Das große Opernfestival: Arien und Chöre in deutscher Sprache

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Verdi
2▶CD: Mozart
3▶CD: Bizet – Donizetti – Rossini
4▼CD: Beethoven – Weber – Flotow
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1Fidelio: Aus der Ouvertüre
orchestra:
Orchester der städtischen Bühnen Frankfurt am Main
conductor:
Lovro von Matačić (conductor)
partial recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven3:15
2Fidelio: „Mir ist so wunderbar“
bass vocals:
Peter Lagger (operatic bass singer)
soprano vocals:
Anja Silja (soprano) and Sylvia Stahlman (soprano)
tenor vocals:
Willy Müller
orchestra:
Orchester der städtischen Bühnen Frankfurt am Main
conductor:
Lovro von Matačić (conductor)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:30
3Fidelio: „Ha, welch ein Augenblick“
baritone vocals:
Leonardo Wolovsky (operatic bass / baritone)
orchestra:
Orchester der städtischen Bühnen Frankfurt am Main
conductor:
Lovro von Matačić (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:15
4Fidelio: „Abscheulicher! Wo eilst du hin?“
soprano vocals:
Anja Silja (soprano)
orchestra:
Orchester der städtischen Bühnen Frankfurt am Main
conductor:
Lovro von Matačić (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:01
5Fidelio: „O welche Lust, in freier Luft“
bass vocals:
Carlos Feller (operatic bass)
tenor vocals:
Kurt Wolinski
orchestra:
Orchester der städtischen Bühnen Frankfurt am Main
conductor:
Lovro von Matačić (conductor)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:14
6Fidelio: „Gott! Welch’ Dunkel hier!“ / „In des Lebens Frühlingstagen“
tenor vocals:
Arturo Sergi (tenor)
orchestra:
Orchester der städtischen Bühnen Frankfurt am Main
conductor:
Lovro von Matačić (conductor)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:46
7Oberon: „Von Jugend auf schon Kampfgefild“
tenor vocals:
Jess Thomas (tenor)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Wilhelm Schüchter
recording of:
Oberon: "Von Jugend auf im Kampfgefild" (German translation)
composer:
Carl Maria von Weber (composer)
librettist:
James Robinson Planché
translator:
Theodor Hell
Carl Maria von Weber6:45
8Oberon: „Arabiens einsam’ Kind“
mezzo-soprano vocals:
Hetty Plümacher (mezzo-soprano)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Wilhelm Schüchter
Carl Maria von Weber2:55
9Oberon: „Über die blauen Wogen“
baritone vocals:
Herbert Brauer
mezzo-soprano vocals:
Hetty Plümacher (mezzo-soprano)
soprano vocals:
Ingrid Kristine Bjoner Pierpoint (soprano)
tenor vocals:
Jess Thomas (tenor)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Wilhelm Schüchter
Carl Maria von Weber2:32
10Oberon: „Ozean! Du Ungeheuer“
soprano vocals:
Ingrid Kristine Bjoner Pierpoint (soprano)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Wilhelm Schüchter
Carl Maria von Weber8:49
11Oberon: „Arabien, mein Heimatland“
mezzo-soprano vocals:
Hetty Plümacher (mezzo-soprano)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Wilhelm Schüchter
Carl Maria von Weber2:21
12Martha: „Der Markt beginnt!“ / „Die Glocke schallt!“
bass vocals:
Ernst Krukowski (baritone)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Wilhelm Schüchter
recording of:
Martha: Akt I. „Der Markt beginnt! Die Glocke schallt!“
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt I
Friedrich von Flotow3:42
13Martha: „Nancy! Julia! Wo bist du?“ / „Letzte Rose“ / „Martha, nimm zum frommen Bunde“
soprano vocals:
Erika Köth (soprano)
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Wilhelm Schüchter
recording of:
Martha: Akt II. „Letzte Rose“ (The Last Rose of Summer)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt II
Friedrich von Flotow10:08
14Martha: „Laßt mich euch fragen“
bass vocals:
Walter Kreppel (operatic bass)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Wilhelm Schüchter
recording of:
Martha: Akt III. „Laßt mich euch fragen“ (Plumkett, Landleute)
composer:
Friedrich von Flotow (composer)
part of:
Martha: Akt III
Friedrich von Flotow3:05
15Martha: „Ach, so fromm“
tenor vocals:
Rudolf Schock (tenor)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Wilhelm Schüchter
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow3:10
5▶CD: Lortzing