100 Hits Legends: Louis Armstrong

~ Release by Louis Armstrong (see all versions of this release, 1 available)

Annotation

has outer slipover cardboard cover

Annotation last modified on 2017-10-24 09:36 UTC.

Tracklist

1CD
2CD
#TitleRatingLength
1I Can’t Give You Anything but Love
vocals:
Louis Armstrong (in 1938)
orchestra:
Louis Armstrong and His Orchestra (in 1938)
cover recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
2:55
2Sweethearts on Parade
vocals:
Louis Armstrong (in 1940)
orchestra:
Louis Armstrong and His Orchestra (in 1940)
recording of:
Sweethearts on Parade
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
2:52
3Struttin’ With Some Barbecue2:57
4Lazy Bones
trumpet:
Louis Armstrong (in 1947)
vocals:
Louis Armstrong (in 1947) and Jack Teagarden (in 1947)
orchestra:
Orchestral Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1947)
recording of:
Lazy Bones
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Songs of Peer, Ltd. (ASCAP)
3:11
5Mahogany Hall Stomp
performer:
Louis Armstrong & His Dixieland Seven (in 1946)
recording of:
Mahogany Hall Stomp
composer:
Spencer Williams (US jazz composer, pianist & singer)
2:59
6Perdido Street Blues
recorded in:
New York, New York, United States (on 1940-05-27)
double bass:
Wellman Braud (on 1940-05-27)
drums (drum set):
Zutty Singleton (on 1940-05-27)
guitar:
Bernard Addison (on 1940-05-27)
piano:
Luis Russell (on 1940-05-27)
reeds:
Sidney Bechet (on 1940-05-27)
trombone:
Claude Jones (on 1940-05-27)
trumpet:
Louis Armstrong (on 1940-05-27)
orchestra:
Louis Armstrong & His Orchestra (on 1940-05-27)
recording of:
Perdido Street Blues (on 1940-05-27)
composer:
Lil Armstrong
33:06
7Satchel Mouth Swing
recorded in:
Los Angeles, California, United States (on 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1938-01-12) and Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1938-01-12)
double bass:
George "Pops" Foster (on 1938-01-12)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1938-01-12)
guitar:
Lee Blair (on 1938-01-12)
piano:
Luis Russell (on 1938-01-12)
reeds:
Bingie Madison (on 1938-01-12) and Albert Nicholas (on 1938-01-12)
trombone:
Wilbur de Paris (on 1938-01-12), J.C. Higginbotham (on 1938-01-12) and George Washington (jazz trombonist) (on 1938-01-12)
trumpet:
Henry “Red” Allen (jazz musician) (on 1938-01-12), Louis Armstrong (on 1938-01-12), Louis Bacon (on 1938-01-12) and Shelton "Scad" Hemphill (on 1938-01-12)
vocals:
Louis Armstrong (on 1938-01-12)
orchestra:
Louis Armstrong & His Orchestra (on 1938-01-12)
recording of:
Satchel Mouth Swing (on 1938-01-12)
writer:
Louis Armstrong and Mary Lou Williams (American jazz pianist and composer)
2:35
8Dippermouth Blues
recorded in:
Los Angeles, California, United States (on 1936-08-07)
clarinet:
Jimmy Dorsey (on 1936-08-07)
double bass:
Slim Taft (on 1936-08-07)
drums (drum set):
Ray McKinley (on 1936-08-07)
guitar:
Roc Hillman (songwriter, arranger) (on 1936-08-07)
reeds:
Jimmy Dorsey (on 1936-08-07), Skeets Herfurt (on 1936-08-07), Fud Livingston (on 1936-08-07) and Jack Stacey (on 1936-08-07)
trombone:
Bobby Byrne (on 1936-08-07), Don Matteson (on 1936-08-07) and Joe Yukl (on 1936-08-07)
trumpet:
Louis Armstrong (on 1936-08-07), Tutti Camarata (on 1936-08-07) and George Thow (on 1936-08-07)
vocals:
Louis Armstrong (on 1936-08-07)
orchestra:
Jimmy Dorsey and His Orchestra (on 1936-08-07)
recording of:
Dippermouth Blues (on 1936-08-07)
composer:
Louis Armstrong and King Oliver (jazz cornetist)
2:43
9Someday You’ll Be Sorry3:14
10Alexander’s Ragtime Band
recorded in:
New York, New York, United States (on 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (on 1937-07-07)
double bass:
George "Pops" Foster (on 1937-07-07)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1937-07-07)
guitar:
Lee Blair (on 1937-07-07)
piano:
Luis Russell (on 1937-07-07)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1937-07-07), Bingie Madison (on 1937-07-07) and Albert Nicholas (on 1937-07-07)
trombone:
J.C. Higginbotham (on 1937-07-07), George Matthews (trombone) (on 1937-07-07) and George Washington (jazz trombonist) (on 1937-07-07)
trumpet:
Henry “Red” Allen (jazz musician) (on 1937-07-07), Louis Armstrong (on 1937-07-07), Louis Bacon (on 1937-07-07) and Shelton "Scad" Hemphill (on 1937-07-07)
vocals:
Louis Armstrong (on 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (on 1937-07-07)
recording of:
Alexander’s Ragtime Band (on 1937-07-07)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:36
11I’ll Be Glad When You’re Dead (You Rascal You)
orchestra:
Louis Armstrong and His Orchestra (in 1941)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You
lyricist and composer:
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:59
12I Want a Little Girl
performer:
Louis Armstrong and His Hot Seven (in 1946)
recording of:
I Want a Little Girl
lyricist:
Billy Moll (songwriter)
composer:
Murray Mencher (pianist, lyricist and songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
3:03
13Sugar
performer:
Louis Armstrong and His Hot Seven (in 1946)
recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP) and Robbins Music Corp.
3:28
14Baby Won’t You Please Come Home
orchestra:
Louis Armstrong and His Orchestra (in 1939)
recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
3:18
15I’m Confessin’ (That I Love You)
orchestra:
Edmond Hall & His Cafe Society Orchestra (in 1947)
recording of:
I’m Confessin’ (That I Love You)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
3:22
16My Sweet Hunk O’Trash
vocals:
Billie Holiday (in 1949)
orchestra:
Sy Oliver and His Orchestra (in 1949)
recording of:
My Sweet Hunk o’ Trash
lyricist:
Flournoy E. Miller
composer:
James P. Johnson
3:17
17Blues for Yesterday2:35
18Down in Honky Tonk Town
orchestra:
Louis Armstrong and His Orchestra (in 1940)
recording of:
Down in Honky Tonk Town
writer:
Charles McCarron (in 1916) and Chris Smith (Ragtime composer) (in 1916)
3:03
19When the Blues Were Born in New Orleans3:09
20(What Did I Do to Be So) Black and Blue
orchestra:
Edmond Hall & His Cafe Society Orchestra (in 1947)
live recording of:
Black and Blue
lyricist:
Harry Brooks (jazz pianist & songwriter) and Andy Razaf
composer:
Fats Waller
publisher:
Memory Lane Music Ltd. and Redwood Music Ltd. (Carlin)
4:27
3CD
4CD
5CD

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2010)
ASIN:UK: B0036V0W0S [info]

Release group

part of:100 Hits Legends (number: 14) (order: 12)