| # | Title | Artist | Rating | Length |
|---|
| 1 | Join Me (Razorblade mix) | HIM | 3.75 | 3:36 |
| 2 | Dancing in the Moonlight | Toploader | 4.5 | 3:48 |
| 3 | Maria Maria- assistant engineer:
- Chuck Bailey and Jason Gorucott
- engineer:
- Steve Fontano, Andy Grassi and Chris Theis
- producer:
- Jerry Duplessis and Wyclef Jean
- assistant mixer:
- Michael McCoy
- mixer:
- Andy Grassi
- cello:
- Joseph Hébert
- electric guitar [guitar] and additional vocals:
- Carlos Santana
- percussion:
- Carol Steele
- viola:
- David Balakrishnan and Danny Seidenberg
- violin:
- Jeremy Cohen
- lead vocals:
- The Product G&B
- phonographic copyright (℗) by:
- RCA Records (in 1999)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- engineered at:
- Fantasy Studios in Berkeley, California, United States and The Hit Factory in Manhattan, New York, New York, United States
- recording of:
- Maria Maria
- writer:
- Jerry Duplessis, Wyclef Jean , David McRae, Marvin Moore-Hough, Karl Perazzo, Raul Rekow and Carlos Santana
- publisher:
- EMI Blackwood Music Inc., Ghetto and Blues, Hempstead Live, Huss‐Zwingli Publishing Inc., Sony/ATV Tunes LLC , Stellabella Music, Te Bass Music, Inc., ソニー・ミュージックパブリッシング A事業部 , ソニー・ミュージックパブリッシング EMI外国事業部 and 日音 Synch事業部
| Santana feat. The Product G&B | 3.85 | 4:21 |
| 4 | Freestyler | Bomfunk MC’s | 4 | 2:53 |
| 5 | Around the World (La La La La La) | ATC | 3.7 | 3:35 |
| 6 | Crying at the Discoteque | Alcazar | 4 | 3:50 |
| 7 | Uptown Girl | Westlife | 2.35 | 3:05 |
| 8 | Teenage Dirtbag | Wheatus | 2.5 | 4:01 |
| 9 | Ms. Jackson | OutKast | 2.4 | 4:03 |
| 10 | Butterfly | Crazy Town | 4.1 | 3:32 |
| 11 | Wherever You Will Go- assistant recording engineer:
- Tiago Becker and Valente Torres
- recording engineer:
- Marc Greene and David Thoener
- producer:
- Marc Tanner
- mixer:
- Chris Lord‐Alge
- additional keyboard:
- Paul Mirkovich
- bass:
- Bob Glaub
- drums (drum set):
- Matt Laug
- guitar, mandolin, sampler [loops] and sitar:
- Aaron Kamin
- percussion:
- Aaron Kamin, Matt Laug and Satnam Ramgotra
- synthesizer [synth strings]:
- Ron Fair
- tabla:
- Satnam Ramgotra
- phonographic copyright (℗) by:
- BMG Entertainment (in 2001) and RCA Records (in 2001)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Image Recording in Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 5)
- recording of:
- Wherever You Will Go
- writer:
- Alex Band and Aaron Kamin
- publisher:
- Alex Band Music, Amedeo Music, BMG Music Publishing, Inc., BMG Platinum Songs US, BMG Rights Management (UK) Ltd. , Copyright Control , Universal Music Careers and Universal Music Publishing MGB Ltd.
| The Calling | 3.95 | 3:26 |
| 12 | Drops of Jupiter | Train | 4.5 | 4:19 |
| 13 | Fallin’ | Alicia Keys | 3.65 | 3:15 |
| 14 | Engel | Ben feat. Gim | 1 | 3:59 |
| 15 | Your Body Is a Wonderland | John Mayer | 3.5 | 4:07 |
| 16 | Paid My Dues- recording engineer:
- “Young” Dave Scheuer (in 2001) and Thomas R. Yezzi (in 2001: lead vocals)
- miscellaneous support:
- Marc Russell (task: production coordinator)
- drums (drum set) [drum] programming:
- Richie Jones (in 2001)
- additional producer:
- Richie Jones
- producer:
- Ric Wake
- assistant mixer:
- Jim Annunziato
- mixer:
- Dan Hetzel and Richie Jones
- bass guitar:
- Marc Russell (in 2001)
- guitar [guitars] and keyboard [keyboards]:
- Eric Kupper (in 2001)
- background vocals:
- Anastacia (in 2001), LaMenga Kafi (in 2001), Danny Madden (in 2001) and Nicki Richards (in 2001)
- arranger:
- Richie Jones and Ric Wake
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 2001)
- produced for:
- W&R Group
- recorded at:
- Cove City Sound Studios in Glen Cove, New York, United States (in 2001) and Sony Music Studios in Hell's Kitchen, New York, New York, United States (in 2001)
- mixed at:
- Cove City Sound Studios in Glen Cove, New York, United States
- music videos:
- Paid My Dues by Anastacia
- recording of:
- Paid My Dues (in 2001)
- writer:
- Anastacia Newkirk , Greg Lawson , LaMenga Kafi and Damon Sharpe
- publisher:
- Annotation Music, BMG Platinum Songs US, Connotation Music, Damon Sharpe Music, GQ Romeo Music, Locoriya’s Songs, Poho Productions, Universal Music Corp. , VMG Notation Copyrights, Warner–Tamerlane Publishing Corp. and WB Music Corp
| Anastacia | 3.5 | 3:20 |
| 17 | Whenever, Wherever- recording engineer:
- Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning
- programming:
- Tim Mitchell
- additional engineer:
- Freddy Piñero, Jr.
- assistant engineer:
- Oswald Bowe, Chris Carroll , Alex Dixon, Jorge Gonzalez , Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
- co-producer:
- Tim Mitchell
- producer:
- Shakira
- mixer:
- Javier Garza
- charango, quena and rondador:
- Gustavo Patiño
- drums (drum set):
- Brendan Buckley
- electric bass guitar:
- Paul Bushnell
- guitar:
- Tim Pierce and Brian Ray
- guitar and mandolin:
- Tim Mitchell
- percussion:
- Miriam Eli, Emilio Estefan, Jr. and Archie Peña
- background vocals:
- Rita Quintero
- background vocals and lead vocals:
- Shakira
- arranger:
- Tim Mitchell and Shakira
- phonographic copyright (℗) by:
- Sony Music Entertainment (Holland) B.V. (in 2001) and Sony Music Entertainment (Holland) B.V. (in 2021)
- co-produced for:
- Crescent Moon, Inc.
- recorded at:
- Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, United States and The Hit Factory Criteria in Miami, Florida, United States
- mixed at:
- Crescent Moon Studios in Miami, Florida, United States
- part of:
- Billboard Year-End Hot 100 singles of 2002 (number: 28)
- recording of:
- Whenever, Wherever
- lyricist:
- Gloria Estefan and Shakira
- composer:
- Tim Mitchell and Shakira
- publisher:
- Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
- translated version of:
- Suerte
| Shakira | 3.95 | 3:16 |
| 18 | Aicha | Outlandish | 3 | 4:35 |
| 19 | Breathe (rap version) | Blu Cantrell feat. Sean Paul | 3.9 | 3:48 |
| 20 | Take Me Tonight | Alexander Klaws | | 4:01 |
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