The Most Relaxing Classical Music in the World ...Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Four Seasons, Concerto No.4 in F minor 'Winter'
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:13
2Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik"
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:48
3Double Violin Concerto in D minor, BWV 1043
Geige / Violine:
Christian Ferras (violinist) und Yehudi Menuhin (violinist)
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
teilweise recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach2:37
4Miserere mei, Deus
teilweise recording of:
Miserere mei, Deus
Komponist(in):
Gregorio Allegri (composer)
Teil von:
ABC Classic 100 (2001) (Nummer: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri4:35
5Violin Concerto in E minor, Op. 64
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Efrem Kurtz (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (von 1838 bis 1844-09-16)
überarbeitet von:
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1845)
Teil von:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn4:31
6Jesu, Joy of Man's Desiring
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
King’s College Choir, Cambridge
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:33
7Pavane
Produzent(in):
Christopher Bishop (conductor/producer)
flute:
Gareth Morris (British flautist) (in 1968)
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
NPO (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1968)
conductor:
David Willcocks (UK composer, organist, choral conductor) (in 1968)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
Komponist(in):
Gabriel Fauré (French composer)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:52
8Dome epais
Mezzosoprangesang:
Danielle Millet (mezzo-soprano) (von 1970-09-17 bis 1970-12-21)
Soprangesang:
Mady Mesplé (soprano) (von 1970-09-17 bis 1970-12-21)
Orchester:
Orchestre du Théâtre National de l’Opéra‐Comique (von 1970-09-17 bis 1970-12-21)
conductor:
Alain Lombard (conductor) (von 1970-09-17 bis 1970-12-21)
phonographisches Urheberrecht (℗) von:
EMI France (in 1971)
Bearbeitung von:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) von Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (von 1970-09-17 bis 1970-12-21)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes3:31
9Flute and Harp Concerto in C
flute:
James Galway (flautist)
Harfe:
Fritz Helmis (harpist)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
teilweise recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
Teil von:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart4:01
10Lascia ch'io pianga
Georg Friedrich Händel4:37
11Guitar Concerto in D
Antonio Vivaldi6:10
12Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan"
Klavier:
Stephen Hough (pianist)
Orchester:
Hallé Orchestra
conductor:
Bryden Thomson (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
teilweise recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:23
13Pie Jesu
Produzent(in):
Simon Woods (producer)
Chorgesang:
Choir of King’s College, Cambridge (von 1997-07-15 bis 1997-07-18)
Diskantstimme:
Edward Saklatvala (tenor)
Orchester:
City of London Sinfonia (chamber orchestra) (von 1997-07-15 bis 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (von 1997-07-15 bis 1997-07-18)
chorus master:
Stephen Cleobury (organist, conductor)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (von 1997-07-15 bis 1997-07-18)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1997-07-15 bis 1997-07-18)
recording of:
Requiem: III. Pie Jesu (von 1997-07-15 bis 1997-07-18)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
Teil von:
Requiem
John Rutter3:35
14Entr'acte to Act III
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte III
Teil von:
Carmen: Act III (english lyrics)
Teil von:
Carmen: Akt 3 (German translation, Julius Hopp)
Teil von:
Carmen: Atto III (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet2:38
15Piano Concerto No. 1 in E minor, Op. 11
Klavier:
Martha Argerich (Argentine pianist)
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830-04 bis 1830-09)
Teil von:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11 (Klavierkonzert Nr. 1 e-Moll, op. 11)
Frédéric Chopin3:54
16In Paradisum
Produzent(in):
Christopher Bishop (conductor/producer)
Orgel [organ]:
John Wells (concert organist and composer)
Baritongesang [baritone]:
John Carol Case (English baritone)
Chorgesang:
Choir of King’s College, Cambridge
Diskantstimme [treble]:
Robert Chilcott
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:49
17Pathétique Sonata, Op. 13
Klavier:
Leonard Pennario (pianist / composer)
Orchester:
Hollywood Bowl Orchestra und The Hollywood Bowl Symphony Orchestra (50s-60s incarnation of the orchestra)
conductor:
Miklós Rózsa (composer)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (catch all for arrangements)
Komponist(in):
Ludwig van Beethoven (German composer)
Arrangement von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (Klaviersonate Nr. 8 c-Moll, op. 13 "Sonate pathétique": II. Adagio cantabile)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique” (catch-all for unknown arrangement)
Ludwig van Beethoven5:30
18Intermezzo
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:41
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