The Ramones Heard Them Here First

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Let’s Dance
recording of:
Let’s Dance
Texter und Komponist(in):
Jim Lee (“Let’s Dance” writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez?:??
2California Sun
cover recording of:
California Sun
Verfasser(in):
Henry Glover und Morris Levy
publisher:
Nom Music, Inc.
The Rivieras?:??
3Surfin’ Bird
recording of:
Surfin’ Bird
Verfasser(in):
Al Frazier, Sonny Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) und Turner Wilson (1960s doo wop)
publisher:
Beechwood Music Corp.
Medley von:
Papa‐Oom‐Mow‐Mow
Medley von:
The Bird’s the Word
The Trashmen?:??
4Do You Wanna Dance?
Techniker(in):
Chuck Britz
Sologesang:
Dennis Wilson (Beach Boys) (am 1965-01-11)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-11)
cover recording of:
Do You Want to Dance (am 1965-01-11)
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. und Sherwin Music (publisher)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. und Sherwin Music (publisher)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
The Beach Boys3.5?:??
5Needles & Pins
phonographisches Urheberrecht (℗) von:
Pye International (in 1964)
cover recording of:
Needles and Pins
Texter:
Sonny Bono
Komponist(in):
Sonny Bono und Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. und Metric Music
The Searchers4?:??
6Come On, Let’s Go
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
recording of:
Come On, Let’s Go
Texter und Komponist(in):
Ritchie Valens
publisher:
Tro-Essex Music Ltd.
Ritchie Valens4.25?:??
7Baby, I Love You
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
arranger:
Jack Nitzsche (American musician and score composer)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1963-11)
recording of:
Baby, I Love You (in 1963-11)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company und Universal–Songs of PolyGram International, Inc.
The Ronettes4?:??
8I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher4?:??
9Little Bit o’ Soul
Produzent(in):
Jerry Kasenetz und Jeff Katz (music producer)
recording of:
Little Bit o’ Soul
Texter und Komponist(in):
Carter-Lewis (British songwriter duo)
Verfasser(in):
John Carter (songwriter & producer, b. 1942) (in 1964) und Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (in 1964)
The Music Explosion3?:??
10Time Has Come Today
Produzent(in):
David Rubinson
Interpret(in):
The Chambers Brothers
phonographisches Urheberrecht (℗) von:
IDOL (Independent Distribution On Line) (in 2013)
Bearbeitung von:
Time Has Come Today (original unedited studio mix) von The Chambers Brothers
recording of:
Time Has Come Today (am 1967-08-09)
Verfasser(in):
Joseph Chambers (The Chambers Brothers) und Willie Chambers
The Chambers Brothers4?:??
11Indian Giver
recording of:
Indian Giver
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell und Bo Gentry
publisher:
Kahoona Tunes und Kaskat Music Inc.
1910 Fruitgum Co.?:??
12Surf City
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 32)
recording of:
Surf City
Verfasser(in):
Jan Berry und Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jan & Dean3?:??
13I Can’t Control Myself
recording of:
I Can’t Control Myself
Texter und Komponist(in):
Reg Presley
The Troggs?:??
14My Back Pages
Produzent(in):
Gary Usher
Solo-Gitarre:
Roger McGuinn (am 1966-12-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967)
cover recording of:
My Back Pages (am 1966-12-05)
Texter und Komponist(in):
Bob Dylan (in 1964)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds3.5?:??
15Surfin’ Safari
recording of:
Surfin’ Safari
Verfasser(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Guild Music Company
The Beach Boys?:??
16I Can’t Seem to Make You Mine
recording of:
Can’t Seem to Make You Mine
Texter und Komponist(in):
Sky Saxon
publisher:
Marada Music Ltd.
The Seeds?:??
17Shape of Things to Come
recording of:
Shape of Things to Come
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Max Frost & the Troopers5?:??
