The Tales of Hoffmann

~ Release by Offenbach; Beverly Sills, Stuart Burrows, Norman Treigle, Susanne Marsee, Nico Castel, London Symphony Orchestra, Julius Rudel (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Les Contes d’Hoffmann: Act 1: Prélude
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Prélude (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach0:29
2Les Contes d’Hoffmann: Act 1: “Glou! glou! glou! glou!” with monologue by la Muse
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
spoken vocals [Muse]:
Thamilla Mesbah (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 1 Introduction « Glou, glou, glou ! Je suis la bière » (Chœur des esprits invisibles) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:46
3Les Contes d’Hoffmann: Act 1: Le conseiller Lindorf, morbleu!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Le conseiller Lindorf, morbleu ! » (Lindorf, Andrès) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach3:07
4Les Contes d’Hoffmann: Act 1: Dans les rôles d’amoureux langoureux
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 2 « Voyons, 'Pour Hoffmann', bon » … « Dans le rôle d’amoureux langoureux » … « Oui, chère prima donna » (Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:13
5Les Contes d’Hoffmann: Act 1: “Deux heures devant moi!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Deux heures devant moi ! » (Lindorf, Luther) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach1:00
6Les Contes d’Hoffmann: Act 1: “Drig, drig, drig, maître Luther”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08) and John Noble (baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 3 « L'entr'acte commence » … « Drig, drig, drig, maître Luther » (Nathanaël, Hermann, les étudiants, Luther) (Chœur des étudiants) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach2:28
7Les Contes d’Hoffmann: Act 1: “Vive Dieu! mes amis, la belle créature!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08) and John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). No 4 « Vive Dieu, mes amis, la belle créature ! » (Nathanaël, les étudiants, Hermann, Lindorf, Luther, Hoffmann, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:14
8Les Contes d’Hoffmann: Act 1: “Il était une fois à la cour d’Eisenach” (La légende de Kleinzach)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) (Va pour Kleinzach: La Chanson de Kleinzach) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach4:47
9Les Contes d’Hoffmann: Act 1: “Peuh! cette bière est détestable!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Peuh ! cette bière est détestable ! » (Hoffmann, Nathanaël, Hermann, Étudiants, Nicklausse, Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach3:35
10Les Contes d’Hoffmann: Act 1: Simple échange de politesses!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08) and John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte I (Prologue). « Simple échange de politesses ! » (Nicklausse, les étudiants, Hoffman, Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann : Acte I (Prologue)
Jacques Offenbach6:03
11Les Contes d’Hoffmann: Act 2: Entr’acte
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. Entr’acte (Menuet) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:24
12Les Contes d’Hoffmann: Act 2: Là! dors en paix
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Là ! dors en paix » (Spalanzani, Hoffmann, Cochenille) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:40
13Les Contes d’Hoffmann: Act 2: “Allons! Courage et confiance!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Allons ! courage et confiance » … « Ah ! vivre deux » (Hoffmann, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach3:30
14Les Contes d’Hoffmann: Act 2: Par Dieu! J’étais bien sur
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Par Dieu ! j'étais bien sûr de te trouver ici ! » ... « Une poupée aux yeux d'émail » (Nicklausse, Hoffmann) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:36
15Les Contes d’Hoffmann: Act 2: “C’est moi, Coppélius”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann : Acte II. No 7 Récit et trio « C’est moi, Coppélius » … « J’ai des yeux, de vrais yeux » (Coppélius, Nicklausse, Hoffmann) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:32
16Les Contes d’Hoffmann: Act 2: J’ai des yeux, de vrais yeux
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann : Acte II. No 7 Récit et trio « C’est moi, Coppélius » … « J’ai des yeux, de vrais yeux » (Coppélius, Nicklausse, Hoffmann) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:00
17Les Contes d’Hoffmann: Act 2: Hein! Vous?
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Tout est prêt! » … « Hein ! vous ! » (Spalanzani, Coppélius, Hoffmann, Cochenille) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:02
18Les Contes d’Hoffmann: Act 2: “Non, aucun hôte vraiment”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. No 8 Chœurs, scène et couplets « Non, aucun hôte vraiment » (Spalanzani, Nicklausse, Hoffmann, Cochenille, une voix de basse, Olympia, les invitès) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:15
19Les Contes d’Hoffmann: Act 2: “Les oiseaux dans la charmille”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) (Chanson d’Olympia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:09
20Les Contes d’Hoffmann: Act 2: “Ah! Mon ami, quel accent!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Ah ! mon ami ! quel accent ! » (Hoffmann, Nicklausse, Spalanzani, les invités, Olympia, Cochenille) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:18
21Les Contes d’Hoffmann: Act 2: “Ils se sont éloignés, enfin!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. No 9 Récit et romance « Ils se sont éloignés enfin » (Hoffmann, Olympia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach2:22
22Les Contes d’Hoffmann: Act 2: “Tu me fuis?”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. No 10 Finale « Tu me fuis ? qu'ai-je fait ? » (Hoffmann, Nicklausse, Coppélius) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach1:42
23Les Contes d’Hoffmann: Act 2: “Voici les valseurs!”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08), Nico Castel (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte II. « Voici les valseurs ! » (Spalanzani, Cochenille, Hoffmann, Olympia, Les invités, Nicklausse, Coppélius) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte II (Olympia)
Jacques Offenbach5:37
24Les Contes d’Hoffmann: Act 3: Barcarolle “Belle nuit, ô nuit d’amour”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:16
2▶Digital Media