Classics 100 (Limited Collectors Edition Great Britain version)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Vinile 12" (30 cm)
#TitoloArtistaValutazioneDurata
A1March of the Toreadors from “Carmen”
editor:
Don Reedman (producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Carmen Suite no. 2: IV. Chanson du toréador
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
parte di:
Carmen Suite no. 2
Georges Bizet?:??
A2Symphony no. 40: First Movement (abridged)
editor:
Don Reedman (producer)
orchestra:
Columbia Symphony Orchestra
direttore d'orchestra:
Bruno Walter (conductor)
registrazione parziale di:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
compositore:
Wolfgang Amadeus Mozart (classical composer) (dal 1788 al 1788-07-25)
parte di:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart?:??
A3Tales From the Vienna Woods
editor:
Don Reedman (producer)
orchestra:
Hallé Orchestra
direttore d'orchestra:
Sir John Barbirolli (conductor and cellist)
registrazione di:
Geschichten aus dem Wienerwald, op. 325 (Tales From the Vienna Woods)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1868)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 325)
Johann Strauss?:??
A4A Mighty Fortress Is Our God
editor:
Don Reedman (producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn"
Johann Sebastian Bach?:??
A5Nocturne in E flat major op. 9 no. 2
editor:
Don Reedman (producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
arrangiatore:
Arthur Harris (pianist, composer, arranger)
registrazione di:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
compositore:
Fryderyk Chopin (Frédéric Chopin, composer) (dal 1830 al 1832)
parte di:
Classic 100: Piano (2025) (numero: 3), Classic 100: Piano (2004) (numero: 18) e Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numero: C. 109)
parte di:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin?:??
A6Military Polonaise
editor:
Don Reedman (producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Polonaise in A major, op. 40 no. 1 “Military”
compositore:
Fryderyk Chopin (Frédéric Chopin, composer) (nel 1838)
parte di:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (numero: 3), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (numero: B. 120) e Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (numero: C. 152)
parte di:
Polonaises, op. 40
Fryderyk Chopin?:??
A7Barcarolle from “The Tales of Hoffman”
editor:
Don Reedman (producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
compositore:
Jacques Offenbach (German-French composer, cellist and impresario)
librettista:
Jules Barbier
parte di:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach?:??
A8Flight of the Bumblebee
editor:
Don Reedman (producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Полёт шмеля (La fiaba dello zar Saltan: Il volo del calabrone, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
compositore:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (dal 1899 al 1900)
parte di:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korkokov?:??
A9Jesu, Joy of Man’s Desiring
editor:
Don Reedman (producer)
cori:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Jesu, Joy of Man’s Desiring
orchestratore:
Leopold Stokowski (conductor)
paroliere:
Robert Bridges (poet)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione tradotta di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach?:??
B1Piano Concerto no. 1 (opening)
editor:
Don Reedman (producer)
pianoforte :
Philippe Entremont (French pianist/conductor)
orchestra:
New York Philharmonic Orchestra (New York Philharmonic)
direttore d'orchestra:
Leonard Bernstein (American conductor, composer, pianist)
registrazione parziale di:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1874-11 al 1875-02)
parte di:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revisione di:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revisione di:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky?:??
B2Morning from “Peer Gynt Suite”
editor:
Don Reedman (producer)
orchestra:
Hallé Orchestra
direttore d'orchestra:
Sir John Barbirolli (conductor and cellist)
registrazione di:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1888)
versione di:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
parte di:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg?:??
B3Hallelujah Chorus from “Messiah”
editor:
Don Reedman (producer)
cori:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
librettista:
Charles Jennens
parte di:
Messiah, HWV 56: Part II
George Frideric Handel?:??
B4Blue Danube Waltz
editor:
Don Reedman (producer)
orchestra:
Hallé Orchestra
direttore d'orchestra:
Sir John Barbirolli (conductor and cellist)
registrazione di:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
eseguita per la prima volta a:
Wien (Vienna), Austria (il 1867-02-15)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1866)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 314)
Johann Strauss?:??
B5Marche Militaire
editor:
Don Reedman (producer)
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
direttore d'orchestra:
Eugene Ormandy (conductor)
registrazione di:
Marche militaire, op. 51, D. 733 no. 1 in D major
compositore:
Franz Schubert (composer)
parte di:
3 Marches militaires, op. 51, D. 733
Franz Schubert?:??
B6Opening Act Two “Dance of the Swans” from Swan Lake
editor:
Don Reedman (producer)
orchestra:
New York Philharmonic Orchestra (New York Philharmonic)
direttore d'orchestra:
Leonard Bernstein (American conductor, composer, pianist)
registrazione di:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
Swan Lake, op. 20: Act II (ed. Drigo)
parte di:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
Pyotr Ilyich Tchaikovsky?:??
B7Galop from “William Tell Overture”
editor:
Don Reedman (producer)
orchestra:
New York Philharmonic Orchestra (New York Philharmonic)
direttore d'orchestra:
Leonard Bernstein (American conductor, composer, pianist)
registrazione parziale di:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
compositore:
Gioachino Rossini (composer)
parte di:
Guillaume Tell : Ouverture (William Tell: Overture)
Gioachino Rossini?:??
2▶Vinile 12" (30 cm)

Accreditamenti

Pubblicazione

fabbricata a:Great Britain
stampata a:Great Britain
compilatore:Don Reedman (producer)
distribuito da:K‐tel International (IRL) Ltd.
K‐tel International (UK) Ltd. (not for release label use! for copyrights/distribution and other legal credits only)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:K‐tel International (do not use as a release label! for copyrights/distributor use only) (nel 1973)
Discogs:https://www.discogs.com/release/8636967 [info]
ASIN:UK: B017HLEN8E [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/994492 [info]