18Journey to the Center of the Mind
recording of:
Journey to the Center of the Mind
Verfasser(in):
Steve Farmer und Ted Nugent
The Amboy Dukes5?:??
19Somebody to Love
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Licensemusic.com ApS (vom 2007 bis heute)
aufgenommen bei:
Winterland Ballroom in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1972-09-22)
live recording of:
Somebody to Love (Jefferson Airplane song) (am 1972-09-22)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane?:??
207 and 7 Is
recording of:
7 and 7 Is
Texter und Komponist(in):
Arthur Lee
publisher:
Carlin Music Corporation, Grass Root Productions, Grassroots Music Production und Trio Music Co., Inc.
sub-publisher:
Trio Music Co. Ltd. und フジパシフィックミュージック (Fujipacific Music, Inc.)
Love5?:??
21I Don’t Wanna Grow Up
recording engineer und Mix:
Biff Dawes
Techniker(in):
Shawn Michael Morris
Produzent(in):
Tom Waits
Gitarre:
Tom Waits
Kontrabass:
Larry Taylor (US bassist)
Perkussion [sticks]:
Kathleen Brennan
vocals:
Tom Waits
aufgenommen bei:
Prairie Sun Recording Studios in Cotati, California (Kalifornien), Vereinigte Staaten
Musikvideos:
I Don't Wanna Grow Up (music video) von Tom Waits
recording of:
I Don’t Wanna Grow Up
Verfasser(in):
Kathleen Brennan und Tom Waits
Tom Waits5?:??
22R.A.M.O.N.E.S.
Techniker(in):
Casey McMackin (in 1990)
Produzent(in) und Mix:
Peter Solley (English pianist, songwriter and producer) (in 1990)
E-Bass und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1990)
E-Gitarre:
Wizzö (Welsh metal guitarist for Motörhead & Persian Risk) (in 1990) und Würzel (Motörhead guitarist) (in 1990)
Schlagzeug:
Phil “Philthy Animal” Taylor (former Motörhead drummer) (in 1990)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1990)
recording of:
R.A.M.O.N.E.S. (in 1990)
Verfasser(in):
Phil Campbell (Welsh metal guitarist for Motörhead & Persian Risk), Ian Fraser Kilmister (“Lemmy” from Motörhead), Michael Burston (Motörhead guitarist) und Phil Taylor (former Motörhead drummer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Motörhead3.65?:??
231969
Produzent(in):
John Cale (The Velvet Underground founder)
Bassgitarre:
Dave Alexander (bassist for The Stooges)
E-Gitarre:
Ron Asheton
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Stooge
recording of:
1969
Verfasser(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und Iggy Pop
The Stooges4.25?:??
24What a Wonderful World
recorded in:
New York, New York, Vereinigte Staaten (am 1970-05-26)
Produzent(in):
Bob Thiele (producer & songwriter)
Bratsche / Viola:
Julien Barber (am 1970-05-26), Alfred Brown (viola) (am 1970-05-26), David Schwartz (violist) (am 1970-05-26) und Emanuel Vardi (am 1970-05-26)
Cello:
Charles McCracken (cellist) (am 1970-05-26), Kermit Moore (am 1970-05-26) und George Ricci (am 1970-05-26)
E-Bass:
John Williams Jr. (bass) (am 1970-05-26)
flute:
James Spaulding (jazz) (am 1970-05-26)
Geige / Violine:
Arnold Black (am 1970-05-26), Winston Collymore (am 1970-05-26), Paul Gershman (am 1970-05-26), Harry Lookofsky (am 1970-05-26), Joe Malin (am 1970-05-26), Manny Green (am 1970-05-26), Gene Orloff (am 1970-05-26), Max Pollikoff (am 1970-05-26) und Selwart Richard Clarke (am 1970-05-26)
Gitarre:
Sam Brown (jazz guitarist) (am 1970-05-26) und Kenny Burrell (am 1970-05-26)
Instrumente:
Allan Schulman (cellist and composer) (am 1970-05-26)
Klavier:
Frank Owens (American pianist) (am 1970-05-26)
Kontrabass:
Richard Davis (American jazz bassist) (am 1970-05-26) und George Duvivier (am 1970-05-26)
Schlagzeug:
Bernard “Pretty” Purdie (am 1970-05-26)
vocals:
Louis Armstrong (am 1970-05-26)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1970-05-26)
arranger:
Oliver Nelson (saxophone, arranger, composer)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970)
recording of:
What a Wonderful World (am 1970-05-26)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong?:??

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Veröffentlichungsgruppe

Teil von:Heard Them Here First! (Reihenfolge: 3)