The Complete Decca Studio Master Takes 1935-1939

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1Skeleton in the Closet
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Skeleton in the Closet (am 1936-08-07)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Arthur Johnston (American composer and songwriter)
3:11
2When Ruben Swings the Cuban
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
2:39
3Hurdy Gurdy Man
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Hurdy-Gurdy Man (am 1936-08-07)
Texter und Komponist(in):
Sammy Cahn und Saul Chaplin
2:59
4Dippermouth Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Klarinette:
Jimmy Dorsey (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Dippermouth Blues (am 1936-08-07)
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
2:47
5Swing That Music
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Swing That Music (am 1936-08-07)
Texter und Komponist(in):
Louis Armstrong und Horace Gerlach
2:53
6Pennies From Heaven (medley)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-17)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-17)
Kontrabass:
Slim Taft (am 1936-08-17)
Posaune:
Bobby Byrne (am 1936-08-17), Don Matteson (am 1936-08-17) und Joe Yukl (am 1936-08-17)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-17), Skeets Herfurt (am 1936-08-17), Fud Livingston (am 1936-08-17) und Jack Stacey (am 1936-08-17)
Schlagzeug:
Ray McKinley (am 1936-08-17)
Trompete:
Louis Armstrong (am 1936-08-17), Tutti Camarata (am 1936-08-17) und George Thow (am 1936-08-17)
vocals:
Louis Armstrong (am 1936-08-17), Bing Crosby (am 1936-08-17) und Frances Langford (am 1936-08-17)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-17)
medley including a recording of:
Let’s Call a Heart a Heart (am 1936-08-17)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Arthur Johnston (American composer and songwriter)
medley including a recording of:
Skeleton in the Closet (am 1936-08-17)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Arthur Johnston (American composer and songwriter)
medley including a recording of:
So Do I (am 1936-08-17)
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964) und Arthur Johnston (American composer and songwriter)
4:25
7Pennies From Heaven
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-17)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-17)
Kontrabass:
Slim Taft (am 1936-08-17)
Posaune:
Bobby Byrne (am 1936-08-17), Don Matteson (am 1936-08-17) und Joe Yukl (am 1936-08-17)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-17), Skeets Herfurt (am 1936-08-17), Fud Livingston (am 1936-08-17) und Jack Stacey (am 1936-08-17)
Schlagzeug:
Ray McKinley (am 1936-08-17)
Trompete:
Louis Armstrong (am 1936-08-17), Tutti Camarata (am 1936-08-17) und George Thow (am 1936-08-17)
vocals:
Louis Armstrong (am 1936-08-17), Bing Crosby (am 1936-08-17) und Frances Langford (am 1936-08-17)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-17)
recording of:
Pennies From Heaven (am 1936-08-17)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
4:20
8To You, Sweetheart, Aloha
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-18)
Gitarre:
George Archer (French jazz guitarist & vocalist) (am 1936-08-18) und Harry Baty (am 1936-08-18)
Kontrabass:
Joe Nawahi (am 1936-08-18)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1936-08-18)
Steel-Gitarre:
Sam Koki (am 1936-08-18)
Trompete:
Louis Armstrong (am 1936-08-18)
vocals:
George Archer (French jazz guitarist & vocalist) (am 1936-08-18), Louis Armstrong (am 1936-08-18), Harry Baty (am 1936-08-18) und Joe Nawahi (am 1936-08-18)
recording of:
To You Sweetheart, Aloha (am 1936-08-18)
Texter und Komponist(in):
Harry Owens
2:59
9On a Cocoanut Island
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-18)
Gitarre:
George Archer (French jazz guitarist & vocalist) (am 1936-08-18) und Harry Baty (am 1936-08-18)
Kontrabass:
Joe Nawahi (am 1936-08-18)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1936-08-18)
Steel-Gitarre:
