Eine Nacht in Venedig / Wiener Blut

~ Release by Johann Strauss II; Elisabeth Schwarzkopf, Nicolai Gedda, Erich Kunz, Emmy Loose, Erika Köth, Karl Dönch, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann (see all versions of this release, 1 available)

Tracklist

1▶CD: Eine Nacht in Venedig
2▼CD: Wiener Blut
#TitleArtistRatingLength
1Wiener Blut: Akt I. Introduktion „Anna, Anna, Anna!“ (Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. Introduktion "Anna, Anna, Anna!" (Josef) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt I
Johann Strauss2:41
2Wiener Blut: Akt I. „Pepi! Er?“ (Franzi, Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Pepi! Er?" (Franzi, Josef) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss1:02
3Wiener Blut: Akt I. „Fünf volle Tag’“ (Franzi, Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Fünf volle Tag'" (Franzi, Josef) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss1:23
4Wiener Blut: Akt I. Dialog „Er hat mir also die Warheit gesagt?“ (Franzi, Josef, Kagler)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
spoken vocals:
Erich Kunz (baritone) (in 1954-11), Hannah Norbert (actress) (in 1954-11) and Alois Pernerstorfer (bass-baritone) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. Dialog "Er hat mir also die Warheit gesagt?" (Franzi, Josef, Kagler) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt I
Johann Strauss1:05
5Wiener Blut: Akt I. „Grüß Gott, mein liebes Kind!“ (Graf, Franzi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Grüß dich Gott, du liebes Nesterl" (Graf, Franzi) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss3:43
6Wiener Blut: Akt I. Dialog „Verzeihung, Exzellenz, die Akten“ (Josef, Graf)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
spoken vocals:
Nicolai Gedda (tenor) (in 1954-11) and Erich Kunz (baritone) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. Dialog "Verzeihung, Exzellenz, die Akten" (Josef, Graf) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt I
Johann Strauss1:31
7Wiener Blut: Akt I. „Na, also schreib’ und tu’ nicht schmieren!“ (Josef, Graf)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Na, also schreib' und tu' nicht schmieren!" (Josef, Graf) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt I
Johann Strauss3:50
8Wiener Blut: Akt I. Dialog „Wenn mich die Demoiselle fragt“ (Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
spoken vocals:
Erich Kunz (baritone) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. Dialog "Wenn mich die Demoiselle fragt" (Josef) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt I
Johann Strauss0:11
9Wiener Blut: Akt I. „Wünsch’ guten Morgen, Herr von Pepi!“ (Pepi, Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
soprano vocals:
Emmy Loose (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Wünsch' guten Morgen, Herr von Pepi!" (Pepi, Josef) (in 1954)
part of:
Wiener Blut: Akt I
Johann Strauss1:53
10Wiener Blut: Akt I. Dialog „Endich ist Sie da, Mamsell“ (Franzi, Pepi, Josef. Minister, Kagler)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-11), Erich Kunz (baritone) (in 1954-11), Emmy Loose (soprano) (in 1954-11), Hannah Norbert (actress) (in 1954-11) and Alois Pernerstorfer (bass-baritone) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. Dialog "Endich ist Sie da, Mamsell" (Franzi, Pepi, Josef. Minister, Kagler) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt I
Johann Strauss1:36
11Wiener Blut: Akt I. „Da ist sie ja!“ (Kagler, Minister, Josef, Franzi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11) and Alois Pernerstorfer (bass-baritone) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Da ist sie ja!" (Kagler, Minister, Josef, Franzi) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt I
Johann Strauss1:41
12Wiener Blut: Akt I. „Ein sehr jovialer alter Herr“ (Minister, Franzi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Ein sehr jovialer alter Herr" (Minister, Franzi) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss0:42
13Wiener Blut: Akt I. „Ich kann mich nicht beklagen“ (Minister, Franzi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Ich kann mich nicht beklagen" (Minister, Franzi) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss3:42
14Wiener Blut: Akt I. „Es hat dem Grafen nichts genützt …Grüß dich Gott!“ (Gräfin [Gabrielle] )
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Es hat dem Grafen nichts genützt ...Gruß dich Gott!" (Gräfin [Gabrielle] ) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss3:38
15Wiener Blut: Akt I. „Ich klopfte ganz vergebens“ (Minister, Gräfin, Graf)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Ich klopfte ganz vergebens" (Minister, Gräfin, Graf) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss2:05
16Wiener Blut: Akt I. „Nein, nein, daraus werd’ ich nicht klug“ (Gräfin, Graf, Minister, Franzi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt I. "Nein, nein, daraus werd' ich nicht klug" (Gräfin, Graf, Minister, Franzi) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt I
Johann Strauss1:46
17Wiener Blut: Akt II. Dialog „Mein lieber Graf“ (Gräfin, Graf)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. Dialog "Mein lieber Graf" (Gräfin, Graf) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt II
Johann Strauss0:26
18Wiener Blut: Akt II. „Das eine kann ich nicht verzeih’n“ (Gräfin, Graf)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. “Das eine kann ich nicht verzeih’n” (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss1:07
19Wiener Blut: Akt II. „Ich war ein echtes Wiener Blut … Wiener Blut!“ (Gräfin, Graf)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "Ich war ein echtes Wiener Blut" (Gräfin, Graf) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss4:25
20Wiener Blut: Akt II. Dialog „Ich fürchte, ich verlieb’ mich noch in meine eigene Frau“ (Graf, Franzi, Pepi)
engineer:
Douglas Larter (in 1954-11)
spoken vocals:
Nicolai Gedda (tenor) (in 1954-11), Emmy Loose (soprano) (in 1954-11) and Hannah Norbert (actress) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. Dialog "Ich fürchte, ich verlieb' mich noch in meine eigene Frau" (Graf, Franzi, Pepi) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt II
