Storybook Children / With Pen in Hand

~ Release by Billy Vera & Judy Clay (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Storybook Children
producer:
Ted Daryll (US songwriter & record producer)
bass:
James Tyrell (on 1967-09-01)
drums (drum set):
Earl Williams (US jazz drummer) (on 1967-09-01)
guitar:
Butch Mann (on 1967-09-01) and Chip Taylor (guitar) (on 1967-09-01)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-09-01) and Billy Vera (on 1967-09-01)
recorded at:
Jubilee Studios in New York, New York, United States (on 1967-09-01)
recording of:
Storybook Children
writer:
B. Vera and Chip Taylor (US singer/songwriter)
Billy Vera & Judy Clay3:04
2Just Across the Line
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
recording of:
Just Across the Line
writer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
Billy Vera & Judy Clay2:33
3Let It Be Me
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
cover recording of:
Let It Be Me
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
Billy Vera & Judy Clay3:02
4Soul Man
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
cover recording of:
Soul Man
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Billy Vera & Judy Clay2:37
5Good Morning Blues
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
recording of:
Good Morning Blues
lyricist and composer:
Billy Vera
Billy Vera & Judy Clay3:09
6We’re in Love
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
recording of:
We’re in Love
lyricist and composer:
Bobby Womack
Billy Vera & Judy Clay2:36
7When Do We Go
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
recording of:
When Do We Go
writer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
Billy Vera & Judy Clay2:53
8Bring It on Home to Me
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
cover recording of:
Bring It On Home to Me
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Billy Vera & Judy Clay2:04
9Do Right Woman, Do Right Man
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
cover recording of:
Do Right Woman, Do Right Man
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Billy Vera & Judy Clay3:50
10Really Together
producer:
Ted Daryll (US songwriter & record producer)
bass:
James Tyrell (on 1967-09-01)
drums (drum set):
Earl Williams (US jazz drummer) (on 1967-09-01)
guitar:
Linc Chamberland (on 1967-09-01)
vocals:
Billy Vera (on 1967-09-01)
recorded at:
Jubilee Studios in New York, New York, United States (on 1967-09-01)
recording of:
Really Together
lyricist and composer:
Billy Vera
Billy Vera & Judy Clay1:53
11Ever Since
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
recording of:
Ever Since
writer:
Chip Taylor (US singer/songwriter) and Billy Vera
Billy Vera & Judy Clay3:07
12So Good (to Be Together)
producer:
Ted Daryll (US songwriter & record producer)
bass [electric bass]:
Eric Gale (on 1967-12-20)
drums (drum set):
Pete Holman (drums) (on 1967-12-20)
guitar:
Butch Mann (on 1967-12-20)
piano:
Paul Griffin (American pianist, session musician) (on 1967-12-20)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1967-12-20)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-12-20) and King Curtis (saxophonist) (on 1967-12-20)
trumpet:
Melvin Lastie (on 1967-12-20)
vocals:
Judy Clay (American soul and gospel singer) (on 1967-12-20), The Sweet Inspirations (on 1967-12-20) and Billy Vera (on 1967-12-20)
recorded at:
Century Sound Recording Studios in New York, New York, United States (on 1967-12-20)
recording of:
So Good (to Be Together)
writer:
Chip Taylor (US singer/songwriter) and Billy Vera
Billy Vera & Judy Clay2:50
13With Pen in Hand
recorded in:
New York, New York, United States (on 1968-05-24)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (on 1968-05-24)
drums (drum set):
Earl Williams (US jazz drummer) (on 1968-05-24)
guitar:
Hugh McCracken (on 1968-05-24)
piano:
Paul Griffin (American pianist, session musician) (on 1968-05-24)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1968-05-24)
lead vocals:
Billy Vera (on 1968-05-24)
vocals:
Barbara Massey (on 1968-05-24), Melba Moore (on 1968-05-24) and Valerie Simpson (on 1968-05-24)
arranger:
Arif Mardin
Billy Vera3:35
14You Keep Me Hangin’ On
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera3:05
15Headin’ Down Home
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera2:55
16The Son of Hickory Holler’s Tramp
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera3:42
17I’m Leavin’ Here Tomorrow Mama
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera4:13
18Gee You Look So Pretty
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera3:41
19I’ve Been Loving You Too Long
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera3:14
20I Can Remember
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera2:50
21Then You Can Tell Me Goodbye
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
cover recording of:
Then You Can Tell Me Goodbye (in 1968-06)
lyricist and composer:
John D. Loudermilk
publisher:
Acuff Rose (BMI), Loudermilk Music and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Billy Vera3:00
22To Love Somebody
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
cover recording of:
To Love Somebody (in 1968-06)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
Billy Vera3:47
23Are You Coming to My Party
recorded in:
New York, New York, United States (in 1968-06)
engineer:
Bruce Tergesen
producer:
Ted Daryll (US songwriter & record producer) and Chip Taylor (US singer/songwriter)
bass [electric bass]:
Chuck Rainey (American bassist) (in 1968-06)
drums (drum set):
Earl Williams (US jazz drummer) (in 1968-06)
guitar:
Hugh McCracken (in 1968-06)
piano:
Paul Griffin (American pianist, session musician) (in 1968-06)
strings:
unidentified strings ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-06)
lead vocals:
Billy Vera (in 1968-06)
vocals:
Barbara Massey (in 1968-06), Melba Moore (in 1968-06) and Valerie Simpson (in 1968-06)
arranger:
Arif Mardin
Billy Vera3:40

Credits

Release

ASIN:US: B0001BKB7A [info]

Release group

part of:2 LP’s on 1 CD (order: 3)