Great Pianists of the 20th Century, Volume 34: Emil Gilels I

~ Release by Emil Gilels (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Prelude and Fugue in D, BWV 532
recorded in:
Sankt-Peterburg (Saint Petersburg), Russia (on 1968-01-18)
piano:
Emil Gilels (pianist) (on 1968-01-18)
recorded at:
Санкт-Петербургская филармония им. Д. Д. Шостаковича in Sankt-Peterburg (Saint Petersburg), Russia (on 1968-01-18)
live recording of:
Präludium und Fuge D-Dur, BWV 532, BV B 20 (for piano, Busoni) (on 1968-01-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
part of:
Busoni-Verzeichnis (number: BV B 20)
arrangement of:
Präludium und Fuge D-Dur, BWV 532
Johann Sebastian Bach13:07
2Piano Concerto no. 27 in B-flat, KV. 595: I. Allegro
recorded in:
Wien (Vienna), Austria (in 1973-11)
recording engineer:
Jürgen Bulgrin (sound engineer), Wolf‐Dieter Karwatky and Gernot Westhäuser (Engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Wolf‐Dieter Karwatky
piano:
Emil Gilels (pianist) (in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-11)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 1974 to present)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-11)
recording of:
Cadenza to Piano Concerto no. 27, K. 595: I. Allegro (Mozart) (in 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
is based on:
Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro
part of:
Cadenzas to Piano Concerto no. 27, K. 595 (Mozart)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro (in 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
Wolfgang Amadeus Mozart14:30
3Piano Concerto no. 27 in B-flat, KV. 595: II. Larghetto
recorded in:
Wien (Vienna), Austria (in 1973-11)
recording engineer:
Jürgen Bulgrin (sound engineer), Wolf‐Dieter Karwatky and Gernot Westhäuser (Engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Wolf‐Dieter Karwatky
piano:
Emil Gilels (pianist) (in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-11)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 1974 to present)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-11)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto (in 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
Wolfgang Amadeus Mozart9:02
4Piano Concerto no. 27 in B-flat, KV. 595: III. Allegro
recorded in:
Wien (Vienna), Austria (in 1973-11)
recording engineer:
Jürgen Bulgrin (sound engineer), Wolf‐Dieter Karwatky and Gernot Westhäuser (Engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
editor:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Wolf‐Dieter Karwatky
piano:
Emil Gilels (pianist) (in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-11)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (from 1974 to present)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-11)
recording of:
Cadenza to Piano Concerto no. 27, K. 595: III. Allegro (Mozart) (in 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
is based on:
Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro
part of:
Cadenzas to Piano Concerto no. 27, K. 595 (Mozart)
recording of:
Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro (in 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Concerto for Piano no. 27 in B-flat major, K. 595
Wolfgang Amadeus Mozart9:29
5Piano Concerto no. 4 in G, op. 58: I. Allegro Moderato
recorded in:
London (Greater London), England, United Kingdom
piano:
Emil Gilels (pianist) (in 1957-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957-05)
conductor:
Leopold Ludwig (conductor) (in 1957-05)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (in 1957-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven17:57
6Piano Concerto no. 4 in G, op. 58: II. Andante Con Moto
recorded in:
London (Greater London), England, United Kingdom
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Emil Gilels (pianist) (from 1957-04-30 until 1957-05-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1957-04-30 until 1957-05-01)
conductor:
Leopold Ludwig (conductor) (from 1957-04-30 until 1957-05-01, in 1957-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-04-30 until 1957-05-01)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (from 1957-04-30 until 1957-05-01)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven5:29
7Piano Concerto no. 4 in G, op. 58: III. Rondo. Vivace
recorded in:
London (Greater London), England, United Kingdom
piano:
Emil Gilels (pianist) (in 1957-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1957-05)
conductor:
Leopold Ludwig (conductor) (in 1957-05)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (in 1957-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven9:51
2▶CD

Credits

Release

part of:Great Pianists of the 20th Century (Philips 1998) (number: 34) (order: 35)
ASIN:US: B00000DBU7 [info]