Hey Jude + Right On

~ Release by Wilson Pickett (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Save Me
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
recorded at:
Muscle Shoals in Sheffield, Alabama, United States (in 1968)
recording of:
Save Me
writer:
Dan Greer (Southern soul singer-songwriter, 60s/70s) and George Jackson (US soul songwriter/vocalist)
2:36
2Hey Jude
engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-11-27)
electric bass guitar [electric bass]:
Jerry Jemmott (on 1968-11-27)
electric guitar:
Duane Allman (on 1968-11-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-11-27)
piano:
Barry Beckett (on 1968-11-27)
saxophone:
Floyd Newman (on 1968-11-27)
tenor saxophone:
Andrew Love (on 1968-11-27) and James Mitchell (US saxophonist/arranger) (on 1968-11-27)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-11-27)
lead vocals:
Wilson Pickett (on 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-11-27)
cover recording of:
Hey Jude (on 1968-11-27)
written in:
England, United Kingdom (in 1968-06)
writer:
John Lennon (The Beatles) (in 1968-06) and Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-06 until 1968-07-26)
4:06
3Back in Your Arms
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
recorded at:
Muscle Shoals in Sheffield, Alabama, United States (in 1968)
2:55
4Toe Hold
producer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
bass [electric bass]:
Jerry Jemmott (on 1968-12-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-12-03)
guitar:
Duane Allman (on 1968-12-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-12-03)
piano:
Barry Beckett (on 1968-12-03)
tenor saxophone:
Andrew Love (on 1968-12-03) and James Mitchell (US saxophonist/arranger) (on 1968-12-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-12-03)
vocals:
Wilson Pickett (on 1968-12-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
cover recording of:
Toe Hold (on 1968-12-03)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Irving Music (BMI)
2:49
5Night Owl
recorded in:
Memphis, Tennessee, United States (in 1968)
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
conductor:
Tom Dowd (in 1968)
2:21
6My Own Style of Loving
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
recorded at:
Muscle Shoals in Sheffield, Alabama, United States (in 1968)
recording of:
My Own Style of Loving
writer:
George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
2:41
7A Man and a Half
recorded in:
Memphis, Tennessee, United States (on 1968-09-19)
bass [electric bass]:
Jerry Jemmott (on 1968-09-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-09-19)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968) and Duane Allman (on 1968-09-19)
piano:
Barry Beckett (on 1968-09-19)
tenor saxophone:
Andrew Love (on 1968-09-19) and James Mitchell (US saxophonist/arranger) (on 1968-09-19)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1968-09-19)
vocals:
Wilson Pickett (on 1968-09-19)
conductor:
Tom Dowd (on 1968-09-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-09-19)
recording of:
A Man and a Half (on 1968-09-19)
writer:
Larry Chambers, George Jackson (US soul songwriter/vocalist), Melvin Leakes and Raymond Moore (US songwriter)
publisher:
Screen Gems-EMI
2:49
8Sit Down and Talk This Over
recorded in:
Memphis, Tennessee, United States (in 1968)
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
conductor:
Tom Dowd (in 1968)
2:20
9Search Your Heart
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
recorded at:
Muscle Shoals in Sheffield, Alabama, United States (in 1968)
2:45
10Born to Be Wild
bass [electric bass]:
Jerry Jemmott (from 1968-11-27 until 1968-12-03)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1968-11-27 until 1968-12-03)
guitar:
Duane Allman (from 1968-11-27 until 1968-12-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1968-11-27 until 1968-12-03)
piano:
Barry Beckett (from 1968-11-27 until 1968-12-03)
tenor saxophone:
Andrew Love (from 1968-11-27 until 1968-12-03) and James Mitchell (US saxophonist/arranger) (from 1968-11-27 until 1968-12-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1968-11-27 until 1968-12-03)
vocals:
Wilson Pickett (from 1968-11-27 until 1968-12-03)
recorded at:
Muscle Shoals in Sheffield, Alabama, United States (on 1968-11-27) and FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
cover recording of:
Born to Be Wild (from 1968-11-27 until 1968-12-03)
lyricist and composer:
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:45
11People Make the World (What It Is)
recorded in:
Memphis, Tennessee, United States (in 1968)
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
conductor:
Tom Dowd (in 1968)
2:47
12Groovy Little Woman
producer:
Tom Dowd and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-11-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-11-19)
guitar [lead guitar]:
Eddie Hinton (on 1969-11-19)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-11-19)
keyboard [piano, organ]:
Barry Beckett (on 1969-11-19)
vocals:
