If You Could See Me Now

~ Release by Julie Budd (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I'm Beginning to See the Light
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Wilbur Bascomb (Jr., jazz‐funk bassist/songwriter)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Ted Rosenthal
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
I’m Beginning to See the Light
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
2:46
2And When October Goes
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Wilbur Bascomb (Jr., jazz‐funk bassist/songwriter)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Tony Tedesco
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Ted Rosenthal
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
When October Goes
lyricist:
Johnny Mercer
writer:
Johnny Mercer
composer:
Barry Manilow (in 1983-11)
premiered at:
Barry Manilow at Universal Amphitheatre (1983-12-27)
publisher:
Johnny Mercer Music Publishing, Inc., Townsway Music, Universal Music Careers, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:39
3This Nearly Was Mine
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Wilbur Bascomb (Jr., jazz‐funk bassist/songwriter)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Ted Rosenthal
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
This Nearly Was Mine (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
3:34
4My Baby Just Cares for Me
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Jay Leonhart
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Frank Owens (American pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3:30
5Weekend in New England
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Seth Glassman (production music composer)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Frank Owens (American pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
A Weekend in New England
lyricist and composer:
Randy Edelman (American score composer)
publisher:
EMI Unart Catalog Inc.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:39
6Gone Too Soon
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Seth Glassman (production music composer)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Frank Owens (American pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
cover recording of:
Gone Too Soon
lyricist:
Buz Kohan (writer, producer and composer)
composer:
Larry Grossman (Musical theatre composer)
3:12
7No Moon at All
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Jay Leonhart
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Billy Taylor (jazz/bop pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
No Moon at All
lyricist:
Redd Evans
composer:
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) and Rytvoc, Inc. (ASCAP)
3:42
8For All We Know
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Jay Leonhart
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Billy Taylor (jazz/bop pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
For All We Know (1934 song)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
5:02
9Let's Face the Music and Dance
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Jay Leonhart
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Frank Owens (American pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Frank Owens (American pianist)
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:45
10I Will Wait for You
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Jay Leonhart
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Ted Rosenthal
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
I Will Wait for You
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
publisher:
Universal Music Publishing MGB France and Warner Chappell Music France
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 2)
translated version of:
Les Parapluies de Cherbourg: Devant le garage (aka “Les Parapluies de Cherbourg”)
4:17
11If You Could See Me Now
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Seth Glassman (production music composer)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Frank Owens (American pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
If You Could See Me Now (jazz standard)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:28
12When a Piano Plays
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Frank Owens (American pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
4:24
13Being Alive
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
Seth Glassman (production music composer)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Bernard Purdie
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Frank Owens (American pianist)
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
recording of:
Company: Being Alive
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
2:34
14Home at Last
recording engineer and mixer:
Warren Schatz
assistant engineer:
Darren Moore and Danny Hopler
producer:
Herb Bernstein
bass:
John Burr (bass)
cello:
Jenni Lorenzo (cellist)
drums (drum set):
Tony Tedesco
guitar:
Jay Berliner
percussion:
James Saporito (percussionist)
piano:
Herb Bernstein
reeds:
Jimmy Miller (horn)
tenor saxophone:
Ron Kerber
trombone:
Rock Ciccerone
trumpet:
Glenn Drewes (a trumpet player) and Mike Carrubia
viola:
Davis Barnett
violin:
Suzanne Gilman, Olga Konopelsky, Emma Kummrow (violinist) and Igor Szwec
conductor:
Herb Bernstein
arranger:
Herb Bernstein
recorded at:
Manhattan Beach Recording in New York, United States
mixed at:
Perfect Sound Studios in Los Angeles, California, United States
4:04

Credits

Release

photography:Bill Westmoreland
graphic design:Kevin Canfield
executive producer:Lisa Schiff
mastering:Warren Schatz
mastered at:Perfect Sound Studios in Los Angeles, California, United States