Classic for Kids

~ Release by Mozart, Schumann, Debussy, Tchaikovsky (see all versions of this release, 1 available)

Annotation

SPARS: DDD/ADD

Annotation last modified on 2023-11-15 18:28 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▶CD
10▼CD
#TitleArtistRatingLength
1O Fortuna
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:31
2Fortune plango vulnera
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44
3Veris leta facies
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:02
4Omnia sol temperat
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff1:59
5Ecce gratum
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:28
6Tanz
producer:
Oliver Davis and Matthew Dilley
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:44
7Floret silva
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:26
8Chramer, gip die varwe mir
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:43
9Reie - Swaz Hie Gat Umbe - Chume, Chum Geselle Min - Swaz hie gat umbe
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff5:15
10Were diu werlt alle min
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:54
11Estuans interius
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:25
12Olim lacus colueram
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo tenor vocals:
John Graham Hall (tenor) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:23
13Ego sum abbas
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:45
14In taberna quando sumus
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:02
15Amor volat undique
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
partial recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:38
16Dies, nox et omnia
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
partial recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
17Stetit puella
producer:
Oliver Davis and Matthew Dilley
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:55
18Circa mea pectora
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:12
19Si puer cum puellula
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:55
20Veni, veni, venias
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:59
21In trutina
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:14
22Tempus est iocundum
producer:
Oliver Davis and Matthew Dilley
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
23Dulcissime
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Boys of the Temple Church Choir, London (from 1995-10 until 1997-07) and Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
solo baritone vocals:
Peter Sidhom (baritone) (from 1995-10 until 1997-07)
solo soprano vocals:
Ann Archibald (classical soprano) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:41
24Ave formossima
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff1:59
25O Fortuna
producer:
Oliver Davis and Matthew Dilley
choir vocals:
Royal Choral Society (The Royal Choral Society) (from 1995-10 until 1997-07)
orchestra:
Royal Philharmonic Orchestra (from 1995-10 until 1997-07)
conductor:
Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1995-10 until 1997-07)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:33

Credits

Release

manufactured by and distributed by:Membran Music Ltd.
artwork:Membran A&R Development GmbH
ASIN:DE: B001FJ5DZM [info]