50 Essentials Of Louis Armstrong

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1La Vie en rose
cover recording of:
La Vie en rose (English translation)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
übersetzte Version von:
La Vie en rose (French original)
Louis Armstrong3:24
2When You Are Smiling
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
Louis Armstrong3:14
3C’est si bon
recording of:
C’est si bon (It's So Good, English version)
Texter:
André Hornez (in 1947)
Komponist(in):
Henri Betti (songwriter and pianist) (in 1947)
Übersetzer:
Jerry Seelen (screenwriter, lyricist. songwriter) (in 1949)
publisher:
Éditions Beuscher Arpège
übersetzte Version von:
C’est si bon (original French version)
Louis Armstrong3:06
4Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong, Ella Fitzgerald & Russell Garcia and His Orchestra2.854:58
5Georgia on My Mind
recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:20
6When the Saints Go Marchin’ In
recording of:
When the Saints Go Marching In
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
Louis Armstrong2:46
7I Surrender Dear
recording of:
I Surrender Dear
Texter:
Gordon Clifford (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
Louis Armstrong & Les Hite & His Orchestra3:09
8After You’ve Gone
recording of:
After You’ve Gone
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Louis Armstrong3:23
9Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Ella Fitzgerald3:03
10Blue Again
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
Lester Boone (am 1931-04-20)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Zilner Randolph und Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
Blue Again (am 1931-04-20)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
Louis Armstrong & Zilner Randolph and His Orchestra3:12
11Makin’ WhoopeeLouis Armstrong & Ella Fitzgerald3:56
12Canal Street Blues
recording of:
Canal Street Blues
Verfasser(in):
Louis Armstrong
Komponist(in):
Joseph Oliver (jazz cornetist)
Louis Armstrong & King Oliver and His Orchestra2:30
13A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
Louis Armstrong3:03
14Cold, Cold Heart
cover recording of:
Cold, Cold Heart
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1951-02-16)
Louis Armstrong3:09
15Bessie Couldn’t Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
Louis Armstrong3:20
16Dinah
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
Louis Armstrong3:12
17When Your Lover Has Gone
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-29)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-29) und George James (US jazz saxophonist) (am 1931-04-29)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-29)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-29)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-29)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-29)
Schlagzeug:
Tubby Hall (am 1931-04-29)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-29)
Trompete:
Louis Armstrong (am 1931-04-29)
vocals:
Louis Armstrong (am 1931-04-29)
recording of:
When Your Lover Has Gone (am 1931-04-29)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
Louis Armstrong & Zilner Randolph and His Orchestra3:09
18Basin Street Blues
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:18
19Don’t Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
cover recording of:
Don’t Be That Way (am 1957-08-13)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
Louis Armstrong & Ella Fitzgerald4:58
20Fireworks
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-06-27)
Banjo und Gitarre:
Mancy "Peck" Carr (am 1928-06-27)
Becken:
Zutty Singleton (am 1928-06-27)
Klarinette:
Jimmy Strong (am 1928-06-27)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-06-27)
Posaune:
Fred Robinson (American trombonist) (am 1928-06-27)
Trompete:
Louis Armstrong (am 1928-06-27)
vocals:
Louis Armstrong (am 1928-06-27)
recording of:
Fireworks (am 1928-06-27)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong3:05
21These Foolish Things
cover recording of:
These Foolish Things (Remind Me of You)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
Louis Armstrong & Ella Fitzgerald7:41
22Froggie Moore
Louis Armstrong & King Oliver and His Orchestra3:06
23Saint James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
Arrangement von:
St. James Infirmary
Version von:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong3:20
24I Ain’t Got Nobody
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong & Luis Russell and His Orchestra2:46
25Stompin’ at the Savoy
cover recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Louis Armstrong & Ella Fitzgerald5:14
26I Get Ideas
recording of:
I Get Ideas
Texter:
Dorcas Cochran (in 1951)
Komponist(in):
Julio César Sanders (Lenny Sanders) (in 1927)
Version von:
Adiós, muchachos (tango)
Louis Armstrong3:27
27Blueberry Hill
recording of:
Blueberry Hill
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Louis Armstrong2:56
28Shine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
alto saxophone [alto sax]:
