Bach 333: Sacred & secular vocal (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 207, 204, 216a (1726-1728)
2▶CD: Cantatas 198, 201 (1727-1729)
3▶CD: Cantatas 213, 214 (1733)
4▶CD: Cantatas 211, 215 (1734)
5▶CD: Cantatas 206, 30a (1736-1737)
6▼CD: Cantatas 209, 210, 212 (1730s-1740s)
#TitleRatingLength
1"Non sa che sia dolore", BWV 209: 1. Sinfonia
producer:
Peter Wadland (producer)
soprano vocals:
Julianne Baird (soprano) (in 1987-06)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
6:26
2"Non sa che sia dolore", BWV 209: 2. Recitative: "Non sa che sia dolore"
producer:
Peter Wadland (producer)
soprano vocals:
Julianne Baird (soprano) (in 1987-06)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
0:51
3"Non sa che sia dolore", BWV 209: 3. Aria: "Parti pur e con dolore"
producer:
Peter Wadland (producer)
soprano vocals:
Julianne Baird (soprano) (in 1987-06)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
7:51
4"Non sa che sia dolore", BWV 209: 4. Recitative: "Tuo saver al tempo"
producer:
Peter Wadland (producer)
soprano vocals:
Julianne Baird (soprano) (in 1987-06)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
0:30
5"Non sa che sia dolore", BWV 209: 5. Aria: "Ricetti gramezza e pavento"
producer:
Peter Wadland (producer)
soprano vocals:
Julianne Baird (soprano) (in 1987-06)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1987-06)
conductor:
Joshua Rifkin (in 1987-06)
balance engineer:
John Dunkerley (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1987-06)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
5:33
6"O holder Tag, erwünschte Zeit", BWV 210: 1. Recitative: "O holder Tag, erwünschte Zeit"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": I. Recitativo (Sopran) "O holder Tag, erwünschte Zeit"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
0:50
7"O holder Tag, erwünschte Zeit", BWV 210: 2. Aria: "Spielet, ihr beseelten Lieder"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": II. Aria (Sopran) "Spielet, ihr beseelten Lieder"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
6:06
8"O holder Tag, erwünschte Zeit", BWV 210: 3. Recitative: "Doch, haltet ein, ihr muntern Saiten"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": III. Recitativo (Sopran) "Doch, haltet ein, ihr muntern Saiten"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:00
9"O holder Tag, erwünschte Zeit", BWV 210: 4. Aria: "Ruhet hie, matte Töne"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IV. Aria (Sopran) "Ruhet hie, matte Töne"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
7:01
10"O holder Tag, erwünschte Zeit", BWV 210: 5. Recitative: "So glaubt man denn, dass die Musik verführe"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": V. Recitativo (Sopran) "So glaubt man denn, daß die Musik verführe"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:44
11"O holder Tag, erwünschte Zeit", BWV 210: 6. Aria: "Schweigt, ihr Flöten, schweigt, ihr Töne"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VI. Aria (Sopran) "Schweigt, ihr Flöten, schweigt, ihr Töne"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
4:17
12"O holder Tag, erwünschte Zeit", BWV 210: 7. Recitative: "Was luft? Was Grab"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VII. Recitativo (Sopran) "Was Luft? was Grab?"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:23
13"O holder Tag, erwünschte Zeit", BWV 210: 8. Aria: "Großer Gönner, dein Vergnügen"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": VIII. Aria (Sopran) "Großer Gönner, dein Vergnügen"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
3:10
14"O holder Tag, erwünschte Zeit", BWV 210: 9. Recitative:1 "Hochteurer Mann, so fahre ferner fort"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": IX. Recitativo (Sopran) "Hochteurer Mann, so fahre ferner fort"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
1:16
15"O holder Tag, erwünschte Zeit", BWV 210: 10. Aria: "Seid beglückt"
producer:
Chris Sayers (producer)
soprano vocals:
Emma Kirkby (soprano) (in 1996-07)
orchestra:
Academy of Ancient Music (in 1996-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1996-07)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-07)
recording of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit": X. Aria (Sopran) "Seid beglückt, edle beide"
