The Original Hits

~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

List of subparts
CD1 tracks 13 to 18: Bonus Tracks

Made in the EU.

Other Identifiers
Rights Society: MCPS

Anmerkung zuletzt geändert am 2024-07-26 18:30 UTC.

Titelliste

1CD
2CD: Bonus Tracks
Nr.TitelBewertungLänge
1Rip It Up
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-03)
cover recording of:
Rip It Up (am 1956-09-03)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
3.651:58
2Love Me
cover recording of:
Love Me
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
2:47
3When My Blue Moon Turns to Gold
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 21)
cover recording of:
When My Blue Moon Turns to Gold Again (am 1956-09-02)
Verfasser(in):
Gene Sullivan (in 1940) und Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI) (am 1941-12-03)
3.352:23
4Long Tall Sally1:55
5First in Line
recording of:
First in Line
Komponist(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
Rachel’s Own Music und Ross Jungnickel, Inc.
3:25
6Paralysed
recording of:
Paralyzed
Komponist(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music und Williamson Music Company
2:27
7So Glad You're Mine2:24
8Old Shep
cover recording of:
Old Shep
publisher:
Clyde Julian Foley (US country music musician) (am 1935-06-24)
Texter:
Willis Arthur (lyricist)
Komponist(in):
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
4:12
9Ready Teddy1:59
10Anyplace Is Paradise
recording of:
Anyplace Is Paradise
Texter und Komponist(in):
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music und Elvis Presley Music Inc.
2:29
11How's the World Treating You?
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
How’s the World Treating You (am 1956-09-01)
Komponist(in):
Chet Atkins und Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
2.52:27
12How Do You Think I Feel
cover recording of:
How Do You Think I Feel
Komponist(in):
Webb Pierce und Wiley Walker
2:14
13Hound Dog
cover recording of:
Hound Dog
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
2:19
14Don't Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
3.82:04
15Any Way You Want Me (That's How I Will Be)
recording of:
Any Way You Want Me
Verfasser(in):
Cliff Owens und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music und Ross Jungnickel, Inc.
2:17
16Too Much2:34
17Playing for Keeps
cover recording of:
Playing for Keeps
Texter und Komponist(in):
Stan Kesler (US session musician, composer and producer)
2:55
18Love Me Tender
recording of:
Love Me Tender
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
2:47

Nennungen

Veröffentlichung

vertrieben von, urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Not Now Music Limited (company credits only; do NOT use as release label)
Discogs:https://www.discogs.com/release/6332830 [Info]