Johann Strauss0:33
21Wiener Blut: Akt II. „So nimm, meine süßer Schatz … Die Schrift, die kenn’ Ich“ (Graf, Pepi, Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
soprano vocals:
Emmy Loose (soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "So nimm, meine süßer Schatz ... Die Schrift, die kenn' Ich" (Graf, Pepi, Josef) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss3:25
22Wiener Blut: Akt II. „Geh’ schau, mein liebes Schatzerl“ (Josef, Pepi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
soprano vocals:
Emmy Loose (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "Geh' schau, mein liebes Schatzerl" (Josef, Pepi) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss1:34
23Wiener Blut: Akt II. „Er ist fort? Wirklich fort?“ (Pepi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
soprano vocals:
Emmy Loose (soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "Er ist fort? Wirklich fort?" (Pepi) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss0:51
24Wiener Blut: Akt II. Dialog „O der Herr Fürst!“ (Kagler, Minister, Gräfin, Graf, Franzi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-11), Nicolai Gedda (tenor) (in 1954-11), Hannah Norbert (actress) (in 1954-11), Alois Pernerstorfer (bass-baritone) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. Dialog "O der Herr Fürst!" (Kagler, Minister, Gräfin, Graf, Franzi) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt II
Johann Strauss2:03
25Wiener Blut: Akt II. „Durchlaucht!“ (Gräfin, Minister)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "Durchlaucht!" (Gräfin, Minister) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss3:01
26Wiener Blut: Akt II. „Ich habe gewonnen, ich habe gesiegt“ (Minister, Franzi, Gräfin, Pepi, Josef, Graf)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11), Emmy Loose (soprano) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "Ich habe gewonnen, ich habe gesiiegt" (Minister, Franzi, Gräfin, Pepi, Josef, Graf) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss6:01
27Wiener Blut: Akt II. „Gestatten Sie … Das ist die Gräfin?“ (Bitowski, Minister, Franzi, Gräfin, Pepi, Graf, Chor)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11), Emmy Loose (soprano) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
spoken vocals:
Karel Stepanek (actor) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "Gestatten Sie ... Das ist die Gräfin?" (Bitowski, Minister, Franzi, Gräfin, Pepi, Graf, Chor) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss0:49
28Wiener Blut: Akt II. „Die Wienerstadt, sie hat ein Symbol“ (Graf, Chor, Alle)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11), Emmy Loose (soprano) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt II. "Die Weinerstadt, sie hat eiv Symbol" (Graf, Chor, Alle) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt II
Johann Strauss1:42
29Wiener Blut: Akt III. „Geht’s und verkauft’s mei G’wand“ (Zwei Mädchen, Gräfin, Minister)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt III. „Geht’s und verkauft’s mei G’wand“ (Zwei Mädchen, Gräfin, Minister) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt III
Johann Strauss1:52
30Wiener Blut: Akt III. „Lockt Sie denn die Laube nicht“ (Gräfin, Minister)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt III. „Lockt Sie denn die Laube nicht“ (Gräfin, Minister) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt III
Johann Strauss1:16
31Wiener Blut: Akt III. „Hier sind die Lauben“ (Graf, Franzi, Josef, Pepi)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11) and Emmy Loose (soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt III. „Hier sind die Lauben“ (Graf, Franzi, Josef, Pepi) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt III
Johann Strauss3:09
32Wiener Blut: Akt III. „Stoß an, stoß an, du Liebchen mein“ (Graf, Pepi, Gräfin, Franzi, Minister, Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11), Emmy Loose (soprano) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt III. „Stoß an, stoß an, du Liebchen mein“ (Graf, Pepi, Gräfin, Franzi, Minister, Josef) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt III
Johann Strauss1:28
33Wiener Blut: Akt III. Dialog „Nein, nein, Herr Graf!“ (Graf, Pepi, Gräfin, Franzi, Minister, Josef)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
spoken vocals:
Karl Dönch (light bass-baritone) (in 1954-11), Nicolai Gedda (tenor) (in 1954-11), Erich Kunz (baritone) (in 1954-11), Emmy Loose (soprano) (in 1954-11), Hannah Norbert (actress) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt III. Dialog „Nein, nein, Herr Graf!“ (Graf, Pepi, Gräfin, Franzi, Minister, Josef) (in 1954)
librettist:
Victor Léon (librettist) and Leo Stein
part of:
Wiener Blut: Akt III
Johann Strauss2:48
34Wiener Blut: Akt III. „Wiener Blut!“ (Alle)
engineer:
Douglas Larter (in 1954-11)
producer:
Walter Legge (British classical producer) (in 1954-11)
baritone vocals:
Erich Kunz (baritone) (in 1954-11)
bass-baritone vocals:
Karl Dönch (light bass-baritone) (in 1954-11) and Alois Pernerstorfer (bass-baritone) (in 1954-11)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1954-11)
soprano vocals:
Erika Köth (soprano) (in 1954-11), Emmy Loose (soprano) (in 1954-11) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1954-11)
tenor vocals:
Nicolai Gedda (tenor) (in 1954-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954-11)
conductor:
Otto Ackermann (conductor) (in 1954-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-05 until 1954-11)
recording of:
Wiener Blut: Akt III. Finale „Wiener Blut!“ (Alle) (in 1954)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Wiener Blut: Akt III
Johann Strauss0:53

Credits

Release

design/illustration:Georgina Curtis (design, graphics, usu. for WLP Ltd.) (in 2001)
additional mastering:Simon Gibson (mastering engineer) (in 2001)
copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1954, in 1955, in 2001)
mastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2001)
part of:The Schwarzkopf / Ackermann Opera Recordings (number: II) (order: 2)
ASIN:US: B000055Y1Q [info]