25 Super Oldies, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Tentative metadata, derived from others in the series (no info on the web):

Title: 25 Super Oldies, Vol. 1: 60 Minutes of Music from the 50's ▪ 60's

Label: Point Productions - Cat#: 2620852 - Barcode: 027726208527 - Format: CD

Anmerkung zuletzt geändert am 2016-01-09 15:22 UTC.

Titelliste

1▼Medium
Nr.TitelKünstlerBewertungLänge
1Only the Lonely
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1960-03-26)
Produzent(in):
Fred Foster
Gitarre:
Hank Garland (am 1960-03-26) und Harold Bradley (am 1960-03-26)
Klavier:
Floyd Cramer (am 1960-03-26)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1960-03-26)
Schlagzeug [drums]:
Buddy Harman (Session drummer and songwriter) (am 1960-03-26)
Hintergrundgesang:
Joe Melson (am 1960-03-26) und The Anita Kerr Singers (mixed vocal group) (am 1960-03-26)
vocals:
Roy Orbison (am 1960-03-26)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 2) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (am 1960-03-26)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:29
2Diana
vocals:
Paul Anka (Canadian singer, songwriter and actor)
conductor:
Don Costa (US pop music arranger & producer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 26)
recording of:
Diana (am 1957-05-20)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Pamco Music Inc. (beendet), Epa Publishing, Robert Mellin Music Publishing Corp. und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:20
3Sweet Little Sixteen
Gitarre und Sologesang:
Chuck Berry (in 1957-12)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (in 1957-12)
Kontrabass:
Willie Dixon (in 1957-12)
Schlagzeug:
Jasper Thomas (in 1957-12)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (in 1957-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 272)
recording of:
Sweet Little Sixteen (in 1957-12)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry0.13:11
4Friendly Persuasion
Pat Boone3:05
5Twenty‐Four Hours From Tulsa
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 36)
recording of:
Twenty Four Hours From Tulsa
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.53:00
6Mama Said
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 17)
recording of:
Mama Said (in 1961)
Komponist(in):
Willie Denson und Luther Dixon
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles52:03
7You Send Me
Produzent(in):
Robert “Bumps” Blackwell
Bass:
Ted Brinson (am 1957-06-01)
Gitarre:
Clifton White (am 1957-06-01) und René Hall (am 1957-06-01)
Schlagzeug:
Earl Palmer (am 1957-06-01)
Hintergrundgesang:
Charles Parlato, Alicia Adams (singer) (am 1957-06-01), Sue Allen (am 1957-06-01) und Lee Gotch (am 1957-06-01)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”) (am 1957-06-01)
Orchester:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (am 1957-06-01)
conductor:
Glenn Osser (am 1957-06-01)
phonographisches Urheberrecht (℗) von:
Keen (in 1958)
aufgenommen bei:
Specialty Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 115)
recording of:
You Send Me (am 1957-06-01)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Sam Cooke42:47
8Kansas City
cover recording of:
Kansas City (aka “K.C. Loving”)
Texter:
Jerry Leiber (in 1952)
Verfasser(in):
J.Leiber, M.Stoller (songwriting team)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
Wilbert Harrison2:30
9But I Do
Clarence “Frogman” Henry2:20
10Mother‐in‐Law
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1961)
recording of:
Mother‐in‐Law
Texter und Komponist(in):
Allen Toussaint
publisher:
EMI Unart Catalog Inc. und J. Albert & Son Pty. Ltd.
Ernie K‐Doe32:37
11Ten Commandments of Love
The Moonglows3:41
12Blue Suede Shoes
Gitarre:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12) und Jay Perkins (in 1955-12)
Kontrabass:
Clayton Perkins (in 1955-12)
Schlagzeug:
W.S. Holland (in 1955-12)
vocals:
Carl Perkins (American pioneer of rockabilly music) (in 1955-12)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1955, vom 1956 bis heute)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 95)
recording of:
Blue Suede Shoes (in 1955-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
13Keep Searchin’
recording of:
Keep Searching (We’ll Follow the Sun)
Texter und Komponist(in):
Del Shannon
Del Shannon2:11
14I Walk the Line
Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1956-04-02)
E-Gitarre:
Luther Perkins (am 1956-04-02)
Kontrabass:
Marshall Grant (am 1956-04-02)
phonographisches Urheberrecht (℗) von:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1956) und Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-04-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 76)
recording of:
I Walk the Line (am 1956-04-02)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:46
15Happy Birthday Baby
The Tune Weavers2:17
16Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:53
17Mona Lisa
cover recording of:
Mona Lisa
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
Carl Mann2:31
18Duke of Earl
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 4)
recording of:
Duke of Earl
Verfasser(in):
Earl Edwards (soul singer-songwriter), Eugene Dixon und Bernice Williams (songwriter)
publisher:
Conrad Music (publisher; do NOT use as release label)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Gene Chandler52:20
19I Like It Like That
Chris Kenner1:58
20In Dreams
recording of:
In Dreams
Texter und Komponist(in):
Roy Orbison
publisher:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1963-02-13)
Roy Orbison2:50
21Susie Q
Bass:
Sonny Trammell (in 1957)
Gitarre:
James Burton (guitarist) (in 1957) und Dale Hawkins (in 1957)
Schlagzeug:
Ronnie Lewis (drummer) (in 1957)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 24) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 73)
recording of:
Susie Q (in 1957)
Texter und Komponist(in):
Dale Hawkins
zusätzliche(r) Komponist(in):
Eleanor Broadwater und Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PeerMusic AB
Dale Hawkins32:17
22Wonderful Time Up There
cover recording of:
Everybody’s Gonna Have a Wonderful Time Up There (Gospel Boogie) (von 1957-08-15 bis 1957-09-29)
Texter:
Lee Roy Abernathy
Komponist(in):
Lee Roy Abernathy (in 1947)
Pat Boone2:04
23Lonely Boy
recorded in:
New York, New York, Vereinigte Staaten
Produzent(in):
Joe Sherman
conductor:
Joe Sherman
arranger:
Joe Sherman
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1962)
recording of:
Lonely Boy
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Epa Publishing
Paul Anka2:25
24Any Day Now
recording of:
Any Day Now
Texter:
Bob Hilliard
Komponist(in):
Burt Bacharach
publisher:
Anne-Rachel Music Corp., Bourne Music Co., Hee Bee Dooinit Music, Plan Two Music Inc. und WB Music Corp. (1929–2019)
Chuck Jackson3:25
25Johnny B. Goode
recording of:
Johnny B. Goode
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry3:11