Cello Romance

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Swan
cello:
Janis Laurs (Australian cellist)
piano:
Anna Goldsworthy (Australian pianist) and Mark Kruger (Australian pianist)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:54
2Variations on a Rococo Theme: Variation 6
cello:
Li-Wei Qin (cellist)
orchestra:
Melbourne Symphony Orchestra
conductor:
David Stanhope (Australian composer, conductor and virtuoso pianist)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VI. Andante (standard Fitzenhagen version)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Pyotr Ilyich Tchaikovsky2:31
3Cello Concerto No. 1: II. Adagio
cello:
Sally Maer (English/Australian cellist)
orchestra:
Sinfonia Australis
conductor:
William Motzing (conductor, composer, trombonist)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn7:25
4Cantilena from Bachianas brasileiras No. 5
cello:
Sally Maer (English/Australian cellist)
orchestra:
Sinfonia Australis
conductor:
William Motzing (conductor, composer, trombonist)
instrumental recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos2:39
5Spiegel im Spiegel
cello:
Sally Maer (English/Australian cellist)
piano:
Sally Whitwell (Australian pianist)
recording of:
Spiegel im Spiegel (for cello and piano)
composer:
Arvo Pärt (Estonian composer) (in 1978)
arrangement of:
Spiegel im Spiegel (for violin and piano)
Arvo Pärt9:19
6Lascia ch'io pianga from Rinaldo
cello:
Sally Maer (English/Australian cellist)
harp:
Genevieve Lang (Australian harpist)
arranger:
Genevieve Lang (Australian harpist) and Sally Maer (English/Australian cellist)
instrumental recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel3:48
7Cello Concerto in E minor, op. 85: I. Adagio moderato
cello and solo cello:
Li-Wei Qin (cellist)
orchestra:
Adelaide Symphony Orchestra
conductor:
Nicholas Braithwaite (conductor)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar8:26
8Promenade à l'automne
cello:
Louise King (English/Australian ’cellist)
harp:
Janice Preece (Australian harpist)
recording of:
Promenade à l’automne
composer:
Marcel Tournier (French harpist, composer & teacher)
Marcel Tournier2:11
9Cello Suite No. 2: I. Prelude
cello:
Michael Goldschlager (cellist)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: I. Prélude (Cello Suite No. 2 in D minor, BWV 1008: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
Johann Sebastian Bach4:08
10Unst Bridal March
cello:
Julian Thompson (Australian cellist)
piano:
Catherine Strutt (pianist)
recording of:
Unst Bridal March
composer:
[traditional] (special purpose artist)
[traditional]3:51
11Cello Sonata in D minor, Op. 50 No. 4: I. Andante
cello:
Suzanne Wijsman (cellist) and Noeleen Wright (cellist)
recording of:
Sonata in D minor, op. 50 no. 4: I. Andante
composer:
Joseph Bodin de Boismortier (French baroque composer, 1689-1755)
part of:
Sonata in D minor, op. 50 no. 4
Joseph Bodin de Boismortier3:54
12Aria: ‘Par che mi nasca in seno’ (excerpt)
cello:
Daniel Yeadon (cello and viol player)
organ:
Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist)
recorder:
Genevieve Lacey
partial instrumental recording of:
Tamerlano, HWV 18: Atto II, no. 31. "Par che mi nasca in seno"
composer:
George Frideric Handel (German‐British baroque composer) (in 1724-07)
part of:
Tamerlano, HWV 18: Atto II
Georg Friedrich Händel3:41
13I Will Give My Love an Apple
engineer:
Allan Maclean (engineer/editor) (in 1998-06)
cello:
Anthea Cottee (cellist) (in 1998-06)
harpsichord:
Paul Dyer (conductor) (in 1998-06)
recorded at:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (in 1998-06)
instrumental recording of:
I Will Give My Love an Apple (in 1998-06)
composer:
[anonymous] (special purpose artist)
[anonymous]1:58
14Sinfonia (Arioso) from Cantata BWV156
cello:
Sally Maer (English/Australian cellist)
orchestra:
Sinfonia Australis
conductor:
William Motzing (conductor, composer, trombonist)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach5:21
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