The Choral Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

A collection of choral performances ranging from the periods of Medieval, Renaissance, Baroque, Classical, Romantic, and modern.

Annotation last modified on 2020-10-13 09:36 UTC.

Tracklist

1▶CD: Agricola: Fortuna desperata - Secular Music of the 15th Century
2▶CD: Arnesen: Infinity: Choral Works
3▶CD: Beethoven: Der glorreiche Augenblick / Choral Fantasia
4▶CD: Brahms: Ein deutsches Requiem
5▶CD: Cherubini: Requiem / Marche funèbre
6▶CD: Donizetti: Aristea (Cantata)
7▶CD: Dvořák: Requiem, op. 89 (Part I)
8▶CD: Dvořák: Requiem, op. 89 (Part II)
9▶CD: Fauré: Requiem / Messe basse
10▶CD: Gesualdo: Madrigals, Book 4
11▼CD: Handel: Messiah (Highlights)
#TitleArtistRatingLength
1Messiah: Part I. Sinfonia
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:11
2Messiah: Part I. Recitative: “Comfort ye my people ... Every valley shall be exalted” (Tenor)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:42
3Messiah: Part I. “And the glory of the Lord” (Chorus)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:44
4Messiah: Part I. Recitative: “Behold a virgin shall conceive ... O thou that tellest good tidings to Zion” (Alto)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:00
5Messiah: Part I. “For unto us a child is born” (Chorus)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:03
6Messiah: Part I. Pifa
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:03
7Messiah: Part I. Aria: “Rejoice greatly, O daughter of Zion” (Soprano)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:04
8Messiah: Part I. Recitative: “Then shall the eyes of the blind be open'd ... He shall feed His flock” (Alto)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:37
9Messiah: Part II. Aria: “He was despised and rejected of men” (Alto)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
compilation of:
Messiah, HWV 56, Part II: He was despised by Angus Davidson (Countertenor)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel11:16
10Messiah: Part II. Aria: “How beautiful are the feet of Him” (Soprano)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
alto vocals:
Frances Jellard (from 1992-07-06 until 1992-07-09)
countertenor vocals:
Angus Davidson (Countertenor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Alto) (aria version without chorus, transposed for Alto) (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1750)
revision of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
George Frideric Handel3:22
11Messiah: Part II. Aria: “Why do the nations so furiously rage together?” (Bass)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:16
12Messiah: Part II. “Hallelujah!” (Chorus)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:43
13Messiah: Part III. Aria: “I know that my Redeemer liveth” (Soprano)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
soprano vocals:
Kym Amps (English soprano) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:13
14Messiah: Part III. Recitative: “Behold, I tell you a mystery ... The trumpet shall sound” (Bass)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel9:42
15Messiah: Part III. “Worthy is the lamb ... Amen” (Chorus)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
conductor:
David van Asch
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:19
12▶CD: Haydn: Missa brevis / Harmoniemesse
13▶CD: Janáček: Glagolitic Mass / Sinfonietta
14▶CD: Lassus: St. Matthew Passion
15▶CD: Léonin / Pérotin: Sacred Music from Notre-Dame Cathedral
16▶CD: Mayr: Te Deum / attrib. Mozart: Missa solemnis
17▶CD: Mozart: Requiem
18▶CD: Palestrina: Missa sine nomine / Three Motets
19▶CD: Pärt: Passio
20▶CD: Penderecki: Utrenja
21▶CD: Purcell: Ode for St. Cecilia's Day / Te Deum
22▶CD: Rachmaninov: Vespers
23▶CD: Rossini: Stabat Mater / Giovanna d'Arco
24▶CD: Rutter: Requiem and Other Sacred Music
25▶CD: Schumann: Romances and Ballads
26▶CD: Vaňhal: Missa pastoralis / Missa solemnis
27▶CD: Bach: Magnificat / Vivaldi: Gloria
28▶CD: von Bingen: Celestial Harmonies
29▶CD: Whitacre: Choral Music
30▶CD: English Madrigals and Songs