Les Hite (am 1931-03-09) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1931-03-09)
Banjo:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette und Tenorsaxophon [tenor sax]:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Klavier:
Henry Prince (am 1931-03-09)
Kontrabass [bass] und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug:
Lionel Hampton (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McLure "Red Mac" Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
recording of:
Shine (am 1931-03-09)
Texter:
Lew Brown (in 1910) und Cecil Mack (in 1910)
Komponist(in):
Ford Dabney (in 1910)
Louis Armstrong & Les Hite & His Orchestra3:22
29That Lucky Old SunLouis Armstrong3:07
30I’ll Walk Alone
recording of:
I’ll Walk Alone (from “Follow the Boys”)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Louis Armstrong & Ella Fitzgerald3:11
31I’m Just a Lucky So and So
cover recording of:
I’m Just a Lucky So and So
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Louis Armstrong & Duke Ellington3:08
32Ko Ko Mo
recording of:
Ko Ko Mo (I Love You So)
Verfasser(in):
Forest Gene Wilson (in 1954), Eunice Levy (Member of Gene and Eunice) (in 1954) und Jake Porter (in 1954)
publisher:
Chappell/Morris Ltd. und Meridian Music Corp. (in 1954)
Louis Armstrong2:52
33Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Louis Armstrong3:19
34St. Louis Blues
recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Louis Armstrong & Bessie Smith3:11
35Alligator Crawl
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-05-10)
Banjo:
Johnny St. Cyr (am 1927-05-10)
Klarinette:
Johnny Dodds (am 1927-05-10)
Klavier:
Lil Hardin Armstrong (am 1927-05-10)
Kornett:
Louis Armstrong (am 1927-05-10)
Posaune:
John Thomas (early jazz trombonist) (am 1927-05-10)
Schlagzeug:
Warren “Baby” Dodds (am 1927-05-10)
Tuba:
Pete Briggs (am 1927-05-10)
Interpret(in):
Louis Armstrong and His Hot Seven (in 1927)
recording of:
Alligator Crawl (am 1927-05-10)
Texter:
Joe Davis (US lyricist, producer, publisher & promoter) und Andy Razaf
Komponist(in):
Fats Waller
Louis Armstrong3:04
36Lazy River
recording of:
Lazy River
Texter:
Hoagy Carmichael
Komponist(in):
Sidney Arodin und Hoagy Carmichael
Louis Armstrong3:05
37Trouble in Mind
recording of:
Trouble in Mind
Texter und Komponist(in):
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
Louis Armstrong & Velma Middleton2:40
38Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
Louis Armstrong & Gus Arnheim’s Cocoanut Grove Orchestra3:13
39Maybe It’s Because
recording of:
Maybe It’s Because
Verfasser(in):
Harry Ruby und Johnnie Scott
Louis Armstrong3:12
40Moments to Remember
Louis Armstrong3:10
41Nobody Knows the Trouble I’ve Seen
recording of:
Nobody Knows the Trouble I’ve Seen
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
C. Mose Music
Louis Armstrong & Russell Garcia and His Orchestra4:52
42Once in a While
recording of:
Once in a While
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
Louis Armstrong3:16
43When It’s Sleepy Time Down SouthLouis Armstrong & Les Hite & His Orchestra3:25
44Just a Gigolo
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1931-03-09)
Celesta [celeste] und Klavier:
Henry Prince (am 1931-03-09)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1931-03-09)
Klarinette:
Les Hite (am 1931-03-09) und Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Kontrabass und Tuba:
Joe Bailey (US double bassist and songwriter) (am 1931-03-09)
Posaune:
Luther Craven (am 1931-03-09)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1931-03-09)
Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1931-03-09)
Trompete:
Louis Armstrong (am 1931-03-09), McClure Morris (am 1931-03-09) und Harold Scott (am 1931-03-09)
vocals:
Louis Armstrong (am 1931-03-09)
conductor:
Les Hite (am 1931-03-09)
recording of:
Just a Gigolo (English version) (am 1931-03-09)
Texter:
Julius Brammer
Komponist(in):
Leonello Casucci
Übersetzer:
Irving Caesar
übersetzte Version von:
Schöner Gigolo
Louis Armstrong & Les Hite & His Orchestra3:21
45West End Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong and His Orchestra (in 1939) und Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
West End Blues (Armstrong recording) (am 1939-04-05)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
Louis Armstrong3:13
46I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Louis Armstrong3:26
47Cotton Tail
recording of:
Cotton Tail
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Louis Armstrong & Duke Ellington3:44
48The Peanut Vendor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Perkussion:
Henry Prince (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
The Peanut Vendor (am 1930-12-23)
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
Louis Armstrong & Les Hite & His Orchestra3:31
49Sincerely
recording of:
Sincerely
Verfasser(in):
Alan Freed (American disc jockey) (bis 1954-10) und Harvey Fuqua (bis 1954-10)
publisher:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Louis Armstrong2:56
50You Rascal You
Louis Armstrong & Les Hite & His Orchestra3:15

Nennungen