Viva Opéra!

~ Veröffentlichung von Roberto Alagna (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Rigoletto: La donna è mobile
Tenor-Gesang und Tenor-Gesang [Duca]:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) und Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Richard Armstrong (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:18
2Le Trouvère: Di quella pira
Produzent(in):
David Groves (classical music producer at EMI)
Chorgesang:
London Voices
Soprangesang [Leonora]:
Angela Gheorghiu (Romanian soprano) (in 1997-02, in 1997-09)
Tenor-Gesang [Manrico]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
Orchester:
Berliner Philharmoniker (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
chorus master:
Terry Edwards (British choir director)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1997-02, in 1997-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1997-02)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1997-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:32
3La fille du régiment: Ah mes amis, quel jour de fête!
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
teilweise recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
La Fille du régiment : Acte I
Gaetano Donizetti2:00
4La fille du régiment: Messieurs son père
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Evelino Pidò (conductor)
teilweise recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
La Fille du régiment : Acte I
Gaetano Donizetti2:45
5La fille du régiment: Pour mon âme
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Evelino Pidò (conductor)
recording of:
La Fille du régiment : Acte I, Scène 11. Final “Pour mon âme” (Tonio)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Librettist:
Jean-François Bayard (French librettist) und Jules-Henri Vernoy de Saint-Georges
Teil von:
La Fille du régiment : Acte I
Gaetano Donizetti2:21
6L'elixir d'amour: Una furtiva lagrima
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Evelino Pidò (conductor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Gaetano Donizetti4:27
7Macbeth: O figli
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Berliner Philharmoniker
conductor:
Claudio Abbado (conductor)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Macbeth: Atto IV
Giuseppe Verdi1:19
8Macbeth: Ah la paterna mano
Produzent(in):
David Groves (classical music producer at EMI)
Tenor-Gesang [Macduff]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
Orchester:
Berliner Philharmoniker (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1997-02, in 1997-09)
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1997-02)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1997-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Macbeth: Atto IV
Giuseppe Verdi2:53
9La favorite: Un ange, une femme inconnue
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Evelino Pidò (conductor)
recording of:
La Favorite: Acte I, scène 2. Romance « Parle, mon fils » - « Un ange, une femme inconnue » (Balthazar, Fernand)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
La Favorite: Acte I
Gaetano Donizetti3:54
10La Gioconda: Cielo e mar
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Mark Elder (conductor)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo)
Komponist(in):
Amilcare Ponchielli (composer)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli5:15
11Aida: Se quel guerrier io fossi
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Evelino Pidò (conductor)
teilweise recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Gaetano Donizetti0:55
12Aida: Celeste Aida
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Evelino Pidò (conductor)
teilweise recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Gaetano Donizetti3:32
13Martha: M'appari
Techniker(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
Produzent(in):
David Groves (classical music producer at EMI)
Editing:
Bob Whitney (engineer)
Tenor-Gesang:
Roberto Alagna (tenor) (von 1995-01 bis 1995-04)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1995-01 bis 1995-04)
conductor:
Richard Armstrong (conductor) (von 1995-01 bis 1995-04)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1995-01 bis 1995-04)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (von 1995-01 bis 1995-04)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow2:58
14Othello: Dio, mi potevi scagliar
Produzent(in):
David Groves (classical music producer at EMI)
Tenor-Gesang [Gaston] und Tenor-Gesang [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
Orchester:
Berliner Philharmoniker (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1997-02, in 1997-09)
teilweise recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-02)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto III
teilweise recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto III
Giuseppe Verdi2:21
15Othello: Ma, o pianto, o dual!
Produzent(in):
David Groves (classical music producer at EMI)
Tenor-Gesang [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
Orchester:
Berliner Philharmoniker (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1997-02, in 1997-09)
teilweise recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-02)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto III
teilweise recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago) (in 1997-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto III
Giuseppe Verdi2:41
16Othello: Niun mi tema
Produzent(in):
David Groves (classical music producer at EMI)
Bass-Gesang [Cassio]:
Noel Mann (bass vocalist) (in 1997-02, in 1997-09)
Bass-Gesang [Lodovico]:
Richard Fallas (in 1997-02, in 1997-09)
Tenor-Gesang [Montano]:
Andrew Busher (tenor) (in 1997-02, in 1997-09)
Tenor-Gesang [Otello]:
Roberto Alagna (tenor) (in 1997-02, in 1997-09)
Orchester:
Berliner Philharmoniker (in 1997-02, in 1997-09)
conductor:
Claudio Abbado (conductor) (in 1997-02, in 1997-09)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 1997-02, in 1997-09)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1997-02)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1997-09)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi6:12
17Cavalleria rusticana: Mamma, quel vino è generoso
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Mark Elder (conductor)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1890)
Librettist:
Guido Menasci (Italian librettist, 19th-20th c.) und Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
Teil von:
Cavalleria rusticana
Amilcare Ponchielli4:09
18André Chénier: Come un bel dì di maggio
Tenor-Gesang [Chénier]:
Roberto Alagna (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Mark Elder (conductor)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1896)
Librettist:
Luigi Illica (in 1896)
Teil von:
Andrea Chénier: Atto IV
Amilcare Ponchielli3:08
19L'Arlésienne: È' la solita storia del pastore
Techniker(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios)
Produzent(in):
David Groves (classical music producer at EMI)
Editing:
Bob Whitney (engineer)
Tenor-Gesang:
Roberto Alagna (tenor) (von 1995-01 bis 1995-04)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1995-01 bis 1995-04)
conductor:
Richard Armstrong (conductor) (von 1995-01 bis 1995-04)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1995-01 bis 1995-04)
recording of:
L’Arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico) (von 1995-01 bis 1995-04)
Komponist(in):
Francesco Cilea (composer) (in 1897)
Librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
Teil von:
L’Arlesiana: Atto II
Francesco Cilea4:59
20La Bohème: Che gelida manina!
Tenor-Gesang [Rodolfo]:
Roberto Alagna (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:41
21La Bohème: O soave fanciulla
Baritongesang [Marcello]:
Simon Keenlyside (baritone)
Soprangesang [Mimi]:
Angela Gheorghiu (Romanian soprano)
Tenor-Gesang [Rodolfo]:
Roberto Alagna (tenor)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:13
22Turandot: Nessum dorma
Chorgesang:
London Voices
Tenor-Gesang:
Roberto Alagna (tenor)
vocals:
Roberto Alagna (tenor) und London Voices
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Mark Elder (conductor)
chorus master:
Terry Edwards (British choir director)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Amilcare Ponchielli3:34
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