Jazz Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1L‐O‐V‐E
Techniker(in):
Ryan Robinson (engineer)
Mix:
Joel Iwataki
assistierendes Editing:
Sam Zeines
vocals:
Nat King Cole (am 1964-06-03)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-03)
recording of:
L‐O‐V‐E (am 1964-06-03)
Texter:
Milton Gabler
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Nat King Cole52:32
2My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Julie London2:40
3Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vikki Carr3:09
4Unchain My Heart
cover recording of:
Unchain My Heart
Texter und Komponist(in):
Bobby Sharp
Verfasser(in):
Teddy Powell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (in 1987)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Nancy Wilson2:04
5Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:20
6Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Wayne Newton1:59
7Blue Moon
recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Billie Holiday2:11
8I Left My Heart in San Francisco
Dinah Washington2:07
9I Can’t Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Sarah Vaughan3:07
10Wild Is the Wind
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier und Sologesang:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (in 1959-10)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
Nina Simone3:25
11I’ve Got You Under My Skin
Techniker(in) und Produzent(in):
Richard Bock (record producer)
Bass:
Monty Budwig (von 1965-07-12 bis 1965-07-16)
Gitarre:
Joe Pass (jazz guitarist) (von 1965-07-12 bis 1965-07-16)
Holzblasinstrumente:
Bud Shank (von 1965-07-12 bis 1965-07-16)
Instrumente:
The Bud Shank Quintet (von 1965-07-12 bis 1965-07-16)
Klavier:
Russ Freeman (pianist) (von 1965-07-12 bis 1965-07-16)
membranophone und Schlagzeug:
Colin Bailey (drummer) (von 1965-07-12 bis 1965-07-16)
vocals:
Julie London (von 1965-07-12 bis 1965-07-16)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1965-07-12 bis 1965-07-16)
cover recording of:
I’ve Got You Under My Skin (von 1965-07-12 bis 1965-07-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Julie London3:02
12It Amazes Me
Liza Minnelli3:11
13It Don’t Mean a Thing – If It Ain’t Got That Swing
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Duke Ellington4:11
14Maybe I’ll Come Back
Judy Garland2:18
15Why Don’t You Do Right
cover recording of:
Why Don’t You Do Right?
Texter und Komponist(in):
Kansas Joe McCoy
publisher:
Edwin Morris Music und Morley Music Co
Version von:
Weed Smoker’s Dream
Peggy Lee2:25
16Cheek to Cheek
Rita Reys6:25
17Misty Blue
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Ella Fitzgerald2:27
18You’re Always on My Mind
Lou Rawls2:51
19Put the Blame on Mame
Mark Murphy2:46
20Goin’ Out of My Head
cover recording of:
Goin’ Out of My Head
Texter:
Bobby Weinstein (US songwriter)
Komponist(in):
Teddy Randazzo
publisher:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music und Songs of PolyGram International, Inc. (in 1964)
Nancy Wilson2:11
21How High the Moon
recording of:
How High the Moon
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
June Christy2:33
22Love for Sale
assistierende(r) Techniker(in):
Robert Reed (member of Trouble Funk, engineer at Mad Hatter Studio)
Techniker(in):
Malcolm Cecil
Produzent(in):
Charles Mims und Dianne Reeves
assistierende(r) Mix:
Chris Morris (LA engineer & producer (late ’70s))
Mix:
F. Byron Clark
Bass:
Chris Severin (am 1990-09-11)
Klavier:
Billy Childs (US composer/jazz pianist) (am 1990-09-11)
Schlagzeug:
Billy Kilson (American jazz drummer) (am 1990-09-11)
Sologesang:
Dianne Reeves (am 1990-09-11)
arranger:
David Torkanowsky
aufgenommen bei:
Madhatter Studio (Los Angeles) in Echo Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1990-09-11)
mixed at:
Mama Jo’s in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Love for Sale (am 1990-09-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Dianne Reeves3:44
23Love Is a Many Splendored Thing
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Love Is a Many‐Splendored Thing
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
Shirley Bassey2:50
24Summertime
Wes Montgomery3:59