Nº1 Anos 80 Super Pop

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Endless Road
registrazione di:
Endless Road
paroliere e compositore:
Alides Hidding
editore:
CBS Songs Holland B.V.
Time Bandits4:19
2Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird (former audio engineer) e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
sintetizzatore [Fairlight] :
Rhett Lawrence
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Artist Management Services Ltd. (nel 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987), Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987) e Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.153:50
3Lessons in Love
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
sassofono ospite :
Gary Barnacle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1986) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986)
registrazione di:
Lessons in Love
paroliere:
Boon Gould
autore:
Wally Badarou e Mark King (bass guitarist and vocalist)
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Level 423.63:55
4Big in Japan
registrazione di:
Big in Japan
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville3:50
5A Good Heart
registrazione di:
A Good Heart
paroliere e compositore:
Maria McKee
editore:
J. Albert & Son Pty. Ltd.
Feargal Sharkey4:20
6Everybody Wants to Rule the World
registrazione di:
Everybody Wants to Rule the World
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears4:00
7Is This Love
registrazione di:
Is This Love? (Song by Alison Moyet)
autore:
Alison Moyet e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Mega Music Ltd., Universal Music Publishing MGB Ltd. e Virgin Music (Publishers) Ltd.
Alison Moyet3:51
8Such a Shame
registrazione di:
Such a Shame
paroliere e compositore:
Mark Hollis
editore:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk4:09
9Voyage voyage
registrazione di:
Voyage, voyage
paroliere:
Jean‐Michel Rivat
autore e compositore:
Dominique Dubois e Jean‐Michel Rivat
editore:
Jean‐Michel Franck Rivat e Editions Rivat Music (publisher) (nel 1986)
Desireless2:59
10Maria Magdalena
produttore:
Michael Cretu (Romanian-born German musician, composer and record producer)
remixer:
Wolfgang Filz e Peter Ries
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (nel 1985, nel 1987)
registrazione di:
(I'll Never Be) Maria Magdalena
paroliere:
Hubert Kemmler (singer, songwriter, producer) e Richard Palmer‐James (guitarist and lyricist)
compositore:
Michael Cretu (Romanian-born German musician, composer and record producer), Hubert Kemmler (singer, songwriter, producer) e Markus Löhr
editore:
Data Alpha e Sony/ATV
Sandra43:52
11The Only Way Is Up
registrazione di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz3:53
12Enola Gay
tecnico:
Laurence Diana e Max Norman
produttore:
Mike Howlett e Orchestral Manoeuvres in the Dark
basso e sintetizzatore :
Andy McCluskey
batteria e percussione :
Malcolm Holmes (drummer)
tastiera e sintetizzatore :
Paul Humphreys (Orchestral Manoeuvres in the Dark)
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1980)
registrata presso:
Ridge Farm Studios in Dorking, Surrey, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Enola Gay
paroliere e compositore:
Andy McCluskey
editore:
Dinsong Music e Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:27
13I Won’t Let the Sun Go Down on Me
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
basso aggiunto:
Paul Westwood (bassist) (nel 1983)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1983) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Won’t Let the Sun Go Down on Me (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal e Rondor Music (London) Ltd.
Nik Kershaw3.53:14
14Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:37
15Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:22
16Never Ending Story
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:26
17Don’t Leave Me This Way
registrazione di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards4:26
18A Little Respect
registrazione di:
A Little Respect
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony/ATV Music Publishing
Erasure3:27
19Suedehead
registrazione di:
Suedehead
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Stephen Street (famous producer, songwriter)
Morrissey3:55
20Touch by TouchJoy3:44
21Amor Errante
Diva4:13
22Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:13
23Words
produttore:
Jean-Michel Gallois-Montbrun (Rolando Tambin) e Frédéric Leibovitz
arrangiatore:
Daniel Darras, F.R. David e Frédéric Leibovitz
diritti fonografici (℗) detenuti da:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (nel 1982)
registrazione di:
Words
paroliere:
Martin Kupersmith e Louis Sandy Yagura
autore:
Martin Kupersmith, Louis Sandy Yagura e Robert Fitoussi (French artist)
compositore:
Robert Fitoussi (French artist)
editore:
Fable Music e Warner Chappell
versione tradotta di:
Sen můj a Lízin
F.R. David4.43:26
24Bolero
Fancy5:11
25Red Red Wine
registrazione di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB402:57
26Solid
registrata a:
U.S.A.
