Ella and Louis: The Anthology

~ Veröffentlichung von Ella Fitzgerald & Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:03
2Summertime
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Louis Armstrong (am 1957-08-18) und Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
Orchester:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (am 1957-08-18)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1957-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2.854:58
3Cheek to Cheek
Interpret(in):
Louis Armstrong
cover recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
5:49
4April in Paris
cover recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
6:21
5A Foggy Day
Interpret(in):
Louis Armstrong
cover recording of:
A Foggy Day (in London Town)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
4:30
6They Can’t Take That Away From Me
Produzent(in):
Norman Granz
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1959-01-05 bis 1959-07-17)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (von 1959-01-05 bis 1959-07-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:09
7Tenderly
cover recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
5:00
8Love Is Here to Stay
cover recording of:
Love Is Here to Stay (am 1957-08-23)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
4:02
9These Foolish Things
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
vocals:
Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
These Foolish Things (Remind Me of You) (am 1957-07-23)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
7:41
10I Got Plenty O’ Nuttin’
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
conductor:
Russell Garcia (am 1957-08-18)
cover recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (am 1957-08-18)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music und Gershwin Publishing Corp (in 1935)
basiert auf:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:52
11Bess, You Is My Woman Now
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-18)
Geige / Violine:
Victor Arno (am 1957-08-18)
Gitarre:
Tony Rizzi (am 1957-08-18)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1957-08-18)
Kontrabass:
Joe Mondragon (am 1957-08-18)
Posaune:
Buddy Childers (American jazz trumpeter & composer) (am 1957-08-18)
Schlagzeug:
Alvin Stoller (am 1957-08-18)
Trompete:
Frank Beach (trombone, trumpet) (am 1957-08-18)
Waldhorn:
Vincent DeRosa (am 1957-08-18)
vocals:
Louis Armstrong (am 1957-08-18) und Ella Fitzgerald (American jazz singer) (am 1957-08-18)
conductor:
Russell Garcia (am 1957-08-18)
cover recording of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” (am 1957-08-18)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act II, Scene I
5:29
12It Ain’t Necessarily So
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957)
Schlagzeug:
Alvin Stoller (in 1957)
vocals:
Louis Armstrong (in 1957) und Ella Fitzgerald (American jazz singer) (in 1957)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
6:33
13There’s a Boat That’s Leavin’ Soon for New York
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1957)
Schlagzeug:
Alvin Stoller (in 1957)
vocals:
Louis Armstrong (in 1957) und Ella Fitzgerald (American jazz singer) (in 1957)
cover recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act III, Scene II
4:55
14Oh Lawd, I’m on My Way
cover recording of:
Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way”
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act III, Scene III
2:59
15Let’s Call the Whole Things Off
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
4:14
16Stompin’ at the Savoy
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Stompin’ at the Savoy (am 1957-07-23)
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3.655:14
17I ’ll Walk Alone
recording of:
I’ll Walk Alone (from “Follow the Boys”)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
3:11
18Don’t Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
cover recording of:
Don’t Be That Way (am 1957-08-13)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
4:58
19I Won’t Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (am 1957-08-13)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
34:47
20Gee Baby Ain’t I Good to You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Gee, Baby Ain’t I Good to You (am 1957-07-23)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:14
21I’ve Got My Love to Keep Me Warm
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957, am 1957-08-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1957-08-13)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
43:13
22Willow Weep for Me
Techniker(in):
Val Valentin (in 1957)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
Kontrabass:
Ray Brown (jazz bassist) (in 1957)
Schlagzeug:
Louie Bellson (in 1957)
Trompete:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Willow Weep for Me (in 1957)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
44:20
23I’m Puttin’ All My Eggs in One Basket
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
cover recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (am 1957-08-13)
Texter und Komponist(in):
Irving Berlin (in 1936)
33:30
24A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
Sologesang:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (am 1957-08-13)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
43:55
25Ill Wind
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
vocals:
Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Ill Wind (am 1957-07-23)
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
3:46
26I Get Kick Out of You
Techniker(in):
Val Valentin (in 1957)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
Kontrabass:
Ray Brown (jazz bassist) (in 1957)
Schlagzeug:
Louie Bellson (in 1957)
Trompete:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
I Get a Kick Out of You (in 1957)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
4:21
27You Won’t Be Satisfied
recorded in:
New York, New York, Vereinigte Staaten (am 1946-01-18)
alto saxophone:
George Koenig (am 1946-01-18) und Bill Stegmeyer (am 1946-01-18)
baritone saxophone:
Milton Schatz (am 1946-01-18)
Bass:
Trigger Alpert (am 1946-01-18)
Gitarre:
Danny Perri (am 1946-01-18)
Klarinette und Rohrblattinstrumente:
Bill Stegmeyer (am 1946-01-18)
Klavier:
Joe Bushkin (am 1946-01-18)
Kontrabass:
Trigger Alpert (am 1946-01-18)
Schlagzeug:
Cozy Cole (am 1946-01-18)
Solo-Trompete:
Louis Armstrong
Tenorsaxophon:
Art Drelinger (am 1946-01-18) und Jack Greenberg (am 1946-01-18)
Trompete:
Louis Armstrong (am 1946-01-18) und Billy Butterfield (am 1946-01-18)
vocals:
Louis Armstrong (am 1946-01-18) und Ella Fitzgerald (American jazz singer) (am 1946-01-18)
Orchester:
Bob Haggart and His Orchestra (am 1946-01-18)
conductor:
Bob Haggart (am 1946-01-18)
arranger:
Bob Haggart
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart) (am 1946-01-18)
Verfasser(in):
Freddy James und Larry Stock
42:55
28Learnin’ the Blues
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Learnin’ the Blues (am 1957-07-23)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
7:18
29Let’s Do It
Techniker(in):
Val Valentin (am 1957-10-14)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-14)
Schlagzeug:
Louie Bellson (am 1957-10-14)
Trompete:
Louis Armstrong (am 1957-10-14)
vocals:
Louis Armstrong (am 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1957-10-14)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
8:44
30Autumn in New York
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Autumn in New York (1934) (am 1957-07-23)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
6:01
31Can Anyone Explain
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-08-25)
cover recording of:
Can Anyone Explain? (am 1950-08-25)
Texter und Komponist(in):
Bennie Benjamin und George David Weiss
3:11
32Necessary Evil
vocals:
Ella Fitzgerald (American jazz singer) (am 1951-11-23)
recording of:
Necessary Evil (am 1951-11-23)
Texter und Komponist(in):
Redd Evans
2:34
33Oops!
