Singing and Swinging Together

~ Pubblicazione di Ella & Louis (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloValutazioneDurata
1You Won’t Be Satisfied (Until You Break My Heart)3:54
2I Got Plenty o’ Nuttin’
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-18)
batteria :
Alvin Stoller (il 1957-08-18)
chitarra :
Tony Rizzi (il 1957-08-18)
contrabbasso :
Joe Mondragon (il 1957-08-18)
corno francese :
Vincent DeRosa (il 1957-08-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1957-08-18)
tromba :
Frank Beach (trombone, trumpet) (il 1957-08-18)
trombone :
Buddy Childers (American jazz trumpeter & composer) (il 1957-08-18)
violino :
Victor Arno (il 1957-08-18)
voce:
Louis Armstrong (il 1957-08-18) e Ella Fitzgerald (American jazz singer) (il 1957-08-18)
direttore d'orchestra:
Russell Garcia (il 1957-08-18)
registrazione cover di:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (il 1957-08-18)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music e Gershwin Publishing Corp (nel 1935)
si basa su:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:51
3Summertime
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-18)
batteria :
Alvin Stoller (il 1957-08-18)
chitarra :
Tony Rizzi (il 1957-08-18)
contrabbasso :
Joe Mondragon (il 1957-08-18)
corno francese :
Vincent DeRosa (il 1957-08-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1957-08-18)
tromba :
Louis Armstrong (il 1957-08-18) e Frank Beach (trombone, trumpet) (il 1957-08-18)
trombone :
Buddy Childers (American jazz trumpeter & composer) (il 1957-08-18)
violino :
Victor Arno (il 1957-08-18)
voce:
Louis Armstrong (il 1957-08-18) e Ella Fitzgerald (American jazz singer) (il 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (nel 1957)
direttore d'orchestra:
Russell Garcia (il 1957-08-18)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 20)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1957-08-18)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2.854:58
4Let’s Call the Whole Thing Off
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (nel 1957, il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (nel 1957, il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1957, il 1957-07-23)
tromba :
Louis Armstrong (nel 1957, il 1957-07-23)
voce:
Louis Armstrong (nel 1957, il 1957-07-23) e Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-07-23)
esecutore:
Ella Fitzgerald (American jazz singer)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1957-07-23)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
3.654:12
5Can’t We Be Friends?
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Can’t We Be Friends? (il 1956-08-16)
paroliere:
Paul James (Lyricist, aka James Warburg)
compositore:
Kay Swift
editore:
Warner Bros. Music Corp.
43:46
6Stars Fell on Alabama
registrazione cover di:
Stars Fell on Alabama
paroliere:
Mitchell Parish
compositore:
Frank S. Perkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. e Mills Music
3:32
7Dream a Little Dream of Me
voce:
Louis Armstrong (il 1950-08-25) e Ella Fitzgerald (American jazz singer) (il 1950-08-25)
voce principale:
Louis Armstrong
orchestra:
Sy Oliver and His Orchestra (il 1950-08-25)
direttore d'orchestra:
Sy Oliver (il 1950-08-25)
registrazione cover di:
Dream a Little Dream of Me (il 1950-08-25)
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
registrazione di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
53:04
8Moonlight in Vermont
registrazione cover di:
Moonlight in Vermont
paroliere:
John Blackburn (songwriter)
compositore:
Karl Suessdorf
editore:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:40
9Love Is Here to Stay
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Love Is Here to Stay (il 1957-07-23)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
33:58
10Gee Baby Ain’t I Good to You
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-07-23)
tromba :
Louis Armstrong (il 1957-07-23)
voce:
Louis Armstrong (il 1957-07-23) e Ella Fitzgerald (American jazz singer) (il 1957-07-23)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Gee, Baby Ain’t I Good to You (il 1957-07-23)
paroliere:
Andy Razaf
compositore:
Don Redman
editore:
Michael H. Goldsen Inc. e Razaf Music
parte di:
The Real Book (compilation of jazz standards, volume I)
4:12
11Stompin’ at the Savoy
esecutore:
Ella Fitzgerald (American jazz singer)
registrazione cover di:
Stompin’ at the Savoy
paroliere:
Andy Razaf
compositore:
Benny Goodman (clarinetist and bandleader), Edgar Sampson e Chick Webb
editore:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:13
12Tenderly
registrazione cover di:
Tenderly
paroliere:
Jack Lawrence (US songwriter) (nel 1946)
compositore:
Walter Gross (American composer) (nel 1946)
editore:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music e Range Road Music
5:06
13Would You Like to Take a Walk?
voce:
Ella Fitzgerald (American jazz singer) (il 1951-11-23)
registrazione cover di:
Would You Like to Take a Walk? (il 1951-11-23)
paroliere:
Mort Dixon e Billy Rose (lyricist and Broadway producer)
compositore:
Harry Warren (US composer and lyricist)
3:15
14A Fine Romance
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-13)
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce principale:
Louis Armstrong (il 1957-08-13) e Ella Fitzgerald (American jazz singer) (il 1957-08-13)
registrazione di:
A Fine Romance (from “Swing Time”) (il 1957-08-13)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
registrazione cover di:
A Fine Romance (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
43:52
15Cheek to Cheek
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Cheek to Cheek (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
4.155:52
16I’ve Got My Love to Keep Me Warm
batteria :
Louie Bellson (il 1957-08-13)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-08-13)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-08-13)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-08-13)
tromba :
Louis Armstrong (il 1957-08-13)
voce:
Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-08-13)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-08-13)
registrazione cover di:
I’ve Got My Love to Keep Me Warm (il 1957-08-13)
paroliere e compositore:
Irving Berlin (nel 1937)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
43:09
17They Can’t Take That Away From Me
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
4:38
18April in Paris
registrazione cover di:
April in Paris
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
6:34

Accreditamenti

Pubblicazione

parte di:jazzclub | legends (subseries of the "jazzclub" series) (ordine: 35)
jazzclub (budget jazz series with several subseries) (ordine: 117)
Discogs:https://www.discogs.com/release/8406983 [info]