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1740 until 1750)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 210 "O holder Tag, erwünschte Zeit"
5:11
16"Mer hahn en neue Oberkeet", BWV 212: 1. [Overture]
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:03
17"Mer hahn en neue Oberkeet", BWV 212: 2. Duet: "Mer hahn en neue Oberkeet" / 3. Recitative: "Nu, Mieke, gib dein Guschel immer her"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:18
18"Mer hahn en neue Oberkeet", BWV 212: 4. [Aria:] "Ach, es schmeckt doch gar zu gut" / 5. Recitative: "Der Herr ist gut"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:21
19"Mer hahn en neue Oberkeet", BWV 212: 6. Aria: "Ach, Herr Schösser, geht nicht gar zu schlimm" / 7. Recitative: "Es bleibt dabei"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:35
20"Mer hahn en neue Oberkeet", BWV 212: 8. [Aria:] "Unser trefflicher lieber Kammerherr" / 9. Recitative: "Er hilft uns allein, alt und jung"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:06
21"Mer hahn en neue Oberkeet", BWV 212: 10. Aria: "Das ist galant, es spricht niemand" / 11. Recitative: "Und unsre gnädge Frau"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:52
22"Mer hahn en neue Oberkeet", BWV 212: 12. Aria: "Fünfzig Taler bares Geld" / 13. Recitative: "Im Ernst ein Wort"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Basso) "Fünfzig Taler bares Geld" by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:09
23"Mer hahn en neue Oberkeet", BWV 212: 14. Aria: "Klein-Zschocher müsse so zart und süße" / 15. Recitative: "Das ist zu klug vor dich"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
compilation of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Soprano) "Klein-Zschocher müsse so zart und süsse" by Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
5:51
24"Mer hahn en neue Oberkeet", BWV 212: 16. Aria col come de Chasse: "Es nehme zehntausend Dukaten" / 17. Recitative: "Das klingt zu liederlich"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:58
25"Mer hahn en neue Oberkeet", BWV 212: 18. [Aria:] "Gib, Schöne, viel Söhne" / 19. Recitative: "Du hast wohl recht"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:48
26"Mer hahn en neue Oberkeet", BWV 212: 20. Aria: "Dein Wachstum sei feste und lache vor Lust" / 21. Recitative: "Und damit sei es auch genug
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
5:58
27"Mer hahn en neue Oberkeet", BWV 212: 22. [Aria:] "Und dass ihrs alle wisst" / 23. [Recitative:] "Mein Schatz, erraten"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:13
28"Mer hahn en neue Oberkeet", BWV 212: 24. Chorus: "Wir gehn nun, wo der Tudelsack"
producer:
Peter Wadland (producer)
creative direction:
Christopher Hogwood (conductor, harpsichordist)
bass vocals:
David Thomas (British operatic bass) (from 1986-09-09 until 1986-09-11)
soprano vocals:
Emma Kirkby (soprano) (from 1986-09-09 until 1986-09-11)
orchestra:
Academy of Ancient Music (from 1986-09-09 until 1986-09-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1986-09-09 until 1986-09-11)
balance engineer:
John Pellowe (audio engineer) (from 1986-09-09 until 1986-09-11)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1986-09-09 until 1986-09-11)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (from 1986-09-09 until 1986-09-11)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:08
7▶CD: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
8▶CD: Cantatas 56, 82, 4
9▶CD: Cantatas 31, 104, 57
10▶CD: Cantatas 199, 173, 74, 151
11▶CD: Easter Oratorio / Cantata 140
12▶CD: Cantatas 170, 159, 102
13▶CD: Cantatas 80, 52, 84, 209
14▶CD: Cantatas 82, 158, 56
15▶CD: Cantatas 61, 63, 121, 28 (Advent & Christmas)
16▶CD: Cantatas 64, 65, 111, 81 (Advent & Christmas)
17▶CD: Cantatas 92, 126, 182 (Easter)
18▶CD: Cantatas 1, 4, 67, 104 (Easter)
19▶CD: Cantatas 34, 68, 39 (Whitsun)
20▶CD: Cantatas 30, 147 (Whitsun)
21▶CD: Cantatas 76, 21 (Trinity)
22▶CD: Cantatas 135, 10, 45, 105 (Trinity)
23▶CD: Cantatas 51, 78, 8, 130 (Trinity)
24▶CD: Cantatas 27, 5, 60, 26 (Trinity)
25▶CD: St. Matthew Passion (1 Richter)
26▶CD: St. Matthew Passion (2 Richter)
27▶CD: St. Matthew Passion (3 Richter)
28▶CD: Great Singers (1952-1965)
29▶CD: Great Singers (1967-2011)
30▶CD: Great Singers (Period Instruments)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]