Sam Koki (am 1936-08-18)
Trompete:
Louis Armstrong (am 1936-08-18)
vocals:
George Archer (French jazz guitarist & vocalist) (am 1936-08-18), Louis Armstrong (am 1936-08-18), Harry Baty (am 1936-08-18) und Joe Nawahi (am 1936-08-18)
recording of:
On a Coconut Island (am 1936-08-18)
Texter:
Robert Alex Anderson
Komponist(in):
Robert Alex Anderson (in 1936)
3:11
10On a Little Bamboo Bridge
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-24)
Gitarre:
George Archer (French jazz guitarist & vocalist) (am 1937-03-24) und Harry Baty (am 1937-03-24)
Kontrabass:
Joe Nawahi (am 1937-03-24)
Steel-Gitarre:
Sam Koki (am 1937-03-24)
Trompete:
Louis Armstrong (am 1937-03-24)
Ukulele:
Andy Iona (Hawaiian musician & songwriter) (am 1937-03-24)
vocals:
Louis Armstrong (am 1937-03-24)
Interpret(in):
Andy Iona and His Islanders (am 1937-03-24)
recording of:
On a Little Bamboo Bridge (am 1937-03-24)
3:15
11Hawaiian Hospitality
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-24)
Gitarre:
George Archer (French jazz guitarist & vocalist) (am 1937-03-24) und Harry Baty (am 1937-03-24)
Kontrabass:
Joe Nawahi (am 1937-03-24)
Steel-Gitarre:
Sam Koki (am 1937-03-24)
Trompete:
Louis Armstrong (am 1937-03-24)
Ukulele:
Andy Iona (Hawaiian musician & songwriter) (am 1937-03-24)
vocals:
Louis Armstrong (am 1937-03-24)
Interpret(in):
Andy Iona and His Islanders (am 1937-03-24)
recording of:
Hawaiian Hospitality (am 1937-03-24)
3:07
12Carry Me Back to Old Virginny
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-07)
Gitarre:
Bernard Addison (am 1937-04-07) und John Mills, Sr. (am 1937-04-07)
Trompete:
Louis Armstrong (am 1937-04-07)
Baritongesang:
Harry Mills (am 1937-04-07)
Bass-Gesang:
John Mills, Sr. (am 1937-04-07)
Tenor-Gesang:
Donald Mills (am 1937-04-07) und Herbert Mills (am 1937-04-07)
vocals:
Louis Armstrong (am 1937-04-07) und The Mills Brothers (am 1937-04-07)
recording of:
Carry Me Back to Old Virginny (am 1937-04-07)
Komponist(in):
James A. Bland
3:03
13My Darling Nelly Grey
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-07)
Gitarre:
Bernard Addison (am 1937-04-07) und John Mills, Sr. (am 1937-04-07)
Trompete:
Louis Armstrong (am 1937-04-07)
Baritongesang:
Harry Mills (am 1937-04-07)
Bass-Gesang:
John Mills, Sr. (am 1937-04-07)
Tenor-Gesang:
Donald Mills (am 1937-04-07) und Herbert Mills (am 1937-04-07)
vocals:
Louis Armstrong (am 1937-04-07) und The Mills Brothers (am 1937-04-07)
recording of:
Darling Nellie Gray (am 1937-04-07)
Komponist(in):
Benjamin R. Hanby
2:45
14In the Shade of the Old Apple Tree
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-29)
Gitarre:
Bernard Addison (am 1937-06-29) und John Mills, Sr. (am 1937-06-29)
Trompete:
Louis Armstrong (am 1937-06-29)
Baritongesang:
Harry Mills (am 1937-06-29)
Bass-Gesang:
John Mills, Sr. (am 1937-06-29)
Tenor-Gesang:
Donald Mills (am 1937-06-29) und Herbert Mills (am 1937-06-29)
vocals:
Louis Armstrong (am 1937-06-29) und The Mills Brothers (am 1937-06-29)
recording of:
In the Shade of the Old Apple Tree (am 1937-06-29)
Verfasser(in):
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) und Egbert Van Alstyne (in 1905)
publisher:
Francis, Day & Hunter Ltd. und Redwood Music Ltd. (Carlin)
2:20
15Old Folks at Home
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-29)
Gitarre:
Bernard Addison (am 1937-06-29)
Trompete:
Louis Armstrong (am 1937-06-29)
vocals:
Louis Armstrong (am 1937-06-29), The Mills Brothers (am 1937-06-29), Donald Mills (am 1937-06-29), Harry Mills (am 1937-06-29), Herbert Mills (am 1937-06-29) und John Mills, Sr. (am 1937-06-29)
recording of:
Old Folks at Home (Swanee River) (am 1937-06-29)
Nationalhymne von:
Florida, Vereinigte Staaten (vom 1935 bis heute)
Texter und Komponist(in):
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
2:23
16Public Melody Number One
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-02)
Gitarre:
Lee Blair (am 1937-07-02)
Klavier:
Luis Russell (am 1937-07-02)
Kontrabass:
George "Pops" Foster (am 1937-07-02)
Posaune:
