80s Music Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1You Can’t Hurry Love
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Paul Gomersall und Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Phil Collins (of Genesis)
Mix:
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Paul Gomersall
Bassgitarre [bass]:
John
Gitarre [guitars]:
Daryl
Glockenspiel [glock], Klavier und Vibraphon:
Peter (Scene) Robinson (English score composer)
Schlagzeug [drums], Tamburin und Sologesang:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
Martyn (Norrie) Ford (conductor)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
cover recording of:
You Can’t Hurry Love
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Phil Collins42:54
2Everywhere
Programmierung:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer) und Richard Dashut
E-Bass:
John McVie (in 1987)
Gitarre und Sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987)
Keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987) und Christine McVie (in 1987)
Perkussion und Schlagzeug:
Mick Fleetwood (in 1987)
Hintergrundgesang:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1987), Christine McVie (in 1987) und Stevie Nicks (in 1987)
Sologesang:
Christine McVie (in 1987)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music International (trademark of Warner Music International the company) (in 1988)
recording of:
Everywhere (in 1987)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac43:43
3La isla bonita
Schlagzeug-Programmierung:
Patrick Leonard (producer, songwriter and pianist)
Produzent(in):
Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Sire Record Company (not for release label use!) (in 1987)
recording of:
La isla bonita
Verfasser(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) (, bis 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), WC Music Corp. (vom 2019-05-28 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Madonna3.94:02
4Hungry like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (vom 1982 bis heute) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 196)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:41
5What’s Love Got to Do with It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:50
6Suburbia
Pet Shop Boys4:05
7You’re the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
Chicago53:50
8Raspberry Beret
recording engineer:
Susan Rogers (US sound engineer) (in 1984-09) und Susan Rogers (US sound engineer) (am 1984-09-13: Saiteninstrumente)
Produzent(in) und Mix:
Prince (“The Artist Formerly Known as…”) (in 1984-09)
assistierende(r) Mix:
Susan Rogers (US sound engineer) (in 1984-09)
Cello:
David Coleman (American cellist & composer) (am 1984-09-13) und Suzie Katayama (am 1984-09-13)
drum machine [Linn LM-1], E-Bass, Hybrid-Piano [Yamaha CP-80], Perkussion, Synthesizer [Yamaha DX7], zwölfsaitige Gitarre und Sologesang:
Prince (“The Artist Formerly Known as…”) (in 1984-09)
Geige / Violine:
Novi Novog (am 1984-09-13)
Hintergrundgesang:
Lisa Coleman (US pianist/keyboardist & composer) (in 1984-09), Susannah Melvoin (in 1984-09) und Wendy Melvoin (in 1984-09)
arranger:
Prince (“The Artist Formerly Known as…”) (in 1984-09)
phonographisches Urheberrecht (℗) von:
NPG Records, Inc. (in 1985) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985)
aufgenommen bei:
Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, Vereinigte Staaten (in 1984-09) und Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, Vereinigte Staaten (am 1984-09-13: Saiteninstrumente)
mixed at:
Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, Vereinigte Staaten (in 1984-09)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 362)
recording of:
Raspberry Beret (von 1984-09-07 bis 1984-09-13)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince43:35
9That’s All
recording of:
That’s All
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Anthony Banks Ltd. (vom 1983 bis heute), Hit & Run Music (Publishing) Ltd (vom 1983 bis heute), Michael Rutherford Ltd. (vom 1983 bis heute), Philip Collins Ltd. (vom 1983 bis heute), Pun Music, Inc. (vom 1983 bis heute) und Warner Brothers Music Inc. (vom 1983 bis heute)
Genesis4:25
10Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:49
11Why Can’t This Be Love
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Ken or Murray Deane
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France), Donn Landee und Van Halen (American hard rock band)
Akustikgitarre und Gitarre und Sologesang:
Sammy Hagar
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1986)
aufgenommen bei:
5150 (Eddie Van Halen's recording studio) in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Why Can’t This Be Love
Verfasser(in):
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, Sammy Hagar und Alex Van Halen
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Yessup Music Company (in 1986)
Van Halen4.153:48
12St. Elmo’s Fire (Man in Motion)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
13Nothing’s Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:30
14Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:41
15Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
16Baby Jane
Techniker(in):
George Tutko (engineer, producer)
Koproduzent(in):
Jim Cregan (producer & member of Family) und George Tutko (engineer, producer)
Produzent(in):
Tom Dowd und Rod Stewart
Mix:
Jim Cregan (producer & member of Family), Tom Dowd und George Tutko (engineer, producer)
recording of:
Baby Jane
Texter:
Rod Stewart
Komponist(in):
Jay Davis (guitarist)
publisher:
Cardinal Music Ltd. und Carlin Music Corp.
