Nina Simone

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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2▼CD
Nr.TitelBewertungLänge
1The House of the Rising Sun
Sologesang:
Nina Simone
arranger:
Nina Simone
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
The House of the Rising Sun (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
House of the Rising Sun (am 1968-06-16)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music und Sonet Publishing Ltd.
1.56:55
2I Loves You Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
34:09
3Love Me or Leave Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
4.753:22
4You Took My Teeth
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
VPI Records USA (in 1987)
live recording of:
You Took My Teeth (in 1985)
Verfasser(in):
Nina Simone
publisher:
Thandewye Music (publisher; do NOT use as release label)
1:09
5Do What You Gotta Do
recorded in:
Vereinigte Staaten
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter)
Klavier:
Nina Simone
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1968) und BMG Music (in 1968)
Bearbeitung von:
Do What You Gotta Do (live, 1985: USA) von Nina Simone
live cover recording of:
Do What You Gotta Do (in 1985)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
33:43
6Saratoga
recording of:
Saratoga (Nina Simone song)
Texter:
Bill Gunn (American writer)
Komponist(in):
Sam Waymon
13:20
7See Line Woman
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
Bearbeitung von:
See‐Line Woman (live, 1968‐06‐16: Montreux Jazz Festival, Montreux, Switzerland) von Nina Simone
live cover recording of:
See‐Line Woman (am 1968-06-16)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
3:47
8African Mailman
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
recording of:
African Mailman (in 1957-12)
Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. Ltd.
13:08
9After You’ve Gone
Sologesang:
Nina Simone
phonographisches Urheberrecht (℗) von:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1977)
live cover recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
5:38
10Ain’t No Use
Sologesang:
Nina Simone
phonographisches Urheberrecht (℗) von:
Phillips (publisher; do NOT use as release label) (in 1966)
Bearbeitung von:
Ain’t No Use von Nina Simone
live cover recording of:
Ain’t No Use
Verfasser(in):
Rudy Stevenson
publisher:
EMI Tunes Ltd
2:45
11Don't Smoke in Bed
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Philips (publisher; do NOT use as release label) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
33:10
12Four Women
Bass:
Al Shackman
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter) (in 1985)
Klavier:
Nina Simone (in 1985)
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
vocals:
Nina Simone (in 1985)
live recording of:
Four Women (in 1985)
Texter und Komponist(in):
Nina Simone
publisher:
EMI Tunes Ltd
4:53
13Fodder on Her Wings
recording of:
Fodder in Her Wings
Texter und Komponist(in):
Nina Simone
25:10
14Good Bait
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
Texter:
Tadd Dameron
Komponist(in):
Count Basie (pianist) und Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
35:27
15It’s Cold Out Here
phonographisches Urheberrecht (℗) von:
VPI Records USA (in 1985)
recording of:
It’s Cold Out Here (Adams / Singleton)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
15:31
16Just in Time
Gitarre:
Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-16)
Klavier:
Nina Simone (am 1968-06-16)
Kontrabass:
Gene Taylor (US jazz bassist) (am 1968-06-16)
Orgel und Perkussion:
Sam Waymon (am 1968-06-16)
Schlagzeug [drums]:
Buck Clarke (am 1968-06-16)
Sologesang:
Nina Simone
vocals:
Nina Simone (am 1968-06-16)
phonographisches Urheberrecht (℗) von:
Colpix Records (a/k/a Colpix Records) (in 1962)
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-16)
live cover recording of:
Just in Time (Bells Are Ringing) (am 1968-06-16)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
24:40
17Central Park Blues
Klavier:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
Bearbeitung von:
Central Park Blues (hi fidelity mono) von Nina Simone
recording of:
Central Park Blues
Komponist(in):
Nina Simone
publisher:
Memory Music Lane Ltd.
43:06
18You’ll Never Walk Alone
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
33:58