The Best Jazz... Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Let There Be Love (feat. George Shearing)
Bratsche / Viola:
Joseph DiFiore (am 1961-12-20), Alvin Dinkin (am 1961-12-20), Allan Harshman (violist) (am 1961-12-20) und Paul Robyn (am 1961-12-20)
Cello:
Hyman Gold (cellist) (am 1961-12-20), Armand Kaproff (am 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (am 1961-12-20) und William Vandenburg (Session Musician/Cello) (am 1961-12-20)
Geige / Violine:
Victor Arno (am 1961-12-20), Emil Briano (Violinist) (am 1961-12-20), Jacques Gasselin (am 1961-12-20), James Getzoff (American concertmaster and violinist) (am 1961-12-20), Joseph Livoti (violinist) (am 1961-12-20), Dan Lube (am 1961-12-20), Erno Neufeld (am 1961-12-20), Isadore Roman (violin) (am 1961-12-20), Mischa Russell (violinist) (am 1961-12-20), Felix Slatkin (am 1961-12-20), Joseph Stepansky (am 1961-12-20) und Gerald Vinci (American violinist and strings conductor) (am 1961-12-20)
Gitarre:
Al Hendrickson (am 1961-12-20)
Klavier:
George Shearing (British jazz pianist) (am 1961-12-20)
Kontrabass:
Al McKibbon (double bassist) (am 1961-12-20)
Kontrabass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1961-12-20)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1961-12-20)
Vibraphon:
Emil Richards (am 1961-12-20)
vocals:
Nat King Cole (am 1961-12-20)
conductor:
Ralph Carmichael (am 1961-12-20)
arranger:
Ralph Carmichael
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-12-20)
cover recording of:
Let There Be Love (am 1961-12-20)
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole1.22:45
2I Get a Kick Out of You
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I Get a Kick Out of You (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Ella Fitzgerald3.654:01
3Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:48
4Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:19
5Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:55
6That Ole Devil Called Love
alto saxophone:
Jack Cressey (am 1944-11-08) und Hymie Shertzer (am 1944-11-08)
Gitarre:
Carl Kress (am 1944-11-08)
Klavier:
Dave Bowman (jazz pianist) (am 1944-11-08)
Kontrabass:
Haig Stephens (am 1944-11-08)
Schlagzeug:
George Wettling (am 1944-11-08)
Tenorsaxophon:
Larry Binyon (am 1944-11-08) und Dave Harris (tenor saxo) (am 1944-11-08)
Trompete:
Russ Case (US trumpeter & bandleader) (am 1944-11-08)
vocals:
Billie Holiday (am 1944-11-08)
recording of:
That Ole Devil Called Love (am 1944-11-08)
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:55
7Take the "A" Train
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1956)
recording of:
Take the “A” Train (original instrumental version)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington & His Orchestra2:55
8Minnie the Moocher
alto saxophone:
Hilton Jefferson (am 1942-02-02)
Gitarre:
Danny Barker (am 1942-02-02)
Klavier:
Benny Payne (jazz pianist and vocalist) (am 1942-02-02)
Kontrabass:
Milt Hinton (am 1942-02-02)
Posaune:
Quentin Jackson (am 1942-02-02) und Keg Johnson (jazz trombonist) (am 1942-02-02)
Rohrblattinstrumente:
Jerry Blake (am 1942-02-02)
Saxophon:
Andrew Brown (jazz saxophonist) (am 1942-02-02)
Schlagzeug:
Cozy Cole (am 1942-02-02)
Tenorsaxophon:
Teddy McRae (am 1942-02-02) und Walter "Foots" Thomas (am 1942-02-02)
Trompete:
Shad Collins (am 1942-02-02), Jonah Jones (am 1942-02-02), Russell Smith (US jazz trumpeter) (am 1942-02-02) und Lammar Wright (am 1942-02-02)
vocals:
Cab Calloway (am 1942-02-02)
recording of:
Minnie the Moocher (am 1942-02-02)
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
Cab Calloway53:16
9Five Guys Named Moe
recording of:
Five Guys Named Moe
Verfasser(in):
Jerome Jerry Bresler und Larry Wynn
Louis Jordan3:04
10Hello Dolly
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
Louis Armstrong42:26
11Ain't Misbehavin'
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Fats Waller3:04
12Relax
Leon Redbone2:27
13Summertime
vocals:
Sarah Vaughan (am 1949-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-12-21)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:13
14Misty
Erroll Garner2:50
15A Foggy Day
Barney Kessel3:10
16Night and Day
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1953-03, am 1953-03-10)
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1953-03, am 1953-03-10)
Kontrabass:
Pierre Michelot (in 1953-03, am 1953-03-10)
Schlagzeug:
Jean‐Louis Viale (French jazz drummer 1933-1984) (in 1953-03, am 1953-03-10)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1953-03-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Django Reinhardt2:52
17Let’s Get Lost
Bass:
Carson Smith (am 1955-03-07)
Klavier:
Russ Freeman (pianist) (am 1955-03-07)
Schlagzeug:
Bob Neel (am 1955-03-07)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1955-03-07)
phonographisches Urheberrecht (℗) von:
Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-07)
recording of:
Let’s Get Lost (am 1955-03-07)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony (ASCAP)
Chet Baker13:44
18I Wish I Knew (How It Would Feel to Be Free)
phonographisches Urheberrecht (℗) von:
Blue Note (in 1964)
recording of:
I Wish I Knew How It Would Feel to Be Free
Verfasser(in):
Billy Taylor (jazz/bop pianist) und Richard Lamb
publisher:
Duane Music Inc. und Westminster Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Billy Taylor Trio3:42
19The Kid From Red Bank
arranger:
Neal Hefti
recording of:
The Kid From Red Bank
Komponist(in) und arranger:
Neal Hefti
Count Basie2:40
20Take Five
recorded in:
New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording engineer:
Fred Plaut
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Klavier:
Dave Brubeck (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Kontrabass:
Eugene Wright (bass) (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
Schlagzeug:
Joe Morello (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
phonographisches Urheberrecht (℗) von:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) und TP4 Music (in 2017)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1959-07-01, von 1959-08-18 bis 1959-08-19)
recording of:
Take Five (original instrumental version) (am 1959-07-01)
Komponist(in):
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dave Brubeck4.355:23
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