Rod Stewart4:43
17Is This Love
recording of:
Is This Love (Whitesnake song)
Verfasser(in):
David Coverdale und John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4:44
18Forever Young
recording engineer, Programmierung und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
zusätzlich recording engineer:
Uli Rudolf (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Produzent(in):
Wolfgang Loos und Colin Pearson (producer and violinist)
Bass:
Ken Taylor (von 1984-07 bis 1984-08)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Schlagzeug:
Curt Cress (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Gulfstream (von 1984-07 bis 1984-08) und The Rosie Singers (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Forever Young (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold und Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. und Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.53:46
19Give Me the Night (single version)
George Benson4:58
20I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:05
21Kokomo
recording of:
Kokomo
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys3:36
22Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
23Glory of Love
Peter Cetera4:18
24Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:29
25Never Ending Story (Giorgio 7″ mix)
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:32
26Simply Irresistible
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:14
27If You Don’t Know Me by Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce (drummer for Simply Red)
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
28Everybody Needs Somebody to Love
The Blues Brothers3:25
29Edge of Seventeen
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine
Bassgitarre [bass]:
Bob Glaub
Gitarre:
Waddy Wachtel
Klavier:
Roy Bittan
Orgel:
Benmont Tench
Perkussion:
Bobbye Hall
Schlagzeug:
Russ Kunkel (session drummer)
Sologesang:
Stevie Nicks
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2016)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 217)
recording of:
Edge of Seventeen
Texter und Komponist(in):
Stevie Nicks
gewidmet:
John Lennon (The Beatles)
Stevie Nicks4.055:29
30True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
31I Keep Forgettin (Every Time You’re Near)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:42
32It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
33Wind Beneath My Wings
Bette Midler4:54
34I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
35Don’t Wanna Fall in Love
Jane Child4:08
36Blue Monday ’88
New Order4:12
37La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:54
38Self Control (edit)
Laura Branigan3:57
39Don’t Get Me Wrong
The Pretenders3:48
40Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
41Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:46
42In Private
Dusty Springfield4:22
43Ocean Deep
Cliff Richard5:16
44I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:39
45Love Shack (edit)
The B‐52s4:18
46We’re Not Gonna Take It (single version)
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer), Greg Laney und Geoff Workman
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist)
E-Gitarre:
Jay Jay French und Eddie Ojeda
Schlagzeug:
A.J. Pero
Hintergrundgesang:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero und Dee Snider
Sologesang:
Dee Snider
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
We're Not Gonna Take it (music video [extended version]) von Twisted Sister und We're Not Gonna Take It (music video) von Twisted Sister
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 47) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 81)
recording of:
We’re Not Gonna Take It
Texter und Komponist(in):
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Tunes
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 7)
Twisted Sister4.353:37
47Jungle Love (single version)
assistierende(r) Techniker(in):
Peggy Mac (am 1983-03-26, am 1984-01-15)
Techniker(in):
Prince (“The Artist Formerly Known as…”) (am 1984-01-15)
Produzent(in):
Prince (“The Artist Formerly Known as…”) (von 1983-03-26 bis 1984-01-15)
Bassgitarre und Keyboard:
Prince (“The Artist Formerly Known as…”) (von 1983-03-26 bis 1984-01-15)
Gitarre:
Jesse Johnson (original guitarist for The Time) (von 1983-03-26 bis 1984-01-15)
Hintergrundgesang:
Jill Jones (American singer, songwriter, and actress) (von 1983-03-26 bis 1984-01-15)
Sologesang:
Morris Day (von 1983-03-26 bis 1984-01-15)
recording of:
Jungle Love (von 1983-03-26 bis 1984-01-15)
Verfasser(in):
Morris Day, Jesse Johnson (original guitarist for The Time) und Prince (“The Artist Formerly Known as…”)
The Time3:28
48On the Beach
Chris Rea5:05
49This Must Be the Place (Naive Melody)
assistierende(r) Techniker(in):
Franklin Gibson (recording engineer)
Techniker(in):
Butch Jones und Alex Sadkin (Aufgabe: final overdubs)
Produzent(in):
Talking Heads
Mix:
Alex Sadkin
Bassgitarre, Gitarre und Keyboard:
David Byrne (Talking Heads)
Gast-Perkussion:
David Van Tieghem
Gast-Synthesizer:
Wally Badarou
Gitarre und Hintergrundgesang:
Tina Weymouth
Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
vocals:
David Byrne (Talking Heads)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1983)
aufgenommen bei:
Blank Tapes in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Compass Point Studios in Nassau, Bahamas
mixed at:
Compass Point Studios in Nassau, Bahamas
Musikvideos:
This Must Be the Place (Naive Melody) von Talking Heads
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 123) und Indie 88: Top 500 Indie Rock Songs (Nummer: 327)
recording of:
This Must Be the Place (Naive Melody)
Verfasser(in):
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher) und Index Music, Inc.