J.C. Higginbotham (am 1937-07-02), George Matthews (trombone) (am 1937-07-02) und George Washington (jazz trombonist) (am 1937-07-02)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-02), Bingie Madison (am 1937-07-02) und Albert Nicholas (am 1937-07-02)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-02)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-02), Louis Armstrong (am 1937-07-02), Louis Bacon (am 1937-07-02) und Shelton "Scad" Hemphill (am 1937-07-02)
vocals:
Louis Armstrong (am 1937-07-02)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-02)
recording of:
Public Melody Number One (am 1937-07-02)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
3:10
17Yours and Mine
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-02) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-02)
Gitarre:
Lee Blair (am 1937-07-02)
Klavier:
Luis Russell (am 1937-07-02)
Kontrabass:
George "Pops" Foster (am 1937-07-02)
Posaune:
J.C. Higginbotham (am 1937-07-02), George Matthews (trombone) (am 1937-07-02) und George Washington (jazz trombonist) (am 1937-07-02)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-02)
Tenorsaxophon:
Bingie Madison (am 1937-07-02) und Albert Nicholas (am 1937-07-02)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-02), Louis Armstrong (am 1937-07-02), Louis Bacon (am 1937-07-02) und Shelton "Scad" Hemphill (am 1937-07-02)
vocals:
Louis Armstrong (am 1937-07-02)
Bearbeitung von:
Yours and Mine (with pre-groove warm-up) von Louis Armstrong
recording of:
Yours and Mine (am 1937-07-02)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
2:42
18Red Cap
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-02)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-02)
Gitarre:
Lee Blair (am 1937-07-02)
Klavier:
Luis Russell (am 1937-07-02)
Kontrabass:
George "Pops" Foster (am 1937-07-02)
Posaune:
J.C. Higginbotham (am 1937-07-02), George Matthews (trombone) (am 1937-07-02) und George Washington (jazz trombonist) (am 1937-07-02)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-02), Bingie Madison (am 1937-07-02) und Albert Nicholas (am 1937-07-02)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-02)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-02), Louis Armstrong (am 1937-07-02), Louis Bacon (am 1937-07-02) und Shelton "Scad" Hemphill (am 1937-07-02)
vocals:
Louis Armstrong (am 1937-07-02)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-02)
recording of:
Red Cap (am 1937-07-02)
3:10
19She's the Daughter of a Planter From Havana
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
She's the Daughter of a Planter From Havana (am 1937-07-07)
3:16
20Alexander's Ragtime Band
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
Alexander’s Ragtime Band (am 1937-07-07)
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:36
21Cuban Pete
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
Cuban Pete (am 1937-07-07)
Komponist(in):
Jose Norman (composer / band leader)
3:08
22I've Got a Heart Full of Rhythm
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
I’ve Got a Heart Full of Rhythm (am 1937-07-07)
3:09
23Sun Showers
recorded in:
New York, New York, Vereinigte Staaten (am 1937-07-07)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1937-07-07)
Gitarre:
Lee Blair (am 1937-07-07)
Klavier:
Luis Russell (am 1937-07-07)
Kontrabass:
George "Pops" Foster (am 1937-07-07)
Posaune:
J.C. Higginbotham (am 1937-07-07), George Matthews (trombone) (am 1937-07-07) und George Washington (jazz trombonist) (am 1937-07-07)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-07-07), Bingie Madison (am 1937-07-07) und Albert Nicholas (am 1937-07-07)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-07-07)
Trompete:
Henry “Red” Allen (jazz musician) (am 1937-07-07), Louis Armstrong (am 1937-07-07), Louis Bacon (am 1937-07-07) und Shelton "Scad" Hemphill (am 1937-07-07)
vocals:
Louis Armstrong (am 1937-07-07)
Orchester:
Louis Armstrong & His Orchestra (am 1937-07-07)
recording of:
Sun Showers (am 1937-07-07)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
2:40
3CD
4CD