The Complete Works, 1953–1955

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

100 page book containing 2 CD's

Tracks info
1 & 2 , 1953 Personal recordings.
3 & 4 , 1954 Personal recordings.
25 & 26 January 6th 1955 Radio station KDVA Lubbock, TX.
27 January 19th 1955 Radio station WJOI Florence, Al.

Anmerkung zuletzt geändert am 2023-07-28 18:01 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1My Happiness (acetate)
cover recording of:
My Happiness
Texter:
Borney Bergantine (in 1933) und Betty Peterson (in 1948)
Komponist(in):
Borney Bergantine (in 1933)
publisher:
Chappell Music (UK) und Happiness Music Corp.
2:31
2That’s When Your Heartaches Begin (acetate)
cover recording of:
That’s When Your Heartaches Begin
Verfasser(in):
Fred Fisher, Billy Hill (US songwriter) und William Raskin
publisher:
Fred Fisher Music Co., Inc. und Sony/ATV Tunes LLC (ASCAP)
2:48
3I’ll Never Stand in Your Way (acetate)
cover recording of:
I’ll Never Stand in Your Way
Verfasser(in):
Hy Heath und Fred Rose (songwriter)
publisher:
Milene Music. Inc (ASCAP)
2:03
4It Wouldn’t Be the Same Without You (acetate)
cover recording of:
It Wouldn’t Be the Same Without You
Verfasser(in):
Fred Rose (songwriter) und Jimmy Wakely (Country and western singer and songwriter)
publisher:
Milene Music. Inc (ASCAP)
2:05
5Harbor Lights (take 3M)
cover recording of:
Harbour Lights
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Peter Maurice Music Co. Ltd.
2:38
6I Love You Because
cover recording of:
I Love You Because
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
2:41
7That’s All Right (Sun 45rpm master)
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
1:59
8Blue Moon of Kentucky
cover recording of:
Blue Moon of Kentucky
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:05
9Blue Moon (take 9 master)
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:42
10Tomorrow Night
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1954-09-12 bis 1954-09-16)
cover recording of:
Tomorrow Night (von 1954-09-12 bis 1954-09-16)
Verfasser(in):
Sam Coslow und Wilhelm Grosz (aka Hugh Williams)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Wilhelm Grosz Music Co
2.53:01
11I’ll Never Let You Go
cover recording of:
I’ll Never Let You Go Little Darlin’
Texter und Komponist(in):
Jimmy Wakely (Country and western singer and songwriter)
publisher:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) und Sunshine Music Co., Inc. (am 1941-11-17)
2:25
12I Don’t Care If the Sun Don’t Shine (take 2fs, take 3M)
cover recording of:
I Don’t Care If the Sun Don’t Shine
Texter und Komponist(in):
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:50
13Just Because
cover recording of:
Just Because (am 1954-09-12)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
12:33
14Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
52:13
15Milkcow Blues Boogie
cover recording of:
Milk Cow Blues (Kokomo Arnold's version)
Texter und arranger:
Kokomo Arnold
Komponist(in):
[traditional] (special purpose artist) und Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Corp. (USA, affiliated with ASCAP)
Version von:
Milk Cow Blues
32:38
16You’re a Heartbreaker
cover recording of:
You’re a Heartbreaker
Verfasser(in):
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:11
17I’m Left You’re Right She’s Gone (take 5M Slow version)
cover recording of:
I’m Left, You’re Right, She’s Gone
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:41
18Baby Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
recording of:
Baby Let’s Play House
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
3.852:17
19I’m Left You’re Right She’s Gone
recording of:
I’m Left, You’re Right, She’s Gone
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:38
20I Forgot to Remember to Forget
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten
cover recording of:
I Forgot to Remember to Forget (am 1955-07-11)
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
recording of:
I Forgot to Remember to Forget
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:28
21Mystery Train
cover recording of:
Mystery Train
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
2:29
22Trying to Get to You
Produzent(in):
Sam Phillips (founder of Sun Records)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
cover recording of:
Trying to Get to You (von 1954-07 bis 1955-07)
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
42:33
23When It Rains It Really Pours
cover recording of:
When It Rains It Pours (in 1955-11)
Texter und Komponist(in):
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
publisher:
Hi Lo Music Inc. (BMI-affiliated) und Riverline Music
32:02
24Bonus Tracks: Shake Rattle and Roll (acetate)
2:24
25Bonus Tracks: Fool, Fool, Fool (acetate)
1:57
26Bonus Tracks: Shake Rattle and Roll (acetate)
2:21
27Bonus Tracks: Mystery Train (HMV 78RPM)
2:29
2▶CD: Outtakes & Sessions

Nennungen