Interpret(in):
Ella Fitzgerald (American jazz singer)
cover recording of:
Oops! (The Belle of New York, 1952 film)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
3:12
34Dummy Song
recording of:
The Dummy Song
Verfasser(in):
Lew Brown, Ray Henderson und Billy Rose (lyricist and Broadway producer)
2:21
35The Hot Canary
cover recording of:
The Hot Canary
Komponist(in):
Ray Gilbert und Kurt Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff)
publisher:
Carl Fischer LLC, Ipanema Music Corp. und Universal Music Corporation (USA, affiliated with ASCAP)
3:13
36The Frim Fram Sauce
recorded in:
New York, New York, Vereinigte Staaten (am 1946-01-18)
alto saxophone:
George Koenig (am 1946-01-18) und Bill Stegmeyer (am 1946-01-18)
baritone saxophone:
Milton Schatz (am 1946-01-18)
Bass:
Trigger Alpert (am 1946-01-18)
Gitarre:
Danny Perri (am 1946-01-18)
Klarinette und Rohrblattinstrumente:
Bill Stegmeyer (am 1946-01-18)
Klavier:
Joe Bushkin (am 1946-01-18)
Kontrabass:
Trigger Alpert (am 1946-01-18)
Schlagzeug:
Cozy Cole (am 1946-01-18)
Tenorsaxophon:
Art Drelinger (am 1946-01-18) und Jack Greenberg (am 1946-01-18)
Trompete:
Louis Armstrong (am 1946-01-18) und Billy Butterfield (am 1946-01-18)
vocals:
Louis Armstrong (am 1946-01-18) und Ella Fitzgerald (American jazz singer) (am 1946-01-18)
Orchester:
Bob Haggart and His Orchestra (am 1946-01-18)
conductor:
Bob Haggart (am 1946-01-18)
arranger:
Bob Haggart
cover recording of:
The Frim‐Fram Sauce (am 1946-01-18)
Texter:
Redd Evans (in 1945)
Komponist(in):
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
37Who Walks in When I Walk Out
Trompete:
Louis Armstrong (am 1951-11-23)
vocals:
Louis Armstrong (am 1951-11-23) und Ella Fitzgerald (American jazz singer) (am 1951-11-23)
Interpret(in):
Ella Fitzgerald (American jazz singer) und Dave Barbour’s Orchestra (am 1951-11-23)
cover recording of:
Who Walks in When I Walk Out (am 1951-11-23)
Texter:
Ralph Freed
Verfasser(in):
Ralph Freed, Al Goodhart und Al Hoffman
2:19
38The Tender Trap
cover recording of:
(Love Is) The Tender Trap
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
3:00
39Comes Love
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Comes Love (am 1957-07-23)
Texter:
Lew Brown
Komponist(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
2:28
40Makin’ Whoopee
Techniker(in):
Val Valentin (in 1957)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957)
Kontrabass:
Ray Brown (jazz bassist) (in 1957)
Schlagzeug:
Louie Bellson (in 1957)
Trompete:
Louis Armstrong (in 1957)
vocals:
Louis Armstrong (in 1957)
cover recording of:
Makin’ Whoopee! (in 1957)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
3:56
41They All Laughed
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
They All Laughed (from “Shall We Dance”) (am 1957-07-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
3:48
42You Won’t Be Satisfied (live)
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart)
Verfasser(in):
Freddy James und Larry Stock
3:05
43Undecided (live)
cover recording of:
Undecided
Texter:
Sid Robin (US lyricist & composer) (in 1938)
Komponist(in):
Charlie Shavers (in 1938)
3:42
44When the Saints Go Marching In (live)
cover recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
6:07