Wilson Pickett (on 1969-11-19)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-11-19)
2:39
13Funky Way
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
2:30
14Sugar Sugar
producer:
Tom Dowd and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-11-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-11-19)
guitar [lead guitar]:
Eddie Hinton (on 1969-11-19)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-11-19)
keyboard [piano, organ]:
Barry Beckett (on 1969-11-19)
vocals:
Wilson Pickett (on 1969-11-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-11-19)
cover recording of:
Sugar, Sugar (on 1969-11-19)
writer:
Jeff Barry and Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner/Chappell Music Ltd. (1996–2019)
2:57
15Sweet Inspiration
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
2:54
16This Old Town
producer:
Tom Dowd and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-11-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-11-19)
guitar [lead guitar]:
Eddie Hinton (on 1969-11-19)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-11-19)
keyboard [piano, organ]:
Barry Beckett (on 1969-11-19)
vocals:
Wilson Pickett (on 1969-11-19)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-11-19)
3:22
17You Keep Me Hangin' On
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
cover recording of:
You Keep Me Hangin’ On (on 1969-08-29)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
4:56
18Lord Pity Us All
producer:
Tom Dowd and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-11-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-11-19)
guitar [lead guitar]:
Eddie Hinton (on 1969-11-19)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-11-19)
keyboard [piano, organ]:
Barry Beckett (on 1969-11-19)
vocals:
Wilson Pickett (on 1969-11-19)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-11-19)
3:21
19It's Still Good
producer:
Tom Dowd and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-11-19)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-11-19)
guitar [lead guitar]:
Eddie Hinton (on 1969-11-19)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-11-19)
keyboard [piano, organ]:
Barry Beckett (on 1969-11-19)
vocals:
Wilson Pickett (on 1969-11-19)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-11-19)
2:38
20Woman Likes to Hear That
recorded in:
Memphis, Tennessee, United States (in 1968)
producer:
Tom Dowd
bass [electric bass]:
Jerry Jemmott (in 1968)
drums (drum set):
Roger Hawkins (drummer and producer) (in 1968)
guitar:
Duane Allman (in 1968) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (in 1968)
piano:
Barry Beckett (in 1968)
tenor saxophone:
Andrew Love (in 1968) and James Mitchell (US saxophonist/arranger) (in 1968)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (in 1968)
vocals:
Wilson Pickett (in 1968)
conductor:
Tom Dowd (in 1968)
2:53
21She Said Yes
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
recording of:
She Said Yes (on 1969-08-29)
writer:
Don Covay, Johnny Nash (US reggae/pop singer-songwriter), Wilson Pickett and William Stevenson (Motown songwriter)
publisher:
Cotillion Music Inc. (BMI), Erva Music Publishing (BMI) and Mikim Music
3:15
22Hey Joe
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
vocals:
Wilson Pickett (on 1969-05-20)
orchestra:
unidentified orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1969-05-20)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1969-05-20)
cover recording of:
Hey Joe (on 1969-05-20)
lyricist and composer:
Billy Roberts (songwriter)
publisher:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music and Third Story Music, Inc.
3:04
23Steal Away
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-08-29)
drums (drum set):
Tubby Ziegler (on 1969-08-29)
guitar:
Jim O’Rourke (guitar) (on 1969-08-29)
keyboard:
Billy Carter (organ, jazz) (on 1969-08-29)
vocals:
Wilson Pickett (on 1969-08-29)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-08-29)
3:50
24Mini Skirt Minnie
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1968-12-03)
recording of:
Mini-Skirt Minnie (on 1968-12-03)
writer:
Earl Cage (American songwriter, producer and arranger), Lindell Hill and George Jackson (US soul songwriter/vocalist)
publisher:
New Research Publishing
3:00
25Now You See Me, Now You Don't
2:35
26Cole, Cooke and Redding
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass:
Harold Cowart (on 1969-10-27)
drums (drum set):
Tubby Zeigler (drummer) (on 1969-10-27)
guitar:
Jim O’Rourke (guitar) (on 1969-10-27)
keyboard:
Billy Carter (on 1969-10-27)
strings:
string section ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1969-10-27)
background vocals:
Judy Clay (American soul and gospel singer) (on 1969-10-27), Cissy Houston (on 1969-10-27), John Utley (on 1969-10-27) and Jackie Verdell (on 1969-10-27)
arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-10-27)
recording of:
Cole, Cooke & Redding (on 1969-10-27)
writer:
Dick Holler
publisher:
Regent Music (BMI)
3:51

Credits

Release group

includes:Hey Jude
Right On