Talking Heads3.94:56
50It Started with a Kiss
recording of:
It Started With a Kiss
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate4:03
51I Want to Be Your Man (7″ version)
recording of:
I Want to Be Your Man (song by Roger Troutman)
Verfasser(in):
Larry Troutman und Roger Troutman (funk musician in Zapp)
Roger Troutman4:03
52Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:25
53You Might Need Somebody
Randy Crawford4:15
54More Bounce to the Ounce
Produzent(in):
Bootsy Collins (US funk musician & songwriter) und Roger Troutman (funk musician in Zapp)
recording of:
More Bounce to the Ounce
Texter und Komponist(in):
Roger Troutman (funk musician in Zapp)
publisher:
Rubberband Music, Inc.
Zapp35:11
55Jane Says
Jane’s Addiction4:47
56Nite and Day
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Nite and Day
Verfasser(in):
Al B. Sure! und Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!43:58
57Each Time You Break My Heart
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1986)
recording of:
Each Time You Break My Heart
Verfasser(in):
Stephen Bray und Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:34
58Frankie (edit version)
Produzent(in):
Nile Rodgers
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:16
59Casanova
recording of:
Casanova
Texter und Komponist(in):
Reggie Calloway
publisher:
Calloco Music und Hip Trip Music (publisher)
LeVert4:22
60Baby, I Love You
recording of:
Baby, I Love You
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company und Universal–Songs of PolyGram International, Inc.
Ramones3:45
61Mornin’
Al Jarreau4:17
62Lost in Your Eyes
Debbie Gibson3:33
63Gimme Gimme Gimme
Techniker(in):
David Frazer (engineer)
Produzent(in):
Narada Michael Walden
Bass:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Corrado Rustici
Keyboard:
Frank Martin (keyboards)
Keyboard und Synthesizer:
Walter Afanasieff
membranophone und Synthesizer:
Narada Michael Walden
Solo-Saxophon:
Marc Russo
Synthesizer:
Preston Glass
Hintergrundgesang:
Jim Gilstrap, John Lehman, Vicki Randle und Jeanie Tracy
arranger:
Narada Michael Walden
Narada Michael Walden4:41
64Major Tom (single version)
Techniker(in):
Frank Reinke (Germany based engineer) (in 1982) und Peter Schmidt (recording engineer) (in 1982)
assistierende(r) Produzent(in):
Frank Hieber (in 1982)
Produzent(in):
Armin Sabol (in 1982) und Peter Schilling (German synthpop musician) (in 1982)
Mix:
Holger J. Magnussen (in 1982)
E-Bass:
Günther Gebauer (in 1982)
E-Gitarre:
Armin Sabol (in 1982)
Keyboard [keyboard solo]:
Gonzo Bishop (in 1982)
Schlagzeug:
Curt Cress (in 1982)
Sologesang:
Peter Schilling (German synthpop musician) (in 1982)
arranger:
Peter Schilling (German synthpop musician) (in 1982)
phonographisches Urheberrecht (℗) von:
WEA Musik GmbH (company, not a label) (in 1982)
aufgenommen bei:
Peermusic Studio in Hamburg, Deutschland (in 1982)
Bearbeitung von:
Major Tom (Völlig losgelöst) von Peter Schilling (German synthpop musician)
recording of:
Major Tom (Völlig losgelöst) (in 1982)
Texter und Komponist(in):
Peter Schilling (German synthpop musician)
publisher:
Peer Musikverlag GmbH (Peermusic Musikverlag GesmbH) (in 1982)
Peter Schilling54:00
65Object of My Desire (edit)
recording of:
Object of My Desire
Verfasser(in):
Ky Adeyemo, Keith Diamond und Ernesto Phillips (producer/songwriter/musician/singer)
Starpoint3:57
66Epic (radio edit)
recording of:
Epic
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould und Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Vomit God Music (Mike Patton’s music publishing company)
Faith No More3:59
67Superwoman (edit version)
recording of:
Superwoman
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White4:32
68Kayleigh
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion3.74:04
69If Ever You’re in My Arms Again
Peabo Bryson4:16
70Golden Brown
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers3:27
71One in a Million You
recording of:
One in a Million You
Texter und Komponist(in):
Sam Dees
Larry Graham4:13
72I.G.Y.
recording of:
I.G.Y. (What a Beautiful World)
Texter und Komponist(in):
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
73Back Together Again
Roberta Flack4:51
74Believe It or Not (Greatest American Hero)
Joey Scarbury3:15