produttore:
Nickolas Ashford e Valerie Simpson
diritti fonografici (℗) detenuti da:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
è stato produttore per:
Hopsack & Silk Productions Inc.
edit di:
Solid di Ashford & Simpson
registrazione di:
Solid
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:21
27Dolce vita
registrazione di:
Dolce vita
paroliere:
Paul Mazzolini
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Pianola Music (publisher) (nel 1983)
Ryan Paris3:46
28Don’t Go
produttore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) e Daniel Miller (British music producer and founder of Mute Records)
voce:
Alison Moyet
DJ mixer:
Armand van Helden
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
registrazione di:
Don’t Go
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Scandinavia KB
Yazoo4.352:53
29Heart of Glass
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie3:38
30Don’t Stop the Dance
registrazione di:
Don’t Stop the Dance
autore:
Rhett Davies e Bryan Ferry
editore:
BMG Music Publishing Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), E.G. Music Inc. (nel 1985), E.G. Music Ltd. (publisher) (nel 1985) e Virgin EG Records Ltd. (nel 1985)
Bryan Ferry4:21
31Should’t Have to Be Like That
tecnico:
Kaj Erixon
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrazione dal vivo di:
Shouldn’t Have to Be Like That
autore:
Rune Kristoffersen e Øyvind Kvalnes
editore:
Virgin Music (Publishers) Ltd.
registrazione di:
Shouldn’t Have to Be Like That
autore:
Rune Kristoffersen e Øyvind Kvalnes
editore:
Virgin Music (Publishers) Ltd.
Fra Lippo Lippi3:42
32Together in Electric Dreams
produttore:
Giorgio Moroder e Philip Oakey
tecnico di missaggio:
Brian Reeves
basso :
Arthur Barrow
chitarra :
Richie Zito
sintetizzatore :
Giorgio Moroder
voce di accompagnamento:
E.G. Daily (American singer and actress) e Joe Esposito
voce principale:
Philip Oakey
registrazione di:
Together in Electric Dreams
paroliere:
Philip Oakey
compositore:
Giorgio Moroder
editore:
BMG Gold Songs e WB Music Corp. (1929–2019)
Philip Oakey & Giorgio Moroder2.53:50
33Just Around the Corner
registrazione di:
Just Around the Corner
paroliere e compositore:
Peter Kingsbery
editore:
Edwin Ellis Music (publisher) e Nurk Twins Music (publisher)
Cock Robin4:15
34Shattered Dreams
produttore:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) e Mike Nocito
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987)
registrazione di:
Shattered Dreams
paroliere e compositore:
Clark Datchler
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sweet Oily Music
Johnny Hates Jazz4.53:16
35Flesh for Fantasy
registrazione di:
Flesh for Fantasy
autore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
editore:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music e Sitting Pretty Music
versione tradotta di:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol3:42
36Planet Earth
registrazione di:
Planet Earth
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs e EMI Songs Australia Pty. Ltd.
Duran Duran3:51
37Dancing With Tears in My Eyes
tecnico:
Rik Walton
produttore:
Ultravox
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) (il 1984-03-19)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1984, nel 2025)
registrata presso:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Regno Unito (il 1983-08-08)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (il 1984-03-19)
video musicali:
Dancing With Tears in My Eyes di Ultravox
registrazione di:
Dancing With Tears in My Eyes (il 1983-08-08)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:04
38Walking on Sunshine
registrazione di:
Walking on Sunshine
paroliere:
Kimberley Rew (nel 1983)
compositore:
Kimberley Rew
editore:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves2:47
39I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:15
40What a Feeling
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3:50
41If Only I CouldSydney Youngblood3:19
42A vida num só dia
Rádio Macau5:18