the Wolf, op. 67, A Musical Tale: “No sooner had Peter gone, than a big grey wolf came out of the forest.”
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
partial recording of:
Peter and the Wolf, op. 67 (from 1992-02-14 until 1992-02-15)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev8:35
5Peter and the Wolf, op. 67, A Musical Tale: “Just then the hunters came out of the woods.”
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
partial recording of:
Peter and the Wolf, op. 67 (from 1992-02-14 until 1992-02-15)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev6:12
6Carnival of the Animals: Clarissa’s Introduction
spoken vocals:
Melissa Joan Hart
Melissa Joan Hart1:11
7Carnival of the Animals: I. Introduction and Royal March of the Lions
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:48
8Carnival of the Animals: II. Hens and Roosters
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:40
9Carnival of the Animals: III. Mongolian Wild Donkeys
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:37
10Carnival of the Animals: IV. Tortoises
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
quotes music from:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:50
11Carnival of the Animals: V. The Elephant
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:25
12Carnival of the Animals: VI. Kangaroos
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:53
13Carnival of the Animals: VII. Aquarium
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:16
14Carnival of the Animals: VIII. Personages with Long Ears
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:48
15Carnival of the Animals: IX. The Cuckoo in the Depths of the Forest
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:16
16Carnival of the Animals: X. Aviary
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:14
17Carnival of the Animals: XI. Pianists
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
18Carnival of the Animals: XII. Fossils
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
19Carnival of the Animals: XIII. The Swan
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
solo cello:
Jules Eskin (cellist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:32
20Carnival of the Animals: XIV. Finale
piano:
John Browning (American pianist) and Garrick Ohlsson (pianist)
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (from 1992-02-14 until 1992-02-15)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:50
21The Young Person’s Guide to the Orchestra, op. 34: Introduction
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (from 1992-02-14 until 1992-02-15)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:27
22The Young Person’s Guide to the Orchestra, op. 34: Theme
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (from 1992-02-14 until 1992-02-15)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten2:43
23The Young Person’s Guide to the Orchestra, op. 34: Variations
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell) (from 1992-02-14 until 1992-02-15)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
part of:
Works of Benjamin Britten by opus number (number: op. 34)
Benjamin Britten13:01
24The Young Person’s Guide to the Orchestra, op. 34: Fugue
spoken vocals:
Melissa Joan Hart
orchestra:
Boston Symphony Orchestra (from 1992-02-14 until 1992-02-15)
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer) (from 1992-02-14 until 1992-02-15)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (from 1992-02-14 until 1992-02-15)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten3:55

Credits

Release

ASIN:US: B000002A2D [info]