German Baroque Sacred Music: Christmas

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

A 7-CD compilation of German Baroque Christmas music recorded between 1982 and 2010.

Annotation last modified on 2020-12-04 23:58 UTC.

Tracklist

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1“Jauchzet dem Herrn” (Motette)
bass violin:
Hervé Douchy (Belgian cellist) (in 2006)
bassoon:
Alain De Rijckere (Belgian bassoonist) (in 2006)
instruments:
Les Agrémens (Belgian instrumental baroque ensemble) (from 2006-10-12 until 2006-10-15)
organ:
David Van Bouwel (Belgian classical organist & harpsichordist, sound designer) (in 2006)
theorbo:
Juan Sebastian Lima (in 2006)
viola:
Marc Claes (Belgian viola player) (in 2006) and Marie Haag (Belgian violin & viola player) (in 2006)
violin:
Katharina Heutjer (in 2006) and Flavio Losco (in 2006)
violone:
Miriam Shalinsky (double bass and viol player) (in 2006)
alto vocals:
Vinciane Soille (alto) (in 2006)
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist) (in 2006), Philippe Favette (Belgian bass-baritone vocalist) (in 2006) and Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2006)
choir vocals:
Chœur de Chambre de Namur (Belgian choir) (from 2006-10-12 until 2006-10-15)
countertenor vocals:
Paulin Bündgen (in 2006) and Arnaud Raffarin (countertenor) (in 2006)
mezzo-soprano vocals:
Helen Cassano (UK born, Belgium based mezzo-soprano & choral conductor) (in 2006)
soprano vocals:
Aurore Bucher (French operatic soprano) (in 2006) and Claire Leffiliâtre (French soprano) (in 2006)
tenor vocals:
Frédéric Bourdin (tenor) (in 2006), Philippe Froeliger (French tenor) (in 2006) and Vincent Lesage (Belgian tenor vocalist & violinist) (in 2006)
conductor:
Jean Tubéry (French conductor & cornett player) (from 2006-10-12 until 2006-10-15)
recorded at:
Église Saint-Apollinaire (Bolland, Belgium) in Herve, Liège (Province of Liège), Wallonie (Wallonia), Belgium (from 2006-10-12 until 2006-10-15)
recording of:
Jauchzet dem Herrn, P. 213, T. 356 (Psalm no. 100) (in 2006)
composer:
Johann Pachelbel (composer)
part of:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (number: P. 213) and Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (number: T. 356)
Johann Pachelbel5:58
2“Jauchzet dem Herrn” (Kantate)
bass violin:
Hervé Douchy (Belgian cellist) (in 2006)
bassoon:
Alain De Rijckere (Belgian bassoonist) (in 2006)
instruments:
Les Agrémens (Belgian instrumental baroque ensemble) (from 2006-10-12 until 2006-10-15)
organ:
David Van Bouwel (Belgian classical organist & harpsichordist, sound designer) (in 2006)
theorbo:
Juan Sebastian Lima (in 2006)
viola:
Marc Claes (Belgian viola player) (in 2006) and Marie Haag (Belgian violin & viola player) (in 2006)
violin:
Katharina Heutjer (in 2006) and Flavio Losco (in 2006)
violone:
Miriam Shalinsky (double bass and viol player) (in 2006)
alto vocals:
Vinciane Soille (alto) (in 2006)
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist) (in 2006), Philippe Favette (Belgian bass-baritone vocalist) (in 2006) and Lionel Meunier (Franco-Belgian recorder player & bass vocalist) (in 2006)
choir vocals:
Chœur de Chambre de Namur (Belgian choir) (from 2006-10-12 until 2006-10-15)
countertenor vocals:
Paulin Bündgen (in 2006) and Arnaud Raffarin (countertenor) (in 2006)
mezzo-soprano vocals:
Helen Cassano (UK born, Belgium based mezzo-soprano & choral conductor) (in 2006)
soprano vocals:
Aurore Bucher (French operatic soprano) (in 2006) and Claire Leffiliâtre (French soprano) (in 2006)
tenor vocals:
Frédéric Bourdin (tenor) (in 2006), Philippe Froeliger (French tenor) (in 2006) and Vincent Lesage (Belgian tenor vocalist & violinist) (in 2006)
conductor:
Jean Tubéry (French conductor & cornett player) (from 2006-10-12 until 2006-10-15)
recorded at:
Église Saint-Apollinaire (Bolland, Belgium) in Herve, Liège (Province of Liège), Wallonie (Wallonia), Belgium (from 2006-10-12 until 2006-10-15)
recording of:
Jauchzet dem Herrn (unknown cantatas, either P. 215 or P. 216?) (in 2006)
composer:
Johann Pachelbel (composer)
Johann Pachelbel15:32
3“Ich freue mich in dir”, BWV 133: Coro: “Ich freue mich in dir”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
countertenor vocals [alto]:
Paulin Bündgen
soprano vocals:
Aurore Bucher (French operatic soprano)
tenor vocals:
Hennig Kaiser (tenor)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:07
4“Ich freue mich in dir”, BWV 133: Aria: “Getrost es faßt ein heilger Leib”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo countertenor vocals [alto]:
Paulin Bündgen
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:24
5“Ich freue mich in dir”, BWV 133: Recitativo: “Ein Adam mag sich voller Schrecken”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo tenor vocals:
Hennig Kaiser (tenor)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:02
6“Ich freue mich in dir”, BWV 133: Aria: “Wie lieblich klingt es in die Ohren”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo soprano vocals:
Aurore Bucher (French operatic soprano)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:54
7“Ich freue mich in dir”, BWV 133: Recitativo: “Wolhan, des Todes Furcht und Schmerz”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:51
8“Ich freue mich in dir”, BWV 133: Choral: “Wolhan, so will ich mich an dich”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
countertenor vocals [alto]:
Paulin Bündgen
soprano vocals:
Aurore Bucher (French operatic soprano)
tenor vocals:
Hennig Kaiser (tenor)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich"
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:02
9“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Coro: “Sehet, welch eine Liebe”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaïova
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
countertenor vocals [alto]:
Paulin Bündgen
soprano vocals:
Caroline Weynants (Belgian soprano)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:34
10“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Choral: “Das hat alles uns getan”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaïova
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
countertenor vocals [alto]:
Paulin Bündgen
soprano vocals:
Caroline Weynants (Belgian soprano)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan"
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:41
11“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Recitativo: “Geh, Welt! behalte nur das Deine”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo countertenor vocals [alto]:
Paulin Bündgen
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:33
12“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Choral: “Was fragt ich nach der Welt”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaïova
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
countertenor vocals [alto]:
Paulin Bündgen
soprano vocals:
Caroline Weynants (Belgian soprano)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt"
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:52
13“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Aria: “Was die Welt in sich hält”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo soprano vocals:
Caroline Weynants (Belgian soprano)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:11
14“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Recitativo: “Der Himmel bleibet mir gewiß”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:08
15“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Aria: “Von der Welt verland ich nichts”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaiová
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:36
16“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: Choral: “Gute Nacht, o Wesen”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaïova
bass vocals:
Étienne Debaisieux (Belgian organ builder & classical bass vocalist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
countertenor vocals [alto]:
Paulin Bündgen
soprano vocals:
Caroline Weynants (Belgian soprano)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen"
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:12
17“Christum wir collen loben schon”, BWV 121: Coro: “Christum wir sollen loben schon”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaiová
bass vocals:
Benoît Giaux (Belgian bass vocalist, pianist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
soprano vocals:
Cécile Côte (soprano)
tenor vocals:
Hennig Kaiser (tenor)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:49
18“Christum wir collen loben schon”, BWV 121: Aria: “O du von Gott erhöhte Kreatur”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo tenor vocals:
Hennig Kaiser (tenor)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:13
19“Christum wir collen loben schon”, BWV 121: Recitativo: “Der Gnade unermeßflich's Wesen”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaiová
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:04
20“Christum wir collen loben schon”, BWV 121: Aria: “Johannis freudenvolles Springen”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo bass vocals:
Benoît Giaux (Belgian bass vocalist, pianist)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach7:50
21“Christum wir collen loben schon”, BWV 121: Recitativo: “Doch wie erblickt es dich in deiner Krippe”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
solo soprano vocals:
Cécile Côte (soprano)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:55
22“Christum wir collen loben schon”, BWV 121: Choral: “Lob, Ehr und Dank sei gasagt”
instruments:
Les Agrémens (Belgian instrumental baroque ensemble)
alto vocals:
Petra Noskaiová
bass vocals:
Benoît Giaux (Belgian bass vocalist, pianist)
choir vocals:
Chœur de Chambre de Namur (Belgian choir)
soprano vocals:
Cécile Côte (soprano)
tenor vocals:
Hennig Kaiser (tenor)
conductor:
Jean Tubéry (French conductor & cornett player)
recorded at:
Église Saint-Loup (Namur) in Namur, Namur, Wallonie (Wallonia), Belgium (from 2006-12-02 until 2006-12-04)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt"
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:06
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7▶CD