Dreams and Daggers

~ Release by Cécile McLorin Salvant (see all versions of this release, 3 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1You’re My Thrill
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
arranger:
Paul Sikivie (bassist, educator)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
You’re My Thrill
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:34
2I Didn’t Know What Time It Was
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
6:30
3Tell Me What They’re Saying Can’t Be True
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
5:29
4Nothing Like You
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
3:50
5You’ve Got to Give Me Some
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Sullivan Fortner
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
You've Got to Give Me Some
writer:
Spencer Williams (US jazz composer, pianist & singer)
6:11
6The Worm
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
arranger:
Paul Sikivie (bassist, educator)
mixed at:
ValveTone Studios in New York, New York, United States
1:03
7My Man’s Gone Now
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America and WB Music Corp. (1929–2019) (until 2019-05-28)
version of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:28
8Let’s Face the Music and Dance
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
6:55
9Si J’étais Blanche
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Si j'étais blanche
lyricist:
Léo Lelièvre (père) and Henri Varna (French lyricist)
composer:
Bobby Falk
5:15
10Fascination
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
strings:
Catalyst Quartet
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
1:28
11Wild Women Don’t Have the Blues
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
Wild Women Don’t Have the Blues
writer:
Ida Cox
6:51
12You’re Getting to Be a Habit With Me
assistant engineer:
Josh Welshman
mixer:
Todd Whitelock (engineer)
double bass:
Paul Sikivie (bassist, educator)
drums (drum set) [drums]:
Lawrence Leathers (Jazz drummer)
piano:
Aaron Diehl
vocals:
Cécile McLorin Salvant (jazz vocalist)
mixed at:
ValveTone Studios in New York, New York, United States
recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
9:54

Credits

Release

art direction and illustration:Cécile McLorin Salvant (jazz vocalist)
assistant engineer:Josh Welshman (from 2016-09-09 until 2016-09-11)
Isaiah Abolin (on 2016-12-13)
Doug Iszlai (engineer) (on 2016-12-13)
Akihiro Nishimura (engineer) (on 2016-12-13)
recording engineer:Todd Whitelock (engineer) (from 2016-09-09 until 2016-09-11, on 2016-12-13)
Damon Whittemore (from 2016-09-09 until 2016-09-11)
mastering:Mark Wilder (US recording/mastering engineer)
design:Raj Naik
artwork:Cécile McLorin Salvant (jazz vocalist) (task: handwriting)
recorded at:Village Vanguard in Greenwich Village, New York, New York, United States (from 2016-09-09 until 2016-09-11)
DiMenna Center for Classical Music in Hell's Kitchen, New York, New York, United States (on 2016-12-13)
mastered at:Battery Studios (mastering/archival/digitization studio located at 321 W 44th Street, NYC) in Midtown Manhattan, New York, New York, United States
Discogs:https://www.discogs.com/release/10973881 [info]
ASIN:US: B073LJT75M [info]
Allmusic:https://www.allmusic.com/album/release/